DAN SARTAIN LEEDS: The Brudenell Social Club WED 24TH SEP, 2014 7:30pm www.dansartain.comDan Sartain is a musician who has been traveling the world playing his music for years. He performs both as a solo act or with a full band, and delivers consistently. With a string of releases for the One Little Indian label (Dan Sartain vs. the Serpientes, Join Dan Sartain, Dan Sartain Lives, and Legacy of Hospitality), the native Alabamian shows no signs of slowing. With a down stroke ridden new record in the can, look for Too Tough To Live to be in stores and online sometime before Fall 2011.If good reviews were food, Dan Sartain would be a fatty. Keep a look out for him now and in years to come.6.00 + 0.60 Booking fee = 6.60Please check the age limit for this eventCANCELLED
RENEGADE WORKSHOP presents: THIRD EYE,
Rbma & Corsica Studios present Cymatics, Generative Visual Music & The Third Eye £5 / £3 NUS Advance tickets: http://bit.ly/XfjD5E Francisco López is internationally recognized as one of the major figures of the sound art and experimental music scene. Over the past 30 years he has developed an astonishing sonic universe, absolutely personal and iconoclastic, based on a profound listening of the world. Destroying boundaries between industrial sounds and wilderness sound environments, shifting with passion from the limits of perception to the most dreadful abyss of sonic power, proposing a blind, profound and transcendental listening, freed from the imperatives of knowledge and open to sensory and spiritual expansion. He has realized hundreds of concerts, projects with field recordings, workshops and sound installations in over 60 countries of the five continents. His extensive catalogue of sound pieces (with live and studio collaborations with over 150 international artists) has been released by more than 250 record labels worldwide. He has been awarded three times with honorary mentions at the competition of Ars Electronica Festival and is the recipient of the Qwartz Award 2010 for best sound anthology.
Rbma & Corscia Studios present Cymatics, Generative Visual Music & The Third Eye £5 / £3 NUS Advance tickets: http://bit.ly/PQkRnl Paul Prudence is an artist and real-time visual performer using generative and computational methods to create audio responsive visual systems. He is a researcher in the field of procedural art, computational design & earth processes.
Rbma & Corsica Studios pres. Cymatics, Generative Visual Music and The Third Eye As part of the Cymatics, Generative Visual Music and The Third Eye series, Corsica Studios in partnership with Red Bull Music Academy presents Z'EV / cine - cussion & a guest lecture by Francisco Lopez. £5 / £3 NUS Advance tickets: http://bit.ly/RVb9fI ZEV is an American poet, percussionist and sound artist. After studying various world music traditions at The California Institute of the Arts, he began creating his own percussion sounds out of industrial materials for a variety of record labels. He is regarded as a pioneer of industrial music. In 1983, critic Roy Sablosky wrote: ZEV doesnt just break the rules, he changes them.His work with text and sound has been influenced by Kabbalah, as well as African, Afro-Caribbean and Indonesian music and culture. He has studied Ghanaian music, Balinese gamelan, and Indian tabla. About Red Bull Music Academy Since its inception in 1998, Red Bull Music Academy has established itself as one of the most unique projects in music. Each year, the Academy takes over an inner city space, transforming it into a bespoke venue for musical innovation where aspiring music makers from all over the over the world are joined by pioneering legends to share inspiration and create new music in once-in-a-lifetime constellations. Previous lecturers have included Bootsy Collins, Nile Rodgers, Carl Craig, Bob Moog, Steve Reich, Erykah Badu and the Mizell Brothers as well as more recent successes such as James Murphy, Hot Chips Joe Goddard, Peaches, and Magnetic Mans Skream and Benga. The 15th Red Bull Music Academy edition takes place in New York City in Spring 2013.
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