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Tue Dec 1 2009
6:30p
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Sing It Loud
The Rocket Summer
foReveR thE sIckesT kidS
My Favorite Highway
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Wed Dec 2 2009
8:00p
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Puscifer
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Puscifer
Rock / Industrial / Alternative
Los Angeles, CA
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Fri Dec 4 2009
8:00p
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3OH!3
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JohnJay & Rich's Strictly Tucson Phooson with 3OH!3 friday December 04 7 pm doors / 8 pm showti...
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Show Details: JohnJay & Rich's Strictly Tucson Phooson with 3OH!3 friday December 04 7 pm doors / 8 pm showtime JohnJay & Rich's Strictly Tucson Phooson with 3OH!3 (Pop)with Jason Derulo, Justin Bieber all ages ON SALE SATURDAY, NOVEMBER 7TH PRESALE BEGINS FRIDAY, NOVEMBER 6TH This is a story about two boys from Colorado. They both grew up in the faux-hippy town of Boulder and ended up at the University of Colorado. One, Nathaniel Motte, graduated summa cum laude and got into medical school, the other, Sean Foreman, got college degrees in math and English. Nat spoke fluent French, Sean won the Ultimate Frisbee World Championship in Finland when he was nineteen. Both loved hip-hop, but hated the exclusivity of the scene. They disagreed with the common assumption that anything on the radio was the work of Satan. So they started making beats in their basement and writing songs that blended rock and hip-hop and dance and pop and who knows what else, and petitioned to remove the "guilty" from "guilty pleasure." They used their area code as their band name, except with an added exclamation point. The raucous songs caught the attention of Matt Galle, owner of New York-based indie label Photo Finish Records and booking agent to superstars like My Chemical Romance and Taking Back Sunday, and producer Matt Squire, who pretty much produces every awesome band nowadays. Galle signed them to Photo Finish and Squire co-produced the duo's debut, Want, a collection of infectious songs. 3OH!3 headed out on Warped Tour in the summer of 2008 as their first real tour. There they learned that showers are overrated and if you have punchy, rhyming lyrics, dancey rap beats and a raucous live show that involved choreography, kids will come see you play. So many kids, in fact, that your stage will get more and more packed every day as the tour progresses, inciting jealousy from all the other bands. Want was released on July 8, 2008 while they were playing a parking lot in 100-degree heat. The disc's first single was "Don't Trust Me," which was co-produced with Benny Blanco, a song that went to No. 1 on Billboard's Mainstream Top 40 chart. The band was sent back on the road in the fall for a headlining tour sponsored by MySpace, who jumped on the 3OH3! bandwagon after the pair was a Top 3 artist on the site for several months. The only problem was that Sean was in Brooklyn and the band's gear was in Colorado. So Sean rode his bike from New York to Denver over the course of twenty-two days, clearing his head and sleeping in bushes by the side of the road along the way. On the fall tour, the band sold out so many venues they were forced to move some of the shows to bigger rooms, culminating at show at San Diego's Soma for 2,500 screaming fans. Radio stations began playing "Don't Trust Me," bleeping out swear words like "ho" and "Helen Keller." MTV and Fuse threw the video into rotation. Katy Perry called and told the boys to pack their bags for Europe, where they traveled around in a soccer mom van as the only openers on Perry's tour. MTV called and told the boys to pack their Speedos for Spring Break, conveniently scripting them into an episode of The Real World: Cancun. Alternative Press called and told the boys to start working out before their cover shoot and headlining slot on the Alternative Press Tour, which kicked off at SxSW in March. Because no one really ever needs to go home or sleep in a real bed, Sean and Nat jumped almost immediately on Warped Tour for their second run. This time they knew the ropes. Bringing a padlock to secure your own porta-potty backstage each day, for example. They were the biggest band on the tour and even though some people might argue with that, it's true. "Don't Trust Me" was certified double platinum. They remixed second single "Starstrukk" to include vocals from Katy Perry and released it at the end of August. Tours were planned in Europe, Australia and the States for the fall. MTV called again and told the band they were nominated for a Video Music Award for "Best New Artist." It all seems like a lot to take in, especially for a band with only one album