For the MC/Artist that doesn't just bang out the same sound over and over comes the Smooth Groove "Mix & Match" beat-tape. 13 Bangers For The LOW Price Of $10.00! That's only $0.77 per song!! You get Hip-Hop, Club, Pop, Conscious, Vibe, Dirty South, Funky, & Soul beats. This beat-tape is a mix-tape ready to go, just add lyrics!
Just Click The Link Below or Copy It Into Your Browser:
June Beat Madness Sale!
Lease 1 Beat For $1! Lease 5 Beats For $3!! Lease 10 Beats For $5!!!
On Friday June 15th for 24 hours only you can purchase any lease beat for $1.00! 2 lease beats for $1.50!! 3 lease beats for $2.00!!!
MCs & Artist: Sign Up On My Sound Click Mailing List & Receive 2 Free Beats!
Sign up on the mailing list and I will contact you for your free beats. Any 2 beats for free with the exception of exclusive beats.
GREAT DEALS ALSO ON BEAT-TAPES. 3 DIFFERENT BEAT-TAPES STARTING AT ONLY $12.99 for 20 beats, $17.99 for 28 beats, and $19.99 for 36 beats. All beats in high-quality 320 MP3 format.
No other producer has beat-tape deals like this!
If you are a SERIOUS artist and want exclusive beats I also have the hook up for you. 1 exclusive beat for $200! 2 exclusive beats for $300!! 3 exclusive beats for $350!!!
Much love & respect!
Marion H Moore
I’m producer Marion H Moore working out of the sunshine state here in the great city of Daytona Beach, FL. I have owned and ran my production company ALBM Productions for the last 20 years and have been a part of the electronic rock group / production team “Smooth Generation” for the last ten. Over the years I’ve worked and remixed hundreds of MCs, Vocalist, DJs, and Bands.
You can check a full range of my beats at: www.soundclick.com/albmproductions
To license any of these beats on my soundclick page ($20) simply e-mail me at one of my two e-mail addresses with “License Beats” in the subject header. (Also the title or the track you wish to license) As soon as payment hits paypal I’ll send you the beat you want in MP3 or Wav file format. (The paypal e-mail address for payment is email@example.com)
firstname.lastname@example.org or email@example.com
If you want an exclusive license to any of these beats it’s only $200. I’ll stop pitching the track and take it down off soundclick or any other site it might be on. Then it’s yours to put your magic on and make that $$$$$!
As an artist it’s simple: you can be the copycat one hit wonder or you can be the trendsetter everyone looks up to. To set yourself apart you need to start with beats that have mass appeal, but still have an original feel to them.
The one thing I can say is with my beats you will always get something that has a commercial and original sound rolled into one that will set you apart from the thousands of artist out there. The drums will always be hard and the keyboards will always be banging!
One more thing: many of my beats have a title like “SC 11” or “SC 2”. I’m not just pumping out beats like fast food. I put 100% of myself and 100% of my love into my work. I feel that it’s up to the artist writing to the beat to give it the name it deserves!
Much Love and Respect, Marion H Moore
Marion Heath Moore “Ten Years Of ALBM Productions”
01. After Touch 02. Old School Acid 03. Lady’s Love 04. On The Left 05. The Organic Hop 06. Right Now 07. Metal Beats 08. The Joint 09. Nothing Left But Time 10. Friends Who Leave 11. A Choir By The River 12. Friday’s Funk 13. Red Moon 14. Day Of The Case 15. Dark Fear In Me 16. Living Fears 17. Passing Of The Storm 18. Empty Club 19. Lonely Echoes 20. Driving In The Dark
Produced By: Marion Heath Moore For: ALBM Productions Recorded & Mixed At ALBM Recording By: Marion H Moore
All Instruments and Programming: Marion Heath Moore
After Touch: Marion Heath Moore Old School Acid: Marion Heath Moore Lady’s Love: Marion Heath Moore On The Left: Marion Heath Moore The Organic Hop: Marion Heath Moore Right Now: Marion Heath Moore Metal Beats: Marion Heath Moore / Jeff Hanneman The Joint: Marion Heath Moore Nothing Left But Time: Marion Heath Moore Friends Who Leave: Marion Heath Moore A Choir By The River: Marion Heath Moore Friday’s Funk: Marion Heath Moore Red Moon: Marion Heath Moore Day Of The Case: Marion Heath Moore Dark Fear In Me: Marion Heath Moore Living Fears: Marion Heath Moore Passing Of The Storm: Marion Heath Moore Empty Club: Marion Heath Moore Lonely Echoes: Marion Heath Moore Driving In The Dark: Marion Heath Moore
Published By: MooreRoad Publishing (BMI)
Copyright © & (P) 2010 ALBM Recordings / Mitero Entertainment Digital Distribution By: Tone Box Records / www.toneboxdigital.com
Marion Heath Moore “Ten Years Of ALBM Productions”
This project is the result of over twenty years of studying music/production and over ten years of making records; track after track and artist/band after artist/band.
