Logged In As Admin: {{reverbUser.name}} ({{reverbUser.id_unique()}}), Acting As: {{reverbPageObject.data.name}} ({{reverbPageObject.id_unique}})
 
x

You are using an outdated browser. Please upgrade your browser to improve your ReverbNation experience.

Emily Wells

Emily Wells

Folk / Classical / Experimental Los Angeles, CA  US
Fair Thee Well & the Requiem Mix
Fair Thee Well & the Requiem Mix
Symphony # 9 and the Sunshine
Symphony # 9 and the Sunshine

Shows

  • Sat

    Jun 20

    Philadelphia, PA, US | 9:00pm
  • Wed

    Mar 18

    New York, NY, US | 12:00am
  • 2014

    Jun 22

    Portland, OR, US | 5:00pm

    Emily Wells with You Are Plural Emily Wells is an anomaly among musicians most of whom spend their careers striving for a major label deal. Before she was old enough to vote, a major label was courting Wells, two music-publishing companies were competing for the rights to her songs and she was recording with award winning producers. By the time she was legally buying her first drink, however, Emily had chosen a different path. With true indie ethos, she moved from New York, leaving in her wake a lucrative deal from a major label, the renowned producers, recording studios, and a manager. During that period of her life, Emily had been offered everything that most musicians want. Everything except what she, as an artist, needed most: creative control.Attaining the ever-elusive artist's dream of creative control, as Wells would soon learn, comes only at a price. Wells' cost was the thousands of miles logged, traipsing across country, playing in and outside of bars, pubs, and juke joints. She traveled in a tiny car, dragging along guitars, a tiny bass, a giant old Linn 9000 drum machine, and a four track. When flush, Emily would spend the occasional night in a seedy motel room where she would tirelessly record with her archaic four-track and dirty old instruments. Emily didn't look back to her swank days as a would-be priority artist on a major label and regret any of her choices; she saw each obstacle in her path as a challenge. Eventually landing in Los Angeles, Wells finally learned through recording and performing, how to have the creative control she craved. Slowly building her own studio, she taught herself how to record and produce. This is the studio in which she would create, record, mix, and produce 'The Symphonies: Dreams Memories & Parties' her latest release. To get the sound of a full orchestra, Emily didn't take the easy way out and simply loop the layers of violins; instead, she played up to 21 separate tracks of violin on each symphony, often using an octave pedal to create the tones of an underwater cello or viola. In addition to the strings, there is a plethora of other sounds, electronic and organic alike. Two years ago, Wells found a bassist, Joey Reina, and a drummer, Sam Halterman, who add a richness to both the live show and the recordings. Their contributions to 'The Symphonies' give the compositions more depth as well as a little junk in the trunk.

  • 2014

    Jun 21

    Seattle, WA, US | 5:00pm
  • 2014

    Jun 20

    San Francisco, CA, US | 9:00pm

Photos

  • photo: anne carmack
  • photo: anne carmack
  • photo: anne carmack

About

Label: creative control

Album_cover_only Icon_myspace Itunes Other_1

Status

This Artist has not yet set a status.

Recent Blogs

Questions

Be the first to ask Emily Wells a question!

200 characters remaining

Submit Question

Stats

  • Song Plays 431
  • Total Fans 240
  • ReverbNation Fans 168
  • Widget Impressions 3,323

Fans