x

Haakon Graf / About This Artist

Artist Details and Stats:

Hometown: Los Angeles, CA

Label: GMP / Nordicrecords

Management: Dirk Feys Tsahara productions. Langestraat 65 8000 Brugge, Belgium. Tel: +32 50 333 699. Email: booking@tsahara.com

Website: www.haakongrafmusic.com

Sounds Like: Haakon Graf Music, GRAFITTI, Haakon Graf Trio

Genre: Jazz

#-
Jazz charts for Los Angeles, CA
  • 8,544
    Total Fans
  • 23,471
    Profile Views
  • 10,459
    Widget Hits

Biography:

Haakon Graf piano / keyboards,
born march 21 1955, Oslo Norway
www.haakongraf.net
European Grammy Award winner 1978 for best electric jazz record with drummer Paal Thowsen.
Grammy judge 1998 jazz category.
Both as a leader and sideman
A few examples:
Phil Collins,Flora Purim & Airto Moreira, Frank Gambale, Dennis Chambers, Gary Grainger, Paul Jackson & Mike Clark ( Headhunters ) Harvey Mason ( CD project )
ECM artists: Jan Garbarek, Terje Rypdal, Palle Mikkelborg and Jon Christensen, Jack DeJohnette, Miroslav Vitous.
Graf lived and played in Rio De Janeiro, Brasil 1988 - 89.
Graf has worked on TV shows, done filmscores, studiosessions, produced / arranged for major european artists.
Some quotes:
" You're a monster, we need to hook up ! " Jaco Pastorius ( The project never happened due to JP's tragic death shortly after )
" You're a bad man, - schtooopid funky ! " Harvey Mason
" I wanna tip-toe in your ghetto! " Paul Jackson ( bass Headhunters)
" Haakon is my favorite musician " Flora Purim
" Haakon is a baaad boi, he can PLAY " Byron Miller ( bass George Duke & Luther Vandross )
" It's Your turn now !" Narada Michael Walden
Keyboard Magazine :
" Graf is an intelligent and spirited player. He has chops to spare, - rather than exhaust the listener with nonstop flash, he builds his solos carefully, keeping the listener interested from beginning to end. I can't wait to hear more from him "
review of the "Grafitti " CD " Good Groove " Lipstick Records 1994
feat: Ulf Wakenius guitar, Gary Grainger bass, Dennis Chambers drums

GRAFITTI at Catalina's in LA 1994

Los Angeles TImes
Review February 3, 1994
Don Heckman

" With power drummer Dennis Chambers as the featured performer, fusion group Grafitti's opening set Tuesday at Catalina Bar & Grill was a high-decibel whirlwind of nonstop rolls, rim shots and cymbal crashes.
Aside from the vital contributions of Chambers and Grainger, Grafitti's most appealing quality was its crisp ensemble work and the engaging modesty of the players. Smiling, relaxed and musically interactive, they never fell prey to the artificial posturing that plagues many contemporary jazz groups.
The work of Europeans Haakon Graf on keyboards and Ulf Wakening on guitar demonstrated the borderless character of much contemporary jazz. Like so many young musicians around the world, their mastery of fusion's rapid-fire technical qualities was total.
Chambers is always a captivating player to watch, with his ability to generate a firestorm of percussion while maintaining a relatively cool-looking demeanor. Soloing on almost every number, flipping rhythmic bons mots back and forth with bassist Gary Grainger, Chambers brought constant fascination to Grafitti's funk-driven compositions. In its better moments, his drumming recalled both the swirling multi-meters of Elvin Jones and the fiery rhythmic preaching of Art Blakey. "

Haakon Graf's latest CD:
" License To Chill "
feat Walfredo Reyes Jr drums / percussion
Chris Stefanetti bass

With Grafitti : feat Dennis Chambers, Gary Grainger and U-Nam
" Grafitti Live In California " available as digital CD on iTunes

Since aug 2014, Graf has formed a new constellation consisting of
Doug webb saxes, Rob McDonald bass and Marvin Smitty Smith drums.

