“[‘I Don’t Wanna Be A Housewife (For Someone Else’s Family)’] is such a trip that the band could make this their entire live set and then storm off, leaving the audience fully satisfied if a bit bewildered. As in “What just happened?” and then A Bit Much is all “THAT just happened.”

“You may not expect much from this track. And this track will then blow your socks off. "...George Harrison's Wife" is actually a rather elegant and nigh-breathtaking – we're gonna say it – love song. It dances on the edge of the stage, being just theatrical enough to fully entertain, yet being far too awesome for a simple novelty track.”

““They’ve taken some of the best sounds of music’s history and worked them to their benefit. And better yet, you can tell that they’d be an excellent live show. Mr. Mercury’s mustache would be more than intrigued.””

““The madcap master of ceremonies, Clinton Degan, leads his mates through what is best described as a brilliantly devised classical, jazz, blues stew. Out in front is Degan’s unique voice … at the same time richly soulful and playfully quirky. Lyrically, the stories are twistingly captivating and get better with every listen as the hidden gems reveal themselves between the notes. … Starvation Wage has so many starts and brake stands, to try to describe it would not do justice to this tremendous song. … I’m adding this to my rotation today.””

““The melody to Minimum Rhythm, Maximum Blues comes slingshotting out of the gate as if it's powered by one of the super-springy platforms from Super Mario Brothers, and the bouncing doesn't stop until they are damned good and ready. … This song doesn't just have character, it has wild character.””