

REB YEN - Songwriter
Reb Yen’s original songs—including Take Me Crazy, Should I?, and Gotta Let It Go—have earned her Featured Artist placement on the ReverbNation homepage. Reb’s music is written, arranged, and performed by her, with “a little help from her friends” on a few tracks. Fans and critics describe Reb as a strong vocalist and accomplished musician, playing guitar, keyboard, and harmonica. She performs multiple genres, including Americana, Folk, Country, Pop, Rock, and Indie. Reb has toured internationally, including two tours of Europe, and spent time immersed in Nashville’s songwriting community.
Yen’s performance credits include Nashville’s well-known Commodore Grille, a venue known for showcasing emerging and established songwriters, Walt Disney World, Universal Studios, and New York City’s Lincoln Center, where she performed as a featured artist with the Aman World Music and Dance Ensemble.
Background: Reb Yen’s career in entertainment spans her entire life and includes music, dance, production, theater, and performance art. Earlier in her career, Reb—also known as Rebekah Yen—began performing professionally as a singer and dancer with the prestigious Aman World Music & Dance Ensemble in Los Angeles.
Her work with Aman caught the attention of Disney’s creative team, who recruited her from Los Angeles to join Walt Disney World’s entertainment division in Florida. There, she went on to work as a singer, dancer, and producer.
At Disney, her colorful ribbon-dance performances appeared in numerous television specials and commercials. Photographs of her act were featured in full-page layouts in the EPCOT Center annual calendar and in major publications including Life, Time, and Newsweek.
Following her Disney career, Reb created and toured with an original performance-art production combining music, dance, and illusion under the name Rebekah Yen. She performed throughout the United States, Canada, and Europe, appearing at magic conventions worldwide. Performing as Rebekah Yen, she earned recognition for her original work, culminating in a cover feature in The Linking Ring (Volume 76, Number 9), the official publication of the International Brotherhood of Magicians. She became the first solo female magician of the modern era to be featured on the magazine’s cover in recognition of her own original material and self-created act. Historically, many female magicians achieved prominence through partnerships with male magicians.
All music, lyrics, and sound recordings are registered with the United States Copyright Office. All rights reserved.
Yen’s performance credits include Nashville’s well-known Commodore Grille, a venue known for showcasing emerging and established songwriters, Walt Disney World, Universal Studios, and New York City’s Lincoln Center, where she performed as a featured artist with the Aman World Music and Dance Ensemble.
Background: Reb Yen’s career in entertainment spans her entire life and includes music, dance, production, theater, and performance art. Earlier in her career, Reb—also known as Rebekah Yen—began performing professionally as a singer and dancer with the prestigious Aman World Music & Dance Ensemble in Los Angeles.
Her work with Aman caught the attention of Disney’s creative team, who recruited her from Los Angeles to join Walt Disney World’s entertainment division in Florida. There, she went on to work as a singer, dancer, and producer.
At Disney, her colorful ribbon-dance performances appeared in numerous television specials and commercials. Photographs of her act were featured in full-page layouts in the EPCOT Center annual calendar and in major publications including Life, Time, and Newsweek.
Following her Disney career, Reb created and toured with an original performance-art production combining music, dance, and illusion under the name Rebekah Yen. She performed throughout the United States, Canada, and Europe, appearing at magic conventions worldwide. Performing as Rebekah Yen, she earned recognition for her original work, culminating in a cover feature in The Linking Ring (Volume 76, Number 9), the official publication of the International Brotherhood of Magicians. She became the first solo female magician of the modern era to be featured on the magazine’s cover in recognition of her own original material and self-created act. Historically, many female magicians achieved prominence through partnerships with male magicians.
All music, lyrics, and sound recordings are registered with the United States Copyright Office. All rights reserved.
Boulder, 80302, US
•PopSongs
- 10:00 / 3:48Take Me Crazy (original)3:48
- 20:00 / 1:34The Solitude (Original / Live)1:34
- 30:00 / 3:02A New Beginning (original)3:02
- 40:00 / 3:07Should I? (original)3:07
- 50:00 / 3:09Are You listening now? (original)3:09












