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Bio: Fredericksburg-based artist Karen Jonas has been accused of beating her dad’s old Cortez acoustic guitar. Sometimes, the song requires it. But most of the time, Karen's rhythmic thumb-and-strum style just keeps the audience rapt and hanging on her every word. She's currently putting the finishing...See Full Bio
“If music was a lottery, then Karen Jonas hit big. But this is no fortune to be chocked up to sheer luck. The toil, the heart that Karen Jonas put into this music and this record is eminently palpable. And it is not just the result of talent, but talent honed and refined through cutting self-criticism, study, discipline, and work. This music starts with a girl, her guitar, her stories, and her demons. Similar to Justin Townes Earle in the way she plays the guitar in a hybrid of the clawhammer banjo style—a plucking with her thumb and then striking the strings with the nail side of her fingers—shows a refined study of her instrument, not just a rudimentary running through of chords while letting the words tell her story, with no sense of style to match up with the mood. This musical approach exacerbates the lead-heavy, almost unbearable tension that Karen is able to instill in her music. Her music aches like a broken heart; heaves and creaks like the boards of an old wooden floor und”