Gary Brunotte Group
Durham, NC      Jazz / Latin / Pop
    • Songs
    • Slightly Blued - Big Band '81
    • Chickish Tinge (big band)
    • Autumnal Air - (big band)
    • Pensive (big band)
    • Autumnal Air (latin)
    • Monkian Around
    • Triste
    • MasQue_unplugged
    • Mas Que Nada clip
    • Ditty For The Kitty
    • Manic Moments (demo of melody)
    • Wood Lake
    • Trance Test
    • Vocalise_garageBand
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Artist Info

Members: Gary Brunotte-Organ and keyboards, Bill Berg-Drums, plus various
You can also find us at: Artist website_16x16 Facebook_16x16 Bebo_16x16

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Bio

Pianist Gary Brunotte performs his own brand of lyrical jazz, influenced by the tradition but in his own personal voice. Born and raised in a small town in Minnesota, he remembers, "My uncle played accordion, was self-taught and performed in the Navy band. In addition, my stepfather played hillbilly country guitar and my other uncles all played instruments. I started taking accordion lessons when I was nine." He debuted as a professional musician at a New Year's Eve job when he was 11, switched to organ and performed with r and b and rock and roll bands as a teenager.
"I discovered jazz after listening to Brasil '66 and Blood, Sweat and Tears. I particularly enjoyed Howard Roberts' records of the period and Jimmy Smith." After graduating from college, Brunotte attended the Berklee College of Music in Boston, switched to piano, and taught at the prestigious school for three years. He moved to Manhattan in 1980. "I worked for a period at Rodney Dangerfield's comedy club. The jazz trio would open a set and there would be a different singer each week before the comedian came out. It was fun for a time." During this period, he won a grant from the National Endowment for the Arts to write a suite for a big band and his orchestra performed once a week in a club. After living and working in the Hudson Valley area, Brunotte spent 1987-97 back in Minnesota. "I played a lot of gigs at local jazz clubs, hotels and restaurants with my trio and with singer Shirley Witherspoon. I also recorded my first CD, Yesterday's Dream for the Altenburgh label."
Yesterday's Dream, which features Gary Brunotte with altoist Eric Marienthal in a quintet setting, introduces nine of his melodic originals. The CD received excellent reviews in both JazzTimes and Billboard. In addition, it received airplay throughout the United States and Europe and remained on the Gavin Chart Bound list for 8 weeks straight. In 1997 he and his wife relocated to North Carolina where he has worked steadily ever since. "Since moving here, I have recorded the solo CD Old Fashioned, the duo set Conversations with bassist Rick Jones, and I have done a lot of gigging, from little restaurants to backing major names at concerts including Mark Whitfield and Byron Stripling."
In recent times, Gary Brunotte recorded his fourth CD, SMILE, which is dedicated to his cat Dexter who passed away in Dec. 2004. Teamed on most selections with bassist Steve Haines and drummer Bill Berg, Brunotte performs such colorful originals as "Ditty For the Kitty," "Seal-Point Strut," "Meow Samba" and "Samba Siamese" along with such ballads as the atmospheric "Wood Lake," the mysterious "In The Night" and "Ciao Meow." He also utilizes bassist Rick Jones and drummer Bill Berg along with singer Kirsten Lambert on "Triste" and "Smile." The latter is heard in two versions including a Latin-tinged instrumental.
Gary Brunotte, who looks forward to recording and touring in the future, is an accessible and creative jazz pianist whose music is well worth exploring.

About

Musician/composer Gary Brunotte brings new life to jazz standards and dazzles with his original compositions in his new CD Manic Moments.

"Art and popular music combine on his palette to create a collage that represents tradition as thoroughly as it does today and tomorrw... he drives fiercely in places and simmers gently in others... lyricism and a sincere love for beautiful melody weave their threads through his sessions. He believes in rhythmic groove coupled with an obvious love for lyrical melody."
--- Jim Santella

www.garybrunotte.com 

(above is the main domain with bio, CDs for sale, etc)

www.garybrunotte.com/gary/links.htm (these are some of my favorite links)

 

clips from the REVIEWS of  SMILE ...

RALEIGH NEWS and OBSERVER (May 2006)
"Pianist Gary Brunotte's fourth CD, recalls the delicate, harmonically spellbinding touch of the Bill Evans Trio" ...
"Brunotte's "Blue-Point Blues" is the most dapper example of jazz-rock you're likely to hear anywhere." ...

JAZZTIMES (June 2006)
"Any jazz person will appreciate Brunotte's crisp, tasteful, witty, lyrical elaborations upon his original themes" ...
"Brunotte's two versions (of 'Smile') here include a rapt, husky vocal by Kirsten Lambert and an airy samba. Brunotte understands sambas like he understands cats." ...

ALLABOUTJAZZ.COM (February 2006)
"From the blues of Seal-Point Strut to the quaint bossa mood of Triste, the session rises and falls with emotions bared and passion revealed. " ...
"This recommended piano trio album waltzes generously to a balladeers tune, bringing bassist Steve Haines and drummer Bill Berg alongside Brunotte for an excursion into the land where heart and soul take control." ...

JAZZREVIEW.COM (March 2006)
"its a solid straight-ahead effort by an accomplished group of musicians. " ...


clips from the REVIEWS of YESTEDAYS DREAM ...

JAZZTIMES (1993)
"Brunotte is a crisp, indeed, intelligent player whose charts sizzle and yet leave plenty of space for inspired soloing... - tres musical!"

BILLBOARD (1993)
"Minneapolis-based pianist/composer Brunotte dishes up a solid contemporary jazz set (with traditional overtones) . . . . Highlights of an enjoyable outing include the strong swinging 'A la Horace'; the hard-hitting 'Recollections'; the cool, uptempo 'Slightly Blued'; and the funky 'Caterpillar Crossing."

ALL MUSIC REVIEW (1993)
"The most interesting aspect to this fine straightahead set (which occasionally utilizes Latin rhythms) is that it gives Eric Marienthal (best-known for his association with Chick Corea 's Elektric Band) a very rare opportunity to shot off his bop chops. Altoist Marienthal is equally effective on soprano and flute during the two standards and nine Brunotte originals. Brunotte keeps up with Marienthal, his keyboard work is colorful."

 

 
Gary Brunotte
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