Wednesday, July 10th, 2013 at 8:00pm
Louisiana native-turned-Nashville resident Gauthier (it’s French; pronounced Go-SHAY), whose songs have earned praise from Bob Dylan and Tom Waits, and been recorded by Jimmy Buffett, Blake Shelton and many others, is not bragging, just explaining, in that practical way of hers. It’s the same way she discusses experiences that led to some of the extraordinary songs she performs on the album. Renowned songs, such as “I Drink,” “Drag Queens in Limousines” and “Karla Faye” — which addresses the famous fate of that convicted killer, but starts out with lines that undoubtedly reference their author as well: A little girl lost, her world full of pain. He said it feels good, she gave him her vein.
Then there’s “Blood on Blood,” from her last release, 2010?’s The Foundling, which plumbs the particular hell of children given up to closed adoption. With a cinematographer’s eye and a lyrical economy that suggests far more than her 15 years of songwriting experience, she chronicles an always-present sense of rejection and rootlessness, the nagging “whys” and “what ifs,” the endless search of every face for a possible resemblance. I don’t know who I am I don’t know who I’m not/I don’t know my name I can’t find my place, she sings, her voice rising from a whisper to a wail. She’s not just offering a vein here, she’s cutting several wide open. Like all of her songs, “Blood on Blood” takes on even more power when performed live.
“As a songwriter, I’m always trying to go to the deepest possible place inside of me. Past the navel-gazing, past the self-conscious, to get to that ‘we,’” Gauthier explains. “’Cause deep inside of all of us is the universal. And that is an artist’s job, to transcend the self. … I’m in there, but then hopefully, it goes past that and it hits something far, far bigger and more important than me. That’s what I’m aimin’ for every time I write.”
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