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Piracy / Press

“Listeners can hear some classic metal turns in the brooding urgency of the riffage on “Doorway to Norway,” the mid-tempo stomp and crunchy riff inversion of “Lady Jo,” and the staccato intro to “Jodin,” which quickly ramps up to a galloping-horse percussive assault laden with Metallica-style pregnant pauses before an aural kaleidoscope of fret-board noodling hits those horde-of-bees high notes."”

Michael Auschenker - The Argonaut