Snayke Plysk is a man of many aliases. Since his initial release as Set Kozmic (Elixir/2000); Plysk had immediately found himself immeresed in a confusing and sometimes highly traumatizing dimension of existence outside the average dimensional realms of the "standard" sonic visions of his peers. Elixir provided a virtual soundscape for the twisted labyrinth that would be travelled in the years to come. Featuring songs such as: "5150" (featuring a young Mac Fnord & production from Bionic Jive's own Emerg McVay) & "Tear Down The Walls" (featuring an early Cut Throat Logic - including the late K-Rab *R.I.P.* - and Division X appearance); this album painted a surreal image of an artform Plysk felt hip hop was evolving into. 

                    In the year 2000; groups and artists similar to Def Jux or Linkin Park were barely breaking out of the underground scene; and where known stereotypically as "EAR GARBAGE". Against the wishes and reccomendations of virtually everyone Plyskerini worked with at the time; Snayke threw himself headfirst into the vast underground abyss and emerged in 2003 with the release: Megaton "Toxin"; the "apocalyptic" or "darkside" version of the Elixir project from three years prior. It was on this album that Snayke Plysk first discovered the formulas he would use in further years to create the unique production and engineering styles that would soon come to be known as the "Paranormal Sound" experience. Songs like "Soylent Blu.Soylent Redd" & "412294" would exploit the distinct Snayke Plysk personality complex (in which a "character acting" type method in creating a saga within each composition would be utilized). While the songs "In The Mouth Of Madness" & "Green Mushroom" showcased the concentrated gnarling darkness far below the subconsciouss human mind which would make its way the surface; therein creating a clone type persona (such as with Set Kozmic/Megaton).

                    The divergent realms of this personality fracturing led to the creation of none other than Snayke Plysk; a central focal point for this newly created artist/engineer/producer/psychopath to anchor his divided mindstate to, and begin synthesizing the many fractions of his own supersonic psychadelic streams of thoughts and realities he now found himself co-existing in. This would not be an easy task. In order to create "Snayke Plysk" and bring his psychosis into one frame of mind; this took not only massive amounts of focus and concentration, but with it demise, self-exploration, experimentation... and finally... enormous amounts of narcotics.

                     Four long years later, Snayke Plysk was finally born and awoke to our world bearing the gift (and curse as well) of: "Unusual Pharmecuticals" (2007). It would be here that Snayke Plysk first explores the now vast range of "polysonic" waveforms which work so well for the artist and listener when immersing themselves in the spectrum and epic experience of a Snayke Plysk album. This oftentimes occurs in just a singular composition such as: "Psychological Horror", "The Zombie King", "Za's Vid (You Are Being Watched)", & "Tranquilizer"; in which the audience finds themselves enthralled in an epic undertaking that can only be compared to watching a full-length motion picture in description. Unusual Pharmecuticals not only documents Snayke Plysk's downward spiral which leads to the following project, "Inferno", but forges a new alliance with the visionary sound man: Bear The Astronot of Optimix Prime Productions. And then there was the notorius Snayke Plysk's "Inferno"...

                     Following the release of "Unusual Pharmecuticals", Snayke was heavily addicted to multiple substances and an extremely chaotic lifestyle. Tormented by inner demons and ghosts of the past, he began recording this album as a portrayl of the man he had become, as well as an immortal testament of his own self-inflicted damages and pain. Considered highly occult in regard to his previous works, Inferno was recorded over a 6 month period in which Snayke Plysk found himself laughing death in the face as he persistantly attempted to completely destroy not only his self-made musical foundations but his very life as well. However, thanks to the assistance of Sacremento's Onbe The Assassin (who produces much of this ablum), and eventually Snayke Plysk's questionable associates: The Dumb Mother Fuckers; Inferno would not only see its release and completion but give him a chance to collect himself once again and return with "Synthesis".

                     Synthesis is a double-length project which features his triumphant return to the world of the living, featuring The Dumb Mother Fuckers (for psychological support of course), and the newly appointed officials which have structured and resurrected Paranormal Sound its core conceptual form; an anti-label label or something of that sort. Naturally, since it's in Snayke Plysk's nature to go against the recommendations of those he knows, loves, and trusts; Snayke Plysk does the unthinkable once again and chooses to release the full length double disc project: "Synthesis" FOR FREE... Some might say Snayke Plysk is a Dumb Mother Fucker. Absolutely.