Simon Little
London, UK
Jazz / Ambient / Rock
Bio
Simon Little is a session bassist living in London.
Simon's debut solo album Mandala was released in 2010 and is available on his official website at http://music.simonlittlebass.com.
Perhaps best known as the bassist with The Divine Comedy and Duke Special, he also tours regularly with Clare Teal and Maggie Reilly. As a jazz bassist he plays with Kate Eden, Lea Delaria, Ian Shaw, Symeon Cosburn, Nina Ferro and Esther Bennett. Simon has also played with Nick Cave & Warren Ellis, A Girl Called...
Past Shows
Wed, Apr 13, 2011
Doors Open: 8:00 PM
Ages: All Ages
London, UK
Comments
Wolfgang Leng - Art, Music & More:
Hi...Have a good Start into the new Week !...Many Greetings - Wolfgang
Jan 08
Alexander Kuzmin:
Hello,Simon
My name is Alexander Kuzmin. I'm an composer, arranger, bassist and mix engineer.
I'd like to offer you my services in Writing Music for TV, Film and other media productions, Arrangements, Keyboard, ...
Dec 02
Wolfgang Leng - Art, Music & More:
I'am back to hear your great music !...Have a FANTASTIC Day my Friend !...Many Greetings - Wolfgang
Oct 26
Savear:
Your music is hot please allow our sound to inspire your sound. You are invited to be a part of The Space Age Money Click take over. We are hosting a $250 contest for a collaboration with Savear. MC L leader of the 7th W...
Sep 21
Rocco & Rahj:
Rocco & Rahj dig Simon! Mondo bass-o! Nice work... Cheers)))Rocco & Rahj
Mar 03
Xenophanes Productions:
Like far away blowing themes. We love these pieces.
Feb 03
Shar-Pei Tomatoes:
Top shelf work.
Feb 01
Penny Jayne Black:
Wonderful music ! xx
Aug 19
Mike"Tony"Echols:
Great Tone!! Great Playing!!! Great Tunes!!! Congrats on the New CD!!!!
Aug 17
AMARA LOVE:
I love jazz and you did it up thanks I am going to listen to your tracks again
Aug 11
Press
"The Music of Change" kicks off the program with a very tight, funky groove which would not be out of place on an Isley Brothers record. Two tracks later, "Go Quietly Now..." does just that, bringing down the pace but not the passion—several lovely solo measures merit close attention. This is pretty much the pattern for the remainder of the set, with a mix of up-tempo riffs interspersed with searching, ambient excursions.
Many of the tracks or individual passages thereof lend themselves to visual interpretation. Some of the melodies evoke a sense of Mike Post on psychedelics, and would perhaps be right at home as the theme of a '70s television police drama. Other moments conjure fractals, inner and outer space, and other abstractions
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