FEMME SCHMIDT is a phenomenon.
When she enters the room she got everyone’s attention. With every self-confidential steps she is taking, it seems as if she leaves a permanent trace behind her- even before the band starts playing.
The Berlin Chanteuse is more than just a singer. Her Pop Noir is more than just music.
FEMME SCHMIDT is a remarkable personality and she unfolds effectively at first glance and goes beyond the last note of the evening. On the contrary, the range goes way beyond. She holds the artistic strength to create a gleam painting of ecstasy and sensuality, full of freedom and pulsating life.
Recently, the ZDF (German Television) announced her as “neues Fräuleinwunder”, the Sydney Morning Herald even called her a “modern day Marlene Dietrich”.
Other media perceive FEMME SCHMIDT as a “pop-revelation”, described her as a “princess of the night”- or FEMME SCHMIDT is the epitome of femininity.
And this fits perfectly. She is the new face of an unfamiliar image of women: young, sophisticated, consequent and full of passion to stage and celebrate this. FEMME SCHMIDT inhabits all of these characteristics and even more she creates her own new individual, glamorous, enigmatic and disregarding principles world- just like a FEMME SCHMIDT cosmos where she monopolizes this cosmos.
The showroom reminds of an homage to the 1920s decadency and the black and white aesthetics of the 60s- this is the stage where SCHMIDT performs her Pop Noir with stunning visual allusions and quotations- optically, atmospherically and musically.
The Pop in Pop Noir inhabits the passion for life, swing feeling and modern urbanity in one breath. The Noir rises from her voice, the gloomy, the passionate inscrutable that she sings of. FEMME SCHMIDT’s Pop Noir is in-between stunning visual elements from past epochs, the urban zeitgeist and the musical temptation.
With full dedication FEMME SCHMIDT sings about the era of the golden twenties and the decade of ecstasy and Carpe Diem. Just in the same way, she honors Noir and the swinging sixties. Self-confidentially she bridges the gap and connects all these nostalgic accessories with the contemporary zeitgeist.
FEMME SCHMIDT calls this Pop Noir- this acoustic and optical bouquet that she embodies with every single tone. Sophisticated, self-confident and a bit mysterious.
“Just as well-shaped as the grace herself”, rates the Rolling Stone. The Vogue magazine titles “just the right mixture of cool and sex, retro and hipness. This shimmering, perfect and well- considered awards the entire appearance with uniqueness.