Hometown: Brooklyn, NY
Label: Lie Buried Musick
Website: avantduelmusic.com
Sounds Like: Kraftwerk, Daft Punk, Pet Shop Boys, Can, Amon Düül II
Genre: Experimental
VON LMO (pronounced VON ELMO) is an extraterrestrial hybrid. His ancestors came from a planet called STRAZAR. He has been reincarnated many times from the beginning of his teleportation to Earth. There is no age or time element in this reincarnation; therefore, his appearance is ageless and timeless. He is the original Steampunk. VON LMO is a multi-instrumentalist, composer/songwriter and lyricist. He is one of the founding fathers and pioneers of No Wave/Post Punk Rock/Industrial/Space/Heavy Metal. The DAILY NEWS called VON a NY institution. It has been said from the many reviews, critics, and just plain word of mouth throughout the four corners of the Universe, that VON LMO is without a doubt the most revolutionary musician on the face of the Earth. He is truly a Renaissance Man, a leader of his own visions - far beyond the future of the Arts & Sciences. He has invented the renowned Metaphysical Scientific Formula X + Z = 0, the equation that adds up to everything, which equals nothing. This formula has achieved great cult following, deep throughout the Underground music world. Somewhere in Germany, a very prosperous production company has named the company after the formula X + Z = 0. In the late '70s, VON put together one of the most radical cult bands in the world - RED TRANSISTOR. They broke every rule in music. Then VON took things into his own hands and started the VON LMO band. In 1981, he started the independent label STRAZAR and released the FUTURE LANGUAGE LP. This album was considered one of the greatest heavy metal/space rock releases in the world. In fact, Chuck Eddy, a leading critic and writer for Rolling Stone Magazine put out a best-selling book called THE GREATEST 500 HEAVY METAL ALBUMS IN THE UNIVERSE. Along with Jimi Hendrix, The Stones, Led Zeppelin and Motorhead, just to name a few, VON's FUTURE LANGUAGE made the list. VON released several albums after FUTURE LANGUAGE on Peter Crowley's Variant Records label. VON was the first to use Power Tools on Instruments as a source of Sound & Visuals. JULIAN COPE declared his work as Genius. He is a 21st century Psychic Visionary & Creator of Cosmic Inanimate Art. He is a Professor of Surrealism & a Master of the Avant Garde - A Metaphysician & Consultant to the Extraterrestrial Cosmic Forces throughout the Universe. In short, VON LMO is working on a Blueprint for a better Universe!
Otto von Ruggins, self-proclaimed Master of the Unheard Øf, was born on the 24th of July on a leap year, so his birthday is really July 25th (Christmas In July). His first experience of rock'n'roll was watching the Dick Clark countdown on Friday nights with his older sister. Seeing Jerry Lee Lewis banging the piano and his stage performance made him want to make music, so he took piano lessons, but stopped ‘til The Beatles showed up playing their own instruments. It was probably The Dave Clark Five that inspired him to close his savings account and buy a Vox Continental Organ. Otto's first band was 'From Down Under' (no relation to the land of Oz, as he was expressing the concept of 'underground' before there was one). They played original songs and a repertoire that included early Animals, Who, Yardbirds, Them and Small Faces. What followed next was 'Christmas In July' (he really isn't an egomaniac). His first encounter with VON LMO was at the Village Theater where VON announced that he had just challenged Keith Moon to a drum battle. Otto got backstage and this was confirmed when The Vagrants' drummer said some crazy guy had indeed laid down the gauntlet. Soon after, VON LMO encountered Otto chasing a butterfly without a net. Next came 'Funeral of Art', with VON on drums and a concept of getting the 1% to donate their ‘worthless’ art to be burned onstage, but when that didn't work, Otto conceived of the band playing inside a giant computerized box with cameras projecting their performance onto large screens - before it was technologically possible. Always ahead of the times, these futuristic plans were a foreshadowing of what is now termed Steampunk. Otto & VON went off to England, following the path of Jimi Hendrix. They recorded demos with an ex-Procol Harum bassist, but couldn't get signed and VON & Otto went in different directions when they returned to NY. Otto first played synthesizer at Shea Stadium during the Avant Garde Festival in 1974. His sounds attracted such crowds that he describes the effect as feeding pigeons. By the mid-70s, VON LMO & Otto were back together in 'Kongress'. A first gig at CBGBs generated a review in Variety - "Kongress is a band who expect a lot of auditors." Then the IRS audited Otto." Soon, it was off to Max's Kansas City, where booking impresario Peter Crowley introduced Otto to pictures of one Geoffrey Crozier who really was a Magician from Oz. They jammed together with Geoffrey, but VON went home, broke his leg and was not there at Max's for the first gig with Geoffrey, which Peter claimed nobody could have followed - not even Kiss or Alice Cooper - and the crowd response was better than for the NY Dolls. Punk Magazine dubbed them, “The most dangerous band in the world.” Another turning point came at a gig at The Place in NJ. The first set ended with Geoffrey throwing a chair at VON LMO to get him to stop playing drums. VON returned the favor, throwing his drums back at Geoffrey. That was VON's last gig with Kongress. Otto then got together with Kongress guitarist Robert Crash and put out an EP, 'Movie Viewers', which came w/ 4D glasses & a double groove. Amazingly, it has come back full circle with Otto von Ruggins and VON LMO together again in the 21st Century, as the ultimate Cosmic Rock duo, AVANT DUEL. They have just unleashed their first masterpiece called - BEYOND HUMAN. Hello Music declared of their 'Parallel Universe' that AVANT DUEL is "...on the cusp of greatness" and that their "music is its own art form" with comparisons to Daft Punk, & Kraftwerk.