Booking contacts

EUROPE:

Dirk Feys. Tsahara Agency
email tsahara.agency@gmail.com

USA:

Peggy Jo Oliva Agency
email pj@pjoliva.com

Press:

" Graf has been playing on the Scandinavian jazz scene for long enough to have earned the title ‘legend’ and his ability to play two keyboards simultaneously lends an intriguing edge to these performances. Watching the DVD, you see him playing so nonchalantly that it is easy to miss the fact that he is playing two keyboards at different tempos with different melodies to produce an interplay of sounds that gives the trio presence and depth. That the keyboard playing alone is well worth listening only tells half the story."
Chris Baber - Jazzview

" This is a world-class band with a sound that recalls fusion keyboard-oriented music from artists like Chick Corea and Joe Zawinul (and Weather Report). Sunrain is a live recording with both audio and video (DVD) discs. " Marc Sullivan @ All About Jazz
Marc Sullivan - All About Jazz

" the cheerful and funky jazz album "Sunrain" (released as version concert DVD) is an excellent document not only great music, interesting ideas and arrangements, but above all shows how important the caracter of pianist Haakon Graf and how important his sounds are in a standard jazz trio ." Dionizy Piatkowski
Dionizy Piatkowski - Era Jazzu

“Graf / Smith / Mathisen – “Sunrain” This is the debut album by the Norwegian Jazz-Funk Fusion trio led by veteran keyboardist (now living in the US) Haakon Graf with bass legend Per Mathisen and drummer Erik Smith. The live recording presents nine original compositions, all by Graf. The CD is accompanied by a DVD, which presents another live recording of the trio captured six month earlier at the same Oslo club, which includes twelve tunes, also composed by Graf, about half of which also appear on the CD. Haakon produced many splendid recordings over the years and it is a real pleasure to see (and hear) him again in such splendid form as he is on this album. There is perhaps nothing revolutionary here, as far as Jazz-Funk Fusion is concerned, but the excellent tunes and superb execution are enough to make this album a great fun to listen to. This is the European form of Funk, which is elegant, well behaved and sophisticated, and which differs from the US form mostly emphasizing g”
Adam Beruch - The Soundtrack Of My Life

" The Concert You Thought Was Impossible " Haakon Graf keys, Staffan William-Olsson guitar, Per Mathisen bass -Erik Smith drums “ it is not possible to describe this music in a sensible way so that it may be comprehensible to those who weren’t present. Even trying to describe this level of skills and musicality would make most people think I am exaggerating The strongest superlatives would not be strong enough. This was music far beyond ordinary mortals comprehension. Is it really possible to be this good? “ Review from Hemnes Jazzfestival August 8, 2015 by Tore M Furuhatt
Tore M Furuhatt - Hemnesvaeringen

" Few, if any norwegian musicians, has a more impressive list of merits than Haakon Graf. And You don't need many minutes in the company of the keyboard virtuoso to understand why worldclass musicians and artists want him on their team. Haakon Graf plays around in a LA fusion landscape with a variation that documents Graf's ability and gifts as a musician, composer and arranger. Each track provides new elements and expressions, elegant transmissions and sophisticated breaks spiced up with latin rhythms and westcoast references. It's been 15 years since Graf's last record, now he has loaded up his fusion gun and hits bullseye with a sharpshooters precision. The result is extremely enjoyable. The title track is a good example and hits the top level of the scale either you're in the car, having a drink on the terrace or just want to listen to some incredible good music. "
Moss Avis - Knut Eigil Nesselquist

“Haakon is my favorite musician”
Flora Purim - @ Alva`s Performance Center, San Pedro

" It`s Your turn now "
Narada Michael Walden - Kimballs East, Emeryville

" Graf is a spirited and intelligent player. Rather than exhaust the audience with non-stop flash, he builds his solos carefully, keeping the listener interested from beginning to end. He has chops to spare, but never scoundrels them. I can`t wait to hear more from him."
Keyboard Magazine

“GRAFITTI at Catalina's in LA 1994. LA TImes Review February 3, 1994 by Don Heckman " Grafitti's most appealing quality was its crisp ensemble work and the engaging modesty of the players. Smiling, relaxed and musically interactive, they never fell prey to the artificial posturing that plagues many contemporary jazz groups. "”
Don Heckman - Los Angeles Times