With Tim Miller’s most recent full-length collection Cue the Able, (release date 10.30.12), the critically acclaimed Dallas-based singer/songwriter delivers a stripped down acoustic driven project that reaches deep. It’s the guitar- austere yet dynamic and Miller’s resolute voice that drive the sound. At once knowing and trenchant, Cue The Able literally grabs you by the throat. Audacious in its simplicity, you are compelled to listen as lyrics unfold in tatters around your feet. And this in fact, points to the multi-talented artist’s other strength– he’s got something to say. “My process is simple-organic. Everyday I pick up the guitar, play and write. The new songs are like snapshots… an amalgam of thoughts, insights and stories from the road.” Cue The Able revisits classic themes but throws down Miller’s unique take on life buffeted by experience and observation. It is authoritative, urgent and beautiful… his music has the power to subdue.
Since the release of Out of the Box and his 2008 breakthrough Adelaide, this authenticity of sound and message has earned him glowing reviews, considerable airplay at college and public radio, and licensing for over 20 shows on MTV, E! Network and the Oxygen Network. All Access Magazine made note of his “very persuasive and effortless delivery that wraps around the listener.” Wildy’s World wrote: “Miller…makes it sound like he’s living it as he sings.” OnMilwaukee added: Think of Michael Penn singing the songs that Jakob Dylan and others write on their best days.
Miller’s 2009 EP Sessions Lamar featured a cover of Cat Stevens’ iconic “Father and Son” and new acoustic versions of three songs from Adelaide. On this collection, Midwest Record observed, “Nick Drake may be dead and not coming back unless another commercial discovers him, but until he does come back, Drake fans can please themselves with Miller and his new batch of songs and remixes.” “Miller is an intelligent and lucid singer/songwriter/musician that encapsulates everything you would want to hear from an indie artist.” [Muzikreviews ~ Keith Hannaleck]
In 2010, he released an acoustic guitar/mandolin version of “St. Louis” (originally from his first album) as a standalone single. While developing songs for Cue the Able [2012], he took on a outside assignment: putting music to the words of novelist Eyre Price to create Six Feet of Peace, a soundtrack experience based on Price’s novel “Blues Highway Blues.”
Of his many years of live performances in his home region of Dallas and beyond, Miller says, “some of the best, most inspiring moments of my career have been onstage at The Bitter End in New York City, playing for 20 people. When you’re making a connection, that’s all that matters.” He is one to be reckoned with live. His arresting voice and emotionally charged shows are electric, and have earned him a loyal following. Among the venues he regularly cut his teeth at are the Prophet Bar, the House of Blues and Opening Bell Coffee in Dallas, the local equivalent to Hollywood’s famed Hotel Café. “Over the years I’ve done hundreds of gigs from Maine to California - bars, clubs, festivals, colleges… it’s all good.”
Miller’s latest… Cue The Able: raw and unapologetic, it bangs out penetrating, magnetic songs that speak of the human condition with unadulterated musicality and conviction.
"You simply have got to get your hands on some of his music and see what all the hype is about.”
Cyrus Rhodes - Indie Music Digest
"Sessions Lamar simply serves to remind us why we liked Miller so much in the first place. . . . Miller… makes it sound like he's living it as he sings.”
Wildy Haskell - Wildy's World (Sessions Lamar)
“Nick Drake may be dead and not coming back unless another commercial discovers him, but until he does come back, Drake fans can please themselves with Miller and his new batch of songs and remixes.”
Chris Spector - Midwest Record
"Miller is an intelligent and lucid singer/songwriter/musician that encapsulates everything you would want to hear from an indie artist."
Keith “MuzikMan” Hannaleck - Muzikreviews.com
"Tim Miller is the real deal. . . . He has an element of satisfying charm about him through his music that comes across to the listeners in a huge way."
Jimmy Rae - Skope
“[T]he sort of singer-songwriter I can easily picture still performing in the popular realm 20 years from now. Perhaps not as the superstar flavor of the minute type, but the long term singer-songwriter who builds up a resume of respect and awe amongst his fans and those within the industry.”
Wildy Haskell - Wildy's World (Adelaide)
"A strong collection of songs delivered in a seemingly effortless but still winsome manner. Think of Michael Penn singing the songs that Jakob Dylan and others write on their best days."
D.O. - OnMilwaukee
"...Miller has honed his craft into beautiful songs..."
Lisa Town - Left of the Dial
"His voice is sincere pocketed with melodic notes that sugar coats each line from his impressive songbook."
J-Sin - Smother.net
"Occasionally an artist comes out of the woodwork that you've never heard before and you wonder why. Tim Miller is that kind of a musician."
Kate Mackley - Tim Miller @ Club Dada, Dallas TX
"[A] very persuasive and effortless delivery that wraps around the listener. However, his delivery is such that it doesn’t blanket his songwriting which at times seems quite autobiographical yet with mass appeal.
Meaning? You may find yourself or someone you know in this moving compilation."
Kim Thore - All Access Magazine
"It’s nice to hear an artist who can really sing the great songs he writes."
John Kujawski - Playback:stl
"Tim Miller’s self-released debut CD Out Of The Box is an outstanding example of a singer/songwriter at his finest."
Kat Coffin - themusicedge.com