Hometown: Brooklyn, NY
Website: www.pheroze.com
Sounds Like: Audioslave, Soundgarden, Queens of the Stone Age, Pearl Jam, Alice in Chains
Genre: Rock
Tapping into an intricate fantasy world rich with astute spirituality and cleverly-constructed melodic and harmonic structures, dexterous guitarist, songwriter and producer Pheroze makes intelligent music that illuminates life’s mysterious complexities. Inspired by vibrant rock risk-takers such as Freddie Mercury, Kim Thayil, Chris Cornell, Slash, Jeff Buckley and Prince, his intellectually-driven songs memorialize the craftsmanship behind the music that has sparked his imagination since childhood and present multi-dimensional snapshots of his cultural and creative roots. His ongoing dedication to mastering the intricacies of the recording and production process and talent for drawing out the unique elements of each song, regardless of genre and shaping them into works of art that connect emotionally with listeners has helped him evolve into a skillful producer and engineer. Through his meticulously-crafted albums and cathartic live performances, he freely presents highly-personal material that also genuinely resonates with a universal audience.
Born in London to Zoroastrian parents, Pheroze’s musical journey began while he was splitting his childhood time between the restrictive Saudi Arabia and the colorful, sensual India. Equally-stimulated by the pervasive Bollywood culture and the Black Sabbath, Queen and Prince that was on regular rotation at his parents’ house, his exposure to varied cultures allowed Pheroze to develop a worldly perspective. When he was 12-years old, a chance encounter with a friend’s guitar finally gave a distinct voice to his life’s passion, and, in order to raise enough money to buy his own instrument, he smuggled in Penthouse magazines – which were illegal in Saudi Arabia – and sold them to local teenagers. From that point on, he has been driven to build his life around the creation of music. He continues to channel the ghosts that have drifted in and out during his journey and let them speak through uniquely haunted melodies and lyrics.
Pheroze has been energetically participating in the New York City music scene since he arrived in 1997 and has written songs for, played in and released well-received albums with bands including Scar Culture (Century Media Records), Soapbox Army and most recently, Comfortably Plum, an emerging Pink Floyd cover band. Often referring to himself as “Minstrel for the Dead,” Pheroze Karai has recorded and released two solo LPs: Driftwood (2008, mixed by Nick Cohen); Crows into Swine (2011, mixed by Clay Holley). Both albums exhibit his skills as a multi-instrumentalist and feature him playing every instrument except drums. His upcoming album Ennui presents a series of distinctive, intricately-crafted songs about the moody human condition, reinforces his agility as a producer, singer and songwriter and showcases his powerhouse backing band, consisting of guitar virtuoso Pontus Gunve (PHWG), accomplished bassist Dan Kramer (The Stink) and nimble drummer Jeff Hardee (Facelift). Ennui will release on April 23, 2013.
“Pheroze has outdone himself with his second album Crows Into Swine... Pheroze’s sound resembles Soundgarden in their prime with a hint of early Danzig.”
Zach Shaw - Metal Insider
“...great solo debut, Driftwood, finds him taking a left-hand turn into singer-songwriter territory with a sound reminiscent of System of a Down’s Serj Tankian covering Jeff Buckley’s Grace.”
Ron Hart - IRT Magazine
“Pheroze puts that unusual background to work, playing everything but drums, and howling like an Eastern-transposed Ozzy Osbourne - Chris Cornell - Ian Anderson - Freddie Mercury - Bruce Dickinson - Frank Zappa banshee...”
Jack Rabid - The Big Takeover
“The most
rockin’ Zoroastrian to take on America since Freddie Mercury.”
Ron Hart - IRT Magazine
“...his music isn't modern metal, it's the early '70s more heavy-blues-gone-bad antecedent, only with middle eastern tones a plenty, like an LP of bastard sons of Zozo's 1975 opus "Kashmir."”
Jack Rabid - The Big Takeover
“lyrical, melodic reference to a grander, more organic reality… enough to chew on even for the most esoteric mind”
Nikita - Maelstrom Magazine