After The Last Sky
Stoke on Trent, UK      Other / Black Metal / Grindcore
    • Songs
    • Land of gluttony and rape
    • An obituary to a dying species
    • Dragon's Teeth Harvest
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Artist Info

Members: Ben Hoare - Vokills, Matt Doughty - Guitar/Vokills, Jim Goad - Guitar, Shane Turner - Bass Guitar, Simon Heywood - Drums
You can also find us at: Artist website_16x16 Facebook_16x16 Bebo_16x16
Label: Circus Of The Macabre Records

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Contact:


afterthelastsky@yahoo.co.uk
mondobrutale@gmail.com
http://myspace.com/afterthelastsky
http://www.afterthelastsky.co.uk

 



ATLS Interview in Zero Tolerance Magazine (Issue 008) - Nov/Dec '05
(www.zero-tolerance.co.uk)

The interview with Russell Garwood is transcribed below, and images from the
magazine are featured underneath the transcription.


"Well, we definately had our tongues placed firmly in our cheeks with that one", guitarist Matt says of Blackcore, After the Last Sky's self-imposed genre. Benjamin Hoare, the band's vocalist explains in more depth: "A catch-all phrase encompasing Death, Black, Doom, Grind, Noise-core and Metal wasn't about when we started the band. I think with us all having an extreme metal history, and in particular not writing songs with verse/chorus structures, we deserved to create our own genre".

When I ask about the origins of the name itself, bassist Shane Turner laughs, "We did consider 'Unshaven-Trucker-Core' when we played Craven-Fest this year! Blackcore was an accurate description; you know what you're getting but you know nothing of what to expect at the same time."

Despite the myriad different styles present, the bands sound is a cohesive whole. "We basically make a conscious effort to write a song," Matt reveals, "rather than having a quota of how many musical bases we need to cover. Being eclectic keeps things interesting but it's got to work." Shane elaborates, "We all have a valued input into the music. Normally, if it doesn't sound wrong yet, we'll change it until it's as wrong as possible. Then it sounds just right!"

This 'wrongness'is reflected in the lyrics as well. "Much of the lyrical content has a socio-political focus and expresses our displeasure with the current state of the world," says Shane. "My distrust and hatred of humanity is what drives my passion and lyrics, which are also self-reflective," Ben exlains, before continuing, "The music of the EP deals with media representation of popular imagery, regimes, complicity in unethical conflict, and our own weaknesses - all catalysts for my personal hatred". The band used to work under the moniker 'Animosity', but changed because they felt they had outgrown it. Matt explains: "It felt like it was restricting us and the people who might be interested in what we were doing. The name was great as teenagers with a lot of aggression and knowhere to channel it, but we had developed beyond it's bounderies musically and interlectually - years ago."

A recent self-released EP, 'The Essence of our Art is Hatred', sees the band team up with Nottingham's 'Inert'. "If you want something done right, it's best doing it yourselves," comments Shane when I ask of the bands dedicated DIY approach. "We had full control over the release and flexibility over band decisions. The best way to get gigs and see the bands we wanted was to put them on ourselves." and with this our interview ends. I ask for some final words, to which Shane jovially responds, "Awaken to a Blackcore Dawn."

  Click to enlarge



After The Last Sky Played On 'Toxic Waltz' Radio Show - 27th October '05.

The show is broadcast in the area of Namur, leading city of the french part of Belgium.
TOXIK WALTZ takes place every Thursday (from 20.00 to 22.00).
(Toxik Waltz Homepage: http://www.toxikwaltz.be.tf)
(Run 106.4 Homepage : http://www.run.be)


Belgium Playlist (27/10/05)



ATLS Featured on Zero Tolerance Cover CD (Issue 006) - July/August '05

ATLS appeared on the cover-mounted CD, along with the likes of the mighty Obituary and Hate Eternal. The CD features the track 'Art School Lebensborn', taken from the ATLS/Inert split EP.

  Click to enlarge



ATLS Featured on Terrorizer Cover CD (Issue 123)

ATLS appeared on the cover-mounted CD, alongside the mighty Megadeth. The CD features the track 'Art School Lebensborn', taken from the ATLS/Inert split EP.

  Click to enlarge

 

Reviews:

After The Last Sky/Inert- Split EP (Circus of the Macabre Records) Review by Darran Ali

This split EP comes to me as an unknown quantity. I didn't know the two British acts, but it's always a pleasure to get to hear some good extreme nastiness piped out of this small island. To be fair, the extreme and the nasty were the two things that jump straight down my throat as soon as this 25 minute EP rattled out of its shadowy hole.

After the Last Sky were first with their furore, self termed “Blackcore”, sounds like it could be a militant black civil rights movement back in the 1960's, who knows?. One thing is for sure the delivery of the music is probably as powerful and radical as my spurious association might suggest.

Bearing in mind the band believes “The Essence Of Our Art Is Hatred”, (this also being the title of their side of the EP) strong minded severe disdain for exploitation and tyranny is probably an issue with After the Last Sky. Acting as the obvious outlet for the band's personal views and perception of the world at large, gives the narrative, an impassioned focus. These are diatribes denouncing society's crass existence, in part and tales of drunken woe for the plainly titled ‘Regretting those Drunken Words'. The “Blackcore” manifests itself in the form of as many repugnant mutations as you would care to take on.

As and when the mood takes them, you could find yourself up against some harsh blackened death metal or feeling the full blasts of some grinding crust, or just the same be battered to a pulp by some thick sludge burdened doom; it's as easy as that! The three songs on the EP opens with ‘Art School Lebensborn' and at the first coughs up its raw disjointed blasts and awkward rambling passages of sludge induced noise. Torturous stuff to say the least, it's not easy to describe all the shafting music styles any better than what I said early, but at all times this remains so dark and intimidating in its approach, it's like watching Nosferatu (1929) while addled on the narcotics of your choice.

It goes without saying that it is brutally British. When the blast beats are pummelling down they bring a spirit of raw necro hysteria in true black metal fashion, it feels cold and blunt throughout, a suffocating atmosphere about it, an industrial wilderness of depleting emptiness. This actually runs through the whole EP. A dire desperate quality that adds to the ruthless, tormented music.

After the Last Sky will slow down to a rotting corpse pace at times and this is the major difference. They play with the darkest attributes of metal, blasting away with unadulterated scorn, and making sure that what comes your way will not be the easiest of sounds to digest- extreme music in its raw and necessary form.


Live review @ The Talbot, Stoke-on-Trent.
Published on the Stoke Rock Scene web site (Author Unknown).

'Extraordinarily fast, After the Last Sky provided their own contrast, often changing tempo. The music was complex, with a varyingly slower pace; giving it a somewhat bleaker edge. ATLS's fusion of metal, hardcore, black metal and death metal with some doom/dark overtones thrown in is one of the most original I have heard'

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