"McCall delights with his youthful enthusiasm and mastery of a role he learned in only three weeks."

“The night’s DJ segment quieted and the stage cleared for a handsome young man in all white—Darius McCall, a.k.a. Prinz-D—coolly holding the mic to his side. As the vibrations ignited, he translated what he rapped into American Sign Language, wading through throngs of folks absolutely losing it.”

“McCall gives a sensational performance, a clear grasp on the character’s streetwise attitude as well as a commanding hold on comic delivery. McCall portrays a vibrantly resilient Franco, high stakes already clearly conceived in his character’s mind set. The conversation shared with Arthur about the great American novel is the epitome of give-and-take in a stage conversation; delivered with such poignancy from McCall’s character that both the play’s depth of racial tension and witty comic banter are hung perfectly in the balance. There is a genuine humanity that supports McCall’s performance; a brilliant zest that drives every moment of his onstage existence.”

"Thanks to strong chemistry between Terry Averill as Arthur and Darius McCall as Franco, the show’s premise comes across as wholly believable."

"the blood and guts he's spilling here are clearly his own"

““Prinz likes to tell a story through his rhymes and uses wordplay on an thought provoking level."”

““Kick Em to the Curb,” a confident pop-rap tune with a hook that climaxes”

"effectively widens the listening audience from fellow established rappers to young, impressionable teens that dance in-front of a mirror hoping to one day be as hard as this"