As a producer, composer, recording engineer, programmer, musician, and most of all a major (major) fan of music I keep my ears and mind open to almost anything that catches my fancy!
I find inspiration in rock (Linkin Park, Slayer. Tool, Tom Petty, Chevelle), electronic (Josh Wink, DJ Tiesto, DJ Monk, DJ Self, DJ X, Rabbit In The Moon, AK 1200, Sasha & John Digweed), hip-hop (DJ Shadow, DJ Krush, Mos Def, Gang Starr, The Roots, Erick Sermon, A Tribe Called Quest, Chubb Rock), soul/r&b (Al Green, Al B Sure, Stevie Wonder), funk (George Clinton, Bootsy Collins), jazz (Medeski-Martin & Wood, Miles Davis, Branford Marsalis), old school country (Johnny Cash, Emmylou Harris, Willie Nelson), blues (John Lee Hooker, Stevie Ray Vaughan, Son House, Robert Johnson), classical (Segovia, Beethoven, Gershwin), film (Gabriel Yared, Harold Faltermeyer, Ry Cooder), gospel (Take 6, Sounds Of Blackness, Be Be Winans), and pop (Mariah Carey, Janet Jackson, Prince, Sarah McLauchlan). If I listed every band, artist, producer, musician, songwriter, composer, recording engineer, and programmer that has shaped my music we would be here all day.
As you listen to these twenty instrumental tracks the one word I hope comes into your mind is “fusion”; pop mixed with classical, rock mixed with techno, drum & bass mixed with film music, and so on!
All these tracks were composed out of one hundred percent pure inspiration of all the music that touches my life daily.
Marion Heath Moore (ALBM Productions)
Marion Heath Moore (ALBM Productions) Bio:
Born on February 10th 1976 in the small town of Rock Hill, SC it did not take the parents and family members of Marion Heath Moore long to realize that his life was going to be dedicated to music. He spent hours on end playing a stack of 45s over and over again. All the great Motown artists, disco, and rock were all in the mix. At the age of six he started studying the piano and a year later the guitar. Blessed by having the best teachers in the area they showed him the importance of studying classical and jazz, but also encouraging him to follow his true love of pop, rock, soul, funk, hip-hop, metal, and even techno. While in middle school Marion started to write his own original songs. His father soon noticed that he needed a way to record his ideas. A trip to a local pawnshop provided the basic tools needed to record demos. (A drum machine, keyboard, and a four-track tape recorder.) All his free time was spent composing song after song. After wearing out two four-track tape recorders and composing almost a hundred songs Marion’s high school band instructor entered him into a national songwriting competition for students. There was only one problem; he needed a “pro” sounding recording. His father called the biggest studio in the area (Reflection Sound Studios) and learned that two young college graduates from Berklee Collage Of Music had just opened a small Midi Recording studio called Studio B. (Audio engineer Dave Harris and film composer Mike Lawler) That first recording session changed his life forever. That was the moment when he knew that the recording studio was going to be his life. From 1991 to 1994 most of the money Marion made (A paper route and playing guitar and keyboards in local cover bands) went to booking time at the studio. The guys at Studio B started teaching him the basic fundamentals of Midi and audio engineering. They also told him that if he wanted recordings to be his career he had to go to college. In 1994 he packed his bags and headed up to Boston to attend Berklee Collage Of Music. After a year he then transferred to Belmont University in Nashville, TN. During his first semester at Belmont he got an internship at a small publishing company Patrick Joseph Music that quickly turned into a job. This provided him with the opportunity to work with some of Nashville’s most sought after A-list writers (Kim Carnes, Matraca Berg, Troy Verges, & Tim Mensy just to name a few) and to learn first hand how the music publishing industry really worked. While at PJM he started co-engineering and co-producing rock, metal, and blues bands and artist with producer / engineer Mark Ermlick. (Forty Thieves, John Mohead, Bill Miller, & Hollie Poole) In 1996 Marion also began to work with songwriter / producer / screenplay writer Terry Harkleroad and songwriter / producer Terry Bell on a host of different pop, country, urban, rock, and electronic music artist. (Smooth Generation, Sandy Madaris, Michelle Rentfro, Peter Penrose, & Paula Chavis) Also that same year he started his own production company ALBM Recordings. The focus was working one-on-one writing, arranging, programming, engineering, and producing solo artist. (Keith Urban, Todd Tabor, Vince Melamed, & Greg Barnhill) In 1999 Universal Music Group purchased Patrick Joseph Music. Marion decided it was time for a change and moved his production company to Daytona Beach, FL. His focus is now on working with independent artists / DJs, crafting beats for MCs, providing music for film/TV/games/advertising/web, and remixing. As a remixer his style has touched a wide array of artists. (Marcy Playground, Eminem, Britney Spears, The Crystal Method, Linkin Park, Peter Gabriel, Jason Moran, Snoop Dog, Underoath, Raheem DeVaughn, The Roots, John Legend, and Erykah Badu) In his own words, “The Future Holds No Limits.”