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Early in saxophone and flute player Paul Lieberman’s career during a session at Mickey Hart’s, Gil Evans commented to Airto “everything he plays sounds right,” and David Sanborn responded to a NY performance with a surprise kiss.
Paul’s critically acclaimed 2011 CD “Ibeji” reached best of the year lists generating nominations for Latin Jazz Flutist of the Year & Brazilian Jazz Album of the Year. It looks at Brazilian music and Jazz as twin children of Mother Africa separated at birth and now reunited, with the stellar support Rufus Reid & Nilson Matta on bass, Duduka da Fonseca, Tim Horner, and Allman Brothers co-founder Jaimoe on drums.
Reviewers say “Lieberman…is a soulful player on any instrument, conveying deep emotional content...demonstrates his instrumental mastery and also reveals himself as a formidable composer" in this “stunning, heartfelt, and emotional” recording. With “high musicianship displayed with emotion, laid bare” the “sparkling originals” and “fascinating” arrangements “enchant” and “celebrate life to its fullest” in this “beguiling mix”. “Blessed with 2 cracker-jack rhythm sections” the “oh-so-sweet” CD “shines” with “‘soul’ music through and through” that “combines technique, intelligence, experience, emotions, and risk-taking that pushes the musician beyond the ordinary or the commonplace.” With “one of the best covers of a Beatles tune by a jazz player, a beat that floats on every track...pervasive ensemble joie de vivre” and an original that “sent chills up my spine” “Ibeji is a hell of an accomplishment... and displays, quite brilliantly, the commonalities of these music heritages.”
Similarly with his clinics: “Paul Lieberman’s clinic proved to be a highlight of the 2012 Syracuse Jazz Fest Education Program. Drawing on his experience in music education, Paul was able to get right down to the level of the students in the audience and deliver meaningful, relevant, and eminently useable information designed to improve their understanding and performance of America’s music; jazz. For over an hour, he held the students in rapt attention as he both challenged and motivated them on their journey toward becoming better musicians. It was a thrill for me to see the student’s reactions: many told me afterward that they were truly inspired and “charged up” by Paul’s presentation. My only regret is that we only had an hour to give him!”
Among Paul's other recent activities: All-Star tribute band at the James Moody Democracy of Jazz Festival with George Benson, The Manhattan Transfer, Jimmy Heath, Kenny Barron, Paquito D’Rivera, Jon Faddis, & Renee Rosnes; Yale commission to create & perform big-band arrangements of music from “Ibeji” as Guest Artist; commission and performance of dance piece for Central Connecticut State University; foundation-supported presentation of educational project “Voyages on the Black Atlantic” for the Newark, NJ Public School System; two week concert tour of the Czech Republic as leader; headlining Brazil’s Chapada in Jazz Festival with “Ibeji Live!” after 2 days of university master class & performance; guest artist with the Northeastern University Concert Band; saxophone quartet co-founded with Gary Smulyan, Marty Ehrlich, and Jason Robinson; touring with Gregg Allman Band & Jaimoe's Jasssz Band in the US and Europe; recording on Ali Ryerson’s Jazz Flute Big Band’s 2013 Jazz Times Top 100 CD as soloist alongside Hubert Laws, and Nestor Torres; featured soloist with Arturo O’Farrill’s Afro-Latin Jazz Orchestra; saxophone soloist with the Springfield Symphony Orchestra; creation of the wind/percussion music for worldwide performances by the Young@Heart Chorus; naming as D’Addario Performing Artist & as member of the editorial board of the journal “Analytical Approaches to World Music”; clinician appearances at Yale University, the Syracuse Jazz Fest, and the St. Lawrence County Music Educators Association; and receipt of Xporadio 2013 Grand Prize for best song & of various grants, finalist John Lennon International Songwriting Competition.
After earning his BA at Yale, Paul responded to simultaneous tour invitations from Buddy Rich and Brazilian Jazz legends Airto and Flora Purim by becoming the only “gringo” in the all-Brazilian group, and toured the US for the next two years, appearing at major clubs, theaters, and festivals, performed for audiences of up to 30,000, and made his Lincoln Center debut.
He then moved to Rio de Janeiro for 4 years, where he became Brazil’s first-call studio sax and flute player, recording on over 50 albums and doing arranging and producing work for CBS, Warner and other labels. He became so fully assimilated into the language and culture of Brazil that he was routinely taken to be a native.
Paul has performed and/or recorded with Pat Metheny, George Benson, David Sanborn, Jaco Pastorius, The Allman Brothers Band, Mickey Hart, Taj Mahal, Rufus Reid, Jaki Byard, David “Fathead” Newman, Bernard Purdy, Lew Soloff, Jimmy Heath, Paquito D’Rivera, Ronnie Foster, Claudio Roditi, Dick Oatts, Conrad Herwig, Brian Lynch, Donny McCaslin, Jon Faddis, Wayne Bergeron, Arturo O’Farrill, Dave Samuels, Bobby Sanabria, David Byrne, the Springfield Symphony, and Brazilian stars such as Simone, Chico Buarque, Djavan, Milton Nascimento, Toninho Horta, Alcione, Joao Bosco, Leny Andrade, along with a Who’s Who of Brazil’s top instrumental artists, including Hermeto Pascoal, Cesar Camargo Mariano, and many others.
Paul performs all over the world as leader, sideman, and as Music Director of Jaimoe’s Jasssz Band. He spent four years on the UMass Amherst jazz faculty, where he earned his MM in Jazz Composition and Arranging, is Director of Middle School Instrumental Music at the Noble and Greenough School, and lectures on global & historical perspectives on Brazilian music and Jazz, and on Jazz Education.
More information at www.paullieberman.com