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SynchDub / Press

“One of the salient features of electronic music is the ability to communicate without the use of standardized elements like choruses, vocals, or often even melodies. In Turned The Dusty Hymns, the latest offering from Belgian IDM artist Synchdub, this artistic communication transcends description by simple emotions but instead pries at the soul, the essence of artistry. Altogether, Dusty Hymns is a diverse work as far as electronic music is concerned. The first track, appropriately entitled Slouch and Swing, borrows individual elements from a wide variety textures, from the brooding, contemptuous Goa-inspired bass runs to the organic sounding tom samples at the climax. Because of this juxtaposition, it’s difficult to classify such abstract textures that at times pander to the minimalistic Kompakt sound of artists like The Field and The Orb, while simultaneously hectic enough to warrant comparisons to IDM artists like Autechre or Lusine. ”

“One of the salient features of electronic music is the ability to communicate without the use of standardized elements like choruses, vocals, or often even melodies. In Turned The Dusty Hymns, the latest offering from Belgian IDM artist Synchdub, this artistic communication transcends description by simple emotions but instead pries at the soul, the essence of artistry. Altogether, Dusty Hymns is a diverse work as far as electronic music is concerned. The first track, appropriately entitled Slouch and Swing, borrows individual elements from a wide variety textures, from the brooding, contemptuous Goa-inspired bass runs to the organic sounding tom samples at the climax. Because of this juxtaposition, it’s difficult to classify such abstract textures that at times pander to the minimalistic Kompakt sound of artists like The Field and The Orb, while simultaneously hectic enough to warrant comparisons to IDM artists like Autechre or Lusine.”