“Pagan/black or folk/black metal is not something I cover often enough here, a situation I'll one day hope to rectify, because I'm constantly being surprised at how well that scene in general has progressed from its rustic roots. Where once I found a lot of production flaws and inconsistency in the strength of the 'metal' element to such acts, recent years have seen a wealth of better riff material to balance off against the acoustic guitars, female guest vocals, flutes, and other ingredients often incorporated to the formula. Stribog is a pretty good example of how Europe has become a hotbed for this aesthetic, as they've got most of the strengths and none of the weaknesses associated with this niche”