out. But don't worry. If music fails, Nat can become a rich doctor and pay for Sean to pedal a unicycle across Canada. The path to perfection is a humble road, but one that longevity will pave". At the tender age of 19, Florida native Jason Derulo has already experienced feats that many veterans in the game aspire to. A multi-talented artist/songwriter on the brink of stardom, Jason has contributed his talents to the likes of Lil Wayne, Sean Kingston, Betty Wright and Danity Kane to name a few. As a performer he has shared the stage with artist such as, T-Pain, Akon and Mims. His strong stage performances have drawn rave reviews, and have made him a well sought after entertainer. A winner of countless awards, Jason also gained major notoriety by winning the 2006 Apollo Season Finale Grand Championship. After a long courtship by many record labels, Jason has teamed up with multi-platinum music producer J.R Rotem and his label Beluga Heights/Warner Bros. Records, and is currently in Los Angeles completing his highly anticipated debut album due this summer. Jason's first official single titled "Whatcha Say", produced by J.R. Rotem, will be hitting radio in the Summer of 2009. With incredible label support, unparalleled talent and God's Blessing, Jason Derulo is about to take the music world by storm! Music Highlights: 2006 "Showtime at the Apollo" season finale Grand championship winner. Graduated from the prestigious musical theater conservatory AMDA (The American Musical and Dramatic Academy) in 2006. State Champion and national finalist in the nationally televised NAACP ACT-so competition (vocalist). Repeat first place winner of the Florida state best vocalist championship. Attended performing Arts School's since the age of 8. Winner of all 17 talent shows entered into across the country. Professional hip-hop dancer with The Pfuzion Dance Company Inc. Selected as one of AMDA's top five tap dancers, to perform at the renowned "Main Stage Theater." An old soul is the last thing you would expect to find inside Justin Bieber. But all it takes is one listen to the 15 year-old soul-singing phenomenon to realize that he is light years ahead of his manufactured pop peers. After posting dozens of homemade videos on YouTube in 2007, where the multi-talented Bieber put his impeccable spin on songs from artists like Usher, Ne-Yo and Stevie Wonder, Justin racked up over 10,000,000 views purely from word of mouth. In an effort to share his victory with his loved ones, Justin began posting his performance footage online. "I put my singing videos from the competition on YouTube so that my friends and family could watch them," he says. "But it turned out that other people liked them and they started subscribing to them. That's how my manager found me. He saw me on YouTube and contacted my family and now I'm signed!" Seven months after Justin started posting his videos online, former So So Def marketing executive Scooter Braun flew the then 13-year old singer to Atlanta, GA to meet with his elite colleagues. As if Justin's natural singing talent wasn't enough to impress Scooter's inner circle, Braun knew Bieber was also a self-taught musician who plays the drums, guitar, piano and trumpet. "Right when we flew into Atlanta, Scooter drove us to the studio and Usher was there in the parking lot," remembers Bieber. "That was my first time ever being out of Canada so I went up to him and was like, 'Hey Usher, I love your songs, do you want me to sing you one?' He was like, 'No little buddy, just come inside, it's cold out.'" All it took was a short time online for Usher to realize he was in the company of a future superstar. "A week later Usher flew me back to Atlanta," says Bieber. "I sang for him and his people and he really wanted to sign me then and there but I still had a meeting with Justin Timberlake who also wanted to sign me. It turned out Usher's deal was way better. He had L.A. Reid backing him up and Scooter had a lot of really good connections in Atlanta. I always tease Usher now and remind him he how he blew me off the first time we met." In October of 2008, Justin Bieber officially signed to Island Records. His debut album, My World is an intimate look into the mind of a budding young renaissance man. With production from star hit men like The Dream and Tricky Stewart who produced "Umbrella" for Rihanna and Beyonce's latest smash, "Single Ladies (Put A Ring On It)," Justin has everything he needs to achieve pop supremacy. His first single, "One Time" produced by Tricky, is about one of Justin's favorite topics, puppy love. Usher joins Justin on "First Dance" where the two share verses on a song that Bieber describes as, "A slow groovy song that people can dance to." On the Midi-Mafia produced "Down to Earth" Justin digs deep to talk about growing up. "Bigger" finds the teenaged singer maturing at a steady rate, while motivating his listeners to strive