“Avant Duel
Beyond Human
Spaceman comes to Earth, fronts rock band!
Beyond Human kicks off with “Parallel Universe,” a track which finds LMO discussing out-of-body experiences and a sense of separation that’s reinforced in the hallucinogenic video that seems to position a morphing, omnipotent LMO against a backdrop of earthly images. I was glad to find that this opening track adds fleeting sax just under the relentless and hypnotic bass line and bubbling electronic sounds. The subsequent “Robot’s Dream” has a more bouncy feel to it (and an even more trippy music video), though the lyrics continue on the metaphysical path as LMO describes a sort of epiphany coming through the titular event. Moving forward, “Hologram Girl” displays a more aggressive, almost industrial sound based around chugging guitars and pounding percussion, and “Psychodelica” and “Android Delusion” head into more eerie and unsettling sonic territory. Psychodelica actually describes Avant Duel'”
Andy Armageddan - Scene Point Blank
“Musicista di origine siciliana, ma dalla natura aliena stando alle sue stesse parole, VON LMO ben rappresenta lo spirito che unisce rock’n'roll e sperimentazione in un linguaggio trascinante e – a costo di suonare banali – “avanti” sui tempi: così avanti che anche il lavoro del 2012 suona… alieno… alle nostre orecchie.”
Lorenzo Pagani - NEON LIGHTS
"Album of the Month - The music of VON LMO and Otto von Ruggins – aka Avant Duel – is unlike any other. Otto tells MTM the story of Beyond Human…"
Otto von Ruggins - MusicTech Magazine
“A world of Flesh and Machine beyond anything you may ever have heard. Lyrics both sung and spoken with a dramatic flare, synthesizers that pulsate propelled by high speed electric guitars and big room rock drums – an explosion of sound beyond the normal path presented with an intensity and purpose that will ignite your musical flame.”
Paul Anderson - The Entertainment Bank
“NEW YORK NO WAVE: AVANT DUEL’S RETURN ENGAGEMENT FROM A PARALLEL UNIVERSE
Otto von Ruggins (keyboard player for the amazing mid-70s occult punk group Kongress who shared a TV stint with Ron Paul on the Downey Show in the late '80s) and intergalactic No Wave druid Von LMO (also in Kongress, and considered a genius by no less an authority than Julian Cope) have returned as Avant Duel. They just played at the Max’s Kansas City Reunion @ The Bowery Electric where Von LMO chopped into his guitar with a meat cleaver and kept on playing.”
Richard Metzger - DangerousMinds.net
"BEYOND HUMAN platter's one of the meanest, most soul-searing releases to have been heard in a long time...These guys use electronics the same way William Burroughs used language. Disque closer 'Beyond Human' sounds like Burundi drums and guitar strangulations backing LMO's chanting in an attempt to raise Jimi from the grave!"
Chris Stigliano - BLOG TO COMM
"The sound God of Max's, VON LMO, together with Otto von Ruggins, caused extreme turbulence, sight and sound, as AVANT DUEL, a sonic onslaught worthy of the legendary performances from decades past."
Jimi LaLumia - Good Times
“A rowdy bottle smashing night…earlier in the evening there had been an altercation with a satanic occult band ... that played music that sounded like a Concorde drone with Aleister Crowley lyrics. They abandoned the stage only after threats of violence were unfurled like vampirish cape flourishes.”
James Wolcott - The Village Voice
"Soundtrack for a Screamie...a breathless half-hour that stops time dead in its tracks...the most bizarre blend of media ever to darken the annals of rock’n’roll."
Martin Kent - Soho Weekly News
"...the most dangerous band in the world..."
John Holmstrom - Punk Magazine
"...transgressively transcendent stuff."
Richard Metzger - Dangerous Minds
"...a progressive band in the same Teutonic fashion that came off like late-sixties American punk rock meets Stockhausen!...the group...consisted of only Lmo and Otto von Ruggins creating a terrifying wail while opening for Television at CBGB in '74..."
Chris Stigliano - Black to Comm
"This music is genius."
Julian Cope - Julian Cope Presents Head Heritage
"The ultimate Punk Rock entertainer, VON LMO turns Heavy Metal into sawdust using a chainsaw to grind it up until it comes out spinning with the Devil riding bareback."
Village Voice
"Radical revolutionary music at extreme high volume and intensity representing tomorrow's generation."
NY Post
"VON LMO is a New York institution."
NY Daily News
"The ultimate rock band."
Billboard