LOUISIANA ROCK BAND SANTERIA RELEASE FOURTH FULL-LENGTH
“YEAR OF THE KNIFE”

Santeria, a rock band with three-parts pure Cajun blood and one-part East Indian, was
born in the haunted bayous and swamplands of Louisiana where atmosphere plays as
much a part of the music as the rich cultural legacy of the Deep South. For 10 years, they
defied expectations by releasing three exceptional records (Santeria in 1998,
Apocalypse, Louisiana in 2000 and House of the Dying Sun in 2002) on their own label
(GolarWash Labs) while banging out hundreds of gigs in Nowheresville towns across
America. By some miracle or supernatural force, they somehow retooled the basics of
“southern rock” and modified it into a new and inspired form—relatively free of
Confederate clichés and beer guzzling drunkenness—concentrating their creative
energies on expressing the isolation and loneliness of the modern South—at times loud
and overbearing and alternately quiet, subdued, and withdrawn. Rumored to have
been cursed by voodoo practitioners upset at the band appropriating the name
“Santeria,” the band soldiered on through countless setbacks—freakish car crashes, cow
hearts stuff in their mailboxes, knife and gun fights, eviction from their band house,
paranoia, mental illness, police harassment and numerous unexplained phenomena.
The band is set to unleash their latest full-length Year of the Knife on March 10th.
Produced by four-time Grammy winner Tony Daigle (Sonny Landreth, Dr. John,
Gatemouth Brown) Year of the Knife is a dark, complex and compelling album that
mixes hard-rock, ghost-town blues, psychedelia, world music and primordial punk.
Despite purposely eschewing the Cajun/zydeco musical influences of their region,
there’s no escaping the Southern Gothic mystique that lurks within these 13 tracks.
As vocal/guitarist Dege Legg explains about the creation of the record, “Some of it has
nothing to do with music. Faulkner. Junkyards. Céline. Literature. Fan boats. Sunrises.
Richard Brautigan. The bayou. Alligators. Trailer parks. Shit jobs. Survival. Hurricanes. We
aren’t re-inventing the wheel—just trying to spin it in three directions at once—the future,
the past and our own. These songs are our experience of the South, rather than the
beaten-to-death version from bands the world over. With us, there’s an odd sensitivity
that has nothing to do with being ‘bad boys.’ We see the Deep South as the haunted,
national subconscious of America. Like an unspoken species of guilt, quietly manifest in
the subtext of America. All of the songs are mysteries. Like telepathically transmitted
enigmas. I don’t know where they come from. Or why. But we’ve always been
blessed…and lucky.”
Along with Legg, Santeria is completed by guitarist Primo, bassist Chad Willis and
drummer Krishna Kasturi. “All of us are Cajun boys, born and bred,” Legg proudly states.
“Raised amongst the swamps and farmlands of southern Louisiana, except for Krishna,
who moved here from southern India, at the age of 5, with his entire family. It’s an Eastmeets-
South thing…even we don’t understand it. You’d have thought we’d gravitate
toward a guy who could play a good shuffle, but instead we drifted into an unknown
polyrhythmic universe as a foundation for the band.”
The quartet is renowned in their region for their explosive live shows - with some journalists
going so far as to claim that they’re one of the best live bands on the planet.
Santeria will be touring in support of Year of The Knife. Dates to be announced soon.

FOR MORE INFO ON SANTERIA:
http://officialsanteria.com
www.myspace.com/santeria777

HERE’S WHAT PEOPLE ARE SAYING ABOUT SANTERIA…
“Soaring melodies with a Soundgarden-ish crunch.” - Billboard Magazine
“Tons of personality. Legg’s lyrics threaten to outstrip the songs themselves. Somewhere, in
there—somewhere in Legg’s mind, possibly—is the genesis of true original, world-beating
grandear…a dirty angel, certainly. But a muse, nonetheless.” - OffBeat Magazine

“Southern psychedelic folk. A soundtrack for down on the Delta hippie voodoo jam rituals.
Songs full of beauty, sadness, ethereal regrets, and haunting imagery, sung with resonant soul
and passion.” - Tangerine Magazine

“Live, Santeria take no prisoners. They are up there with the best bands on the planet. They
have truly outgrown Louisiana and the South for that matter.” - StonerRock.com

“Songs so hauntingly beautiful and powerfully deep, I cannot recommend this highly enough.
Deep South acoustic mysticism that is played like a work of art. Make no mistake, this band is
genius.” - Perkleit (Italy)

“Santeria’s ‘Year of the Knife’ sounds as if, instead of Detroit, Iggy & The Stooges had cut their
musical teeth in the murky backwaters of Louisiana’s Cajun country, and the only records to
survive the flood were their tattered copies of Pink Floyd, Led Zeppelin and Junior
Kimbrough.” – ConcertLivewire.com

“Fantastic, dripping with mystery, emotion, pain, and salvation. Elements of Cajun folk, hard
rock, delta blues, Indian ragas, and outlaw country…along the classic singer/songwriter
vibe…all boiled into one cohesive whole.” - Roaburn.com (Europe)

“Santeria is the greatest rock band in America. An America, mind you, that's more Mexican
than McDonald's and more mystic and magical than muck and mire.” – Classic Rock Magazine

“... Year Of The Knife is the kind of album Led Zeppelin used to make in their hey-day.” -
RaysRealm (music blog)

For media and interview requests contact:
Tony Bonyata / Pavement PR
p: 262.903.7775
e: bonyata@wi.rr.com
www.pavementpr.com