for their goals. "I'm looking forward to influencing others in a positive way," says Justin. "My message is you can do anything if you just put your mind to it. I grew up below the poverty line; I didn't have as much as other people did. I think it made me stronger as a person it built my character. Now I have a 4.0 grade point average and I want to go to college and just become a better person." A virtually untapped well of natural artistic talent, Justin Bieber is primed to be a solid force in music for many years to come. "I think older people can appreciate my music because I really show my heart when I sing, and it's not corny," he says. "I think I can grow as an artist and my fans will grow with me." And just think, he's just getting started. Presented by Johnjay and Rich$37 general admission advance$42 reserve seated balcony* prices may be subject to service fees
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Thu Dec 10 2009
8:00p
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Five For Fighting
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92.9 THE MOUNTAIN'S WINTER WONDERJAM WITH TRAIN & FIVE FOR FIGHTING thursday December 10 7 pm d...
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Show Details: 92.9 THE MOUNTAIN'S WINTER WONDERJAM WITH TRAIN & FIVE FOR FIGHTING thursday December 10 7 pm doors / 8 pm showtime 92.9 THE MOUNTAIN'S WINTER WONDERJAM WITH TRAIN & FIVE FOR FIGHTING (Rock) all ages ON SALE SATURDAY, NOVEMBER 7TH; PRESALE IS WEDNESDAY, NOVEMBER 4TH - FRIDAY, NOVEMBER 6TH Pat Monahan - vocals Jimmy Stafford - guitar Over the course of 15 years, Train has made its mark on music history with their Grammy-Award-winning song "Drops of Jupiter (Tell Me)" and chart-topping singles "Meet Virginia" and "Calling All Angels." Since forming in San Francisco in 1994, the multi-platinum selling band has traveled a long, successful and sometimes arduous journey. Following their 2006 release, For Me, It's You, the band took a three-year hiatus, and in that time, Train has, for all intents and purposes, experienced an epiphany as a whole. Now, with their fifth album, Save Me San Francisco, Train has channeled their early days, revisiting the roots rock sound that has made the band such a tour de force - and, in turn, the band is united stronger than ever before. "I think taking time away from each other really made the heart grow fonder," frontman Pat Monahan says of the break. "We realized how important we were to one another and taking a few years off helped us all really look at ourselves and what we could contribute to this band as opposed to what we weren't getting from the band." When looking back, Train credits the city of San Francisco with cultivating the band's identity and foundation, so it's no wonder than the title track of the record would pay homage to the Bay Area metropolis the band holds so dear. "We owe all of our gratitude to San Francisco because they embraced us back when, if they hadn't have, no one would have," Monahan explains. "Basically, this album is our way of paying tribute, giving thanks and also recognizing that we kind of need San Francisco to OK this band before anybody else does. Those were the best times of our lives - even though we didn't know it - living in San Francisco and struggling to make a band work." "Save Me San Francisco" is an autobiographical account of Train's beginnings, and embodies not only the spirit of the album, but also the soul of Train as a band. The song's lyrics take the listener through the three-piece's humble start in the mid-90s up through the time when Monahan, in particular, left the City by the Bay. "It's very related to my existence, but Jimmy, Scott and I have been through a lot together in the last 14-15 years, so it represents a lot to them, too, because they don't reside in San Francisco anymore, and we all miss it." Train spent April and May of 2009 holed up in London's Kensaltown Studios with producer Martin Terefe (KT Tunstall, Jason Mraz, James Morrison) with whom Monahan credits with helping the band "get back to the roots of the first record." "It was an incredibly refreshing environment that Martin created for the band," the singer says. "I'm really appreciative of his approach on things because he's really great at what he does. I had more fun making this record than ever in my life. I think I've made seven records and it was far the most fun." Save Me San Francisco taps into Train's organic sound, recalling the blues and folk-infused rock that put the band on the map from the start. "It's pretty basic," Monahan explains of the record. "But really cool because there's super catchy riffs and melodies in it, which I think are way more important that any production trick or great-sounding vocal production. It's kind of us going backward so we can go forward." It is befitting that the focus of Save Me San Francisco is as uncomplicated as the