“Call Me Insane”
Austin’s King of Honky-tonk Returns with a New Studio Album Produced By Lloyd Maines Release date June 9 on Red House/Ameripolitan Records
Austin, TX: Dale Watson, keeper of the true country music flame, returns with Call Me Insane, a new studio album recorded in Austin with veteran producer Lloyd Maines (Robert Earl Keen, Jerry Jeff Walker, etc.) The album will be released on June 9 in North America via Red House/ Ameripolitan Records on CD, digital, and vinyl. The Austin- based honky-tonker carries on in the tradition of Johnny Cash, Waylon Jennings and Willie Nelson with his “Ameripolitan” brand of American roots music.
Album highlights include “Jonesin’ For Jones,” a love song to the music of the legendary George Jones, “A Day At A Time,” about “getting by by barely getting by;” “Call Me Insane,” the album’s moody title track; “Bug Ya For Love,” a fun warning to all the single ladies, and “Mamas Don’t Let Your Cowboys Grow Up To Be Babies.” (Yes, it is an answer song to the Waylon Jennings/Willie Nelson hit.) “Crocodile Tears” is a tear-in-your-beer country song that sounds like an instant classic and “Burden Of The Cross” reveals Watson’s serious side.
Call Me Insane was recorded in Austin by Watson and his ace touring band, “His Lone Stars”: Don Pawlak (pedal steel), Mike Bernal (drums & percussion), and Chris Crepps (upright bass & background vocals). Dale plays electric guitar throughout and Lloyd Maines added acoustic guitar. They were joined in the studio by Danny Levin on piano and the Honky Tonk Horns: Jon Blondell (trombone), Joey Colarusso (saxophone), and Ricky White (trumpet).
“Having known Lloyd over 20 years and worked with him as a musician, I knew he was a great guy and picker," Watson says. "But having Lloyd produce your record is like letting your mom in your kitchen. You know you’re gonna like what comes out and it's amazing how such basic ingredients can be made even better. He is an artists' artist.”
The admiration is mutual. "I've been a Dale Watson fan since I played steel guitar on some of his early records," Maines says of the sessions. "My early musical influences are the same as Dale's. We both grew up playing real country music. Dale is one of a very short list of today's artists who still keeps it real country. I'm honored that he asked me to produce his new record. I think he knew that I would maintain the integrity of his passion for the music."
Dubbed "the silver pompadoured, baritone beltin', Lone Star beer drinkin', honky-tonk hellraiser" by The Austin Chronicle, Watson recently sat in with Jimmy Kimmel’s house band as a guest on Jimmy Kimmel Live (ABC) from SXSW. He also emceed the first ever SXSW “Ameripolitan” showcase featuring the best of Honky-tonk, Outlaw Country, Rockabilly and Texas Swing music.
Since the release of El Rancho Azul in 2013, Watson’s profile has risen considerably via appearances on The Late Show with David Letterman (CBS), Austin City Limits and The Sun Sessions (PBS) and as a guest on NPR’s Wait Wait... Don’t Tell Me. A veteran touring artist and consummate entertainer, he is on the road more than 300 days a year. He also put his money where his heart is and took over ownership of two struggling Texas honky-tonks, the Little Longhorn Saloon in Austin (home of Chicken $#!+ Bingo) and The Big T Roadhouse in St. Hedwigs (outside San Antonio). If not on the road, he and His Lone Stars perform at one of them each Sunday.
Dale has flown the flag for classic honky-tonk for over two decades. He’s christened his brand of American roots “Ameripolitan” to differentiate it from current crop of Nashville-based pop country. The Alabama-born, Texas-raised Watson may be the hardest working entertainer today and is rapidly approaching legendary status. He is a country music maverick, a true outlaw who stands alongside Waylon Jennings, Willie Nelson, and George Strait as one of the finest country singers and songwriters from the Lone Star State.
SOME KIND WORDS:
“I’m one of Dale’s biggest fans.
- Willie Nelson
“Country music’s a crazy, gold-diggin’ whore, and Dale Watson wants a divorce.”
- The Austin Chronicle
“Graced with a deep, fluid George Jones-ish voice, Watson was mesmerizing, whether making fun of The Voice’s
faux-country judge on ‘Old Fart (Song For Blake)”’or simmering through a train-chugging original such as ‘My
Baby Makes Me Gravy.’”
- The Philadelphia Inquirer
“Nothing else is Dale Watson. In he strode in a long black Cash-worthy coat with long leather cuffs and a tux
shirt. His white hair was ship’s prow, or perhaps a mighty iceberg. And his Telecaster guitar, festooned with silver
coins of every size and denomination, glinted in the footlights. All through, Dale’s banter was loose and wry. His
guitar tone was just platonically perfect.” - Music City Roots
“To call Dale Watson’s music country is like calling Ray Charles’ music soul ... both have an air of authenticity
that transcends genres and demands that they be put into a class of one. Ray Charles is gone, but you can see
- The Troy Record
"...he proved that he is the real deal, and when it comes to tradition, sometimes you can't get too much of a good
- Country Standard Time
"This songwriter prides himself on crafting authentic, old-school country music, which he does so quite
masterfully. Watson definitely nails the old-school country star persona."
- No Country For New Nashville
" He’s spent the past two decades proving there are still powerful tales to be told from the honky-tonk pulpit, and
he's brought that message to the faithful.”
- The Nashville Scene