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“Dimitris Papageorgiu’s In the Vestige of the Present, here handled with great sensitivity by a small chamber formation of winds, strings and piano, trades in tropes – spidery filigree operating at registral extremes, textural layers alternately dovetailing and deforming – that add up, in sculptural profile, to something more elegantly elusive than the sum of its innocuous parts, always hinging between voices talking to and past each other.”
“Langsam inszenierte, fast zelebrierte Floskeln, die sich durch Klangfarbenspielereien immer selbst neu beleuchten, verdichten und im sonst einförmigen Duktus Höhepunkte setzen.”
