Out of the madness of DC comes trademark Exit Clov tunes of revolution, ennui and societal idiocy -- smart music for kids of the next century. The band's name, a tribute to Samuel's Beckett's "Endgame," is both a call to arms and a personal manifesto. Glossing sweet indie pop vocals over vitriolic bass, drum and guitar grooves, the combo introduces an exclusive sound referred to as "kaleidoscopic pop noir." Seamlessly fusing classical and rock instrumentation the Clov share influences ranging from Bartok to Blondie. Despite the schizophrenia, you won't find Exit Clov straying far from the hot and catchy, delivering antidotes for a generation of music fans who seek songs clever enough to outlast the times. Exit Clov have to their credit two self-produced EPs (2004 Starfish, 2005 Saskwatch), the Jolly Roget Sessions (2006) -- on which they enlisted the help of Roger Greenawalt (No Doubt, Ben Kweller, Iggy Pop, White Stripes) -- and the recently released Respond Respond EP(2007), recorded, mixed and produced by Colin Cobb of Livewire Recordings.
“...the band is sweet, summery, earthy and (at times) manic, offering layered, dance-y, synth pop concoctions and gorgeous lounge-y vocals that wash over the audience like a wave.”
Kate Bracaglia - Phrequency
“The harmonies of the Hsu sisters' vocals were tight and sweet with wraithlike synchronization.”
Jake Krolick - JamBase
“I caught D.C. hopefuls Exit Clov's live show at the Roxy in L.A. not too long ago, and despite my musical cynicism, damn if I wasn't foot-tapping, head bopping, and humming along with everybody else in the room. It's not just that Exit Clov write infectious grooves...”
Eric Neigher - Slant Magazine
“Two identical twin sisters singing in perfect harmony with a backdrop of progressive jam rock? What? Hailing from Washington, D.C., this quintet kicks hard but still keeps an edge.”
Sam Sessa and David Frese - Kansas City Star