record sounds. Monahan explored the age-old concept of love through his signature storytelling lyrics and the album, as he explains, is "about love in every way you can about it." "There are certain songs that, instead of there being an intention, there was almost a theme," he says. "I think a lot of the way I wrote on this wasn't necessarily, 'Hey, this reminds me of a situation I was in,' but more how I see certain things being lived out in life, whether it's from myself or someone else's perspective." In this day and age, career artists are few and far between, and after a decade and a half of being a band, Train is ready to present one of their strongest efforts to date. Monahan recognizes the band's accomplishments, and, as he states so clearly, is more than grateful for the success they have experienced. However, for a band as consummate as Train is, Monahan still sets his goals high and hopes the band's fans will continue to come along for the ride. "I still remember what it's like to paint houses," he recalls. "I had fun because I loved the people that I worked with, but it's really not what I want to do - not because it's a degrading job or anything, but because when I'm on stage I feel so much more connected to who I think I truly am. I just want to stay connected to the highest level myself can be and I think it comes through music. With that said, I'll never stop wanting to sell out Madison Square Garden, so my goals are very simple, but they're pretty big at the same time. I think Train fans who have watched the good and the bad, have been a part of all of it and have loved some of the music and not liked some of the music, are really going to like this record a lot -- I think, much more than they have in years." Five for Fighting is the one-man band of John Ondrasik, who rose to fame in 2001 on the strength of the pop/rock ballad "Superman (It's Not Easy)." Although originally released in 2000, the single became popular after the events of September 11, 2001, which shone new light on Five for Fighting's tale of flight, insecurity, and heroics. Another Top 40 hit, "100 Years", followed three years later, thus cementing Five for Fighting's status as one of the decade's leading balladeers. Born and raised in the San Fernando Valley of Los Angeles, Ondrasik started his musical training when he was only two years old. His mother, a piano teacher, gave him lessons, and he began turning his attention to guitar at the age of 13. He taught himself to use the latter instrument and soon began writing music. Somewhere along the way, he also took vocal lessons in opera. After discovering that opera wasn't his cup of tea, Ondrasik shifted his focus once again, this time turning to artists like Billy Joel, Journey, Elton John, Stevie Wonder, and Earth, Wind & Fire for inspiration. Using the stage name Five for Fighting -- a term he appropriated from ice hockey's rule book -- Ondrasik made his major-label in 1997 by releasing Message for Albert. He then left the roster of his original label, Capitol Records, and signed with Columbia before issuing America Town. Released in 2000, the album furthered Ondrasik's themes of love and life while adding a political spin, a combination that yielded warm reviews but sluggish sales. America Town might have been another strong outing from a talented (yet commercially invisible) songwriter were it not for the tragic events of September 11, 2001, and the nation's subsequent embrace of the delicate piano ballad "Superman (It's Not Easy)." Five for Fighting performed the song at the Concert for New York City that winter, and America Town went platinum several months later. While it was a bittersweet way to find fame, the single's success gave Ondrasik the artistic license he'd always craved. When The Battle for Everything appeared in early 2004, it was Five for Fighting's most stylistically ambitious and lyrically bold recording to date. It also yielded another high-charting single, "100 Years." 2006's Two Lights continued Ondrasik's exploration of blue-collar America by focusing on love, mortality, war, and family. A concert album entitled Back Country Live arrived in 2007, followed by Slice -- featuring several songs co-written by musical theater composer Steven Schwartz -- in October 2009. Charlotte Dillon & Andrew Leahey, All Music Guide Presented by 92.9 The Mountain$31 general admission advance$36 reserve seated balcony* prices may be subject to service fees
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Sat Dec 12 2009
7:00p
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All That Remains
The Devil Wears Prada
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Tue Dec 15 2009
7:30p
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Pitbull
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Pitbull tuesday December 15 7pm doors / 7:30pm showtime Pitbull all ages DUE TO A SCHEDULING...
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Show Details: Pitbull tuesday December 15 7pm doors / 7:30pm showtime Pitbull all ages DUE TO A SCHEDULING CONFLICT, PITBULL HAS BEEN RESCHEDULED FOR DECEMBER 15. ALL TICKETS WILL BE HONORED FOR THE NEW DATE. SORRY FOR THE INCONVENIENCE-PLEASE CALL 520.740.1000. When the Southern-flavored party rap called crunk took over urban radio in 2004, Miami rapper Pitbull decided it was time to seek stardom. The way Pitbull sees it, "crunk ain't nothin' but bass music slowed down." Miami bass music, that is, the kind Pitbull grew up on. His parents were first-generation Cuban immigrants who didn't let their son forget about his culture. They required him to memorize the works of Cuban poet Jos© Martí, and Pitbull understood the power of words right away. Southern acts like Poison Clan and Luther Campbell were early influences, but as he grew, the young rapper got turned on to the G-funk sound of the West Coast and the New York City point of view Nas brought to the game. Pitbull got involved in the game himself when he started appearing on Miami mixtapes. A meeting with Irv Gotti resulted in nothing, but soon Luther Campbell called on the rapper to appear on his "Lollipop" single. It brought Pitbull to the attention of the Diaz Brothers management team, who introduced the rapper to the king of crunk, Lil Jon. A Pitbull freestyle landed on Lil Jon's platinum-selling Kings of Crunk album in 2002, and the rapper's "Oye" track appeared on the 2 Fast 2 Furious soundtrack in 2003. Ready to take it all the way to the top, Pitbull unleashed his debut full-length, M.I.A.M.I., in 2004 on the TVT label, with the Lil Jon-produced single "Culo" leading the way. Soon Pitbull was making guest appearances on tracks by everyone from the Ying Yang Twins to Elephant Man. The 2005 compilation Money Is Still a Major Issue collected the best of these collaborations along with some remixes and unreleased tracks. In 2006 the single "Bojangles" prepared fans for his next album, El Mariel. As the album landed on the shelves it was announced that his next effort would be entirely in Spanish and titled The Boatlift. When the end product arrived in 2007, it was an album mostly English, introduced by the single "Go Girl." Two years later he released Rebelution, an album filled with slick club cuts. Presented by The Rialto Theatre$32 general admission advance$35 general admission day of show * prices may be subject to service fees
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Wed Dec 16 2009
7:00p
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AGRACEFUL
IN THIS MOMENT
In Fear And Faith
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AGRACEFUL
Rock / Christian / Hardcore
Dayton, OH
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Sample Song: Revelations
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IN THIS MOMENT
Rock / Metal
West Hollywood, CA
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Sample Song: Beautiful Tragedy
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Mon Jan 4 2010
8:00p
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Sonic Youth
Sic Alps
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Show data courtesy of JamBase
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Sun Jan 24 2010
8:00p
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John Hammond
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Show data courtesy of JamBase
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Wed Feb 3 2010
8:00p
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Badfish - A Tribute To Sub...
Scotty Don't
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Badfish, A Tribute to Sublime More Info: http://www.badfish.com/2009/10/19/wed-020310-rialto/
Age Limit: All Ages Tickets: $15
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Show Details: Badfish, A Tribute to Sublime More Info: http://www.badfish.com/2009/10/19/wed-020310-rialto/
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