September 20, 2014 at 11AM in the morning, The Santa Clarita Valley Blues Society is hosting the Battle of the Blues Bands, to count votes for the winner who goes to Memphis for the Blues Foundation's 31st Annual International Blues Challenge 2015. On the high road to Memphis, I have been a loyal card bearing member of the Los Angeles Blues Society who has not participated recently in the Battle of the Bands. SCVBS has been a blessing to me and to LABS to afford us the opportunity to partner up for this awesome event. I am in good company with the support of blues artist Robbie King as my guitarist/songwriter/co-writer/arranger/and musical director for my feature in this competition. He brings with him the talents of Johnny Blue on keys, Gip Lentine on harp, Gary Cox on bass, and Dan Erfurt on drums under the Robbie King & The Blues Counts umbrella. I look forward to presenting our best Vintage/Authentic/Electric Blues for this event and our EP which will follow later next month. I have over 2,000 Blueslings who have tagged themselves as fans and I love each one of them. Thank you for your love and support along the way. #highroadtomemphis
#highroadtomemphis - As a singer, I have never been a competitive person. I do not enter contest, or try to out-do others, personally or professionally. With such diverse talent everywhere how can one righteously compare vocals which is like a finger print, totally unique and thus, incomparable. I have always loved being a part of the “Ensemble” and I don’t expect that will ever change in me. When I made the decision, last October, to embark upon the High Road To Memphis #highroadtomemphis I knew as I sought the crown, that there would be two absolutes: 1 – I would finally HAVE to compete and 2- I would still need to be part of an ensemble. When I am surrounded by so much mega talent, some of whom maybe reading this right now, how could I possibly decide on my road buddies for this journey? Allow me tell you something about some of the finest people I know:
In summer 2010, Bill McFadden of 7th Sons had been very busy talent scouting with his good friend, the gifted guitarist ,Steven Artea. Bill inducted me into his picks for the mega, crème de la crème rock band along with Steven Artea, John Mila De La Roca, Gary Cox, and Robbie King. He assembled his dream team at a studio in Chino Hills. My life was changed forever that day.
The positive results for me 4 years later, is joyously immeasurable. The friendships, music, and growth have been my comfort and inspiration from the on start. The relationships personally and musically evolved to include two additional key talents and wonderful persons, Johnny Blue and Ruben Artea. The results; all my dreams came true.
Robbie King, guitarist, songwriter/arranger, vocalist surrounded himself with a strong set of performing blues enthusiasts and returned to his roots in blues, with the forming of Robbie King & the Blues Counts with Johnny Blue on Keys, Gary Cox of Bass, Jerry Olson, as well as, Stephen Foster on Drums, and Gip Lintene on Harmonica. And shortly after that 7th Sons underwent a reorganization and I was a free agent again. Robbie asked me if I would like to sing the Blues. I was skeptical, but, Robbie can be very persuasive so I gave it a whirl. I also, returned to my roots in Americana Originals, with Blues, Gospel, and Rock influences in the company of No Hidden Place Trio with Ruben Artea, Steven Artea, guitarists, songwriters, & vocalist. I was and am to this day, in hog heaven.
Robbie King, has been instrumental in my growth as a Blues Artist. Robbie has pounded my head, and the pavement to assure that I am prepared to perform and have places to sing. His sacrifice, and belief in me is nothing less than what God has sent for additional light on my path. I would never have considered Blues as a viable genre for my classically trained voiced, but Robbie knew something the rest of us did not. There was blues in me screaming to be let out. I want Robbie with me on the High Road To Memphis, as well as The Blues Counts, who are on-board with the style, rhythm, musical roots, and passion that is most conducive to taking home the prize for the best BLUES. #highroadtomemphis Stay tuned for never before seen photos of my secret woodshed for rehearsing this project.
From where I was sitting on Saturday night a big congratulations goes to LOS ANGELES BLUES SOCIETY, http://lablues.org for throwing a beautiful Christmas, Holiday, Pot Luck, Toy Drive, Concert, Blues Jam event. Oh my stars! The teenagers, “Detour 91” are LABS choice for the IBC Youth Showcase in Memphis, they were adorable, and who doesn’t Chase Walker. Chase surprised us all and went to town on BASS accompanying Leilani Kilgore.
Laurie Morvan Band http://laurimorvan.com rocked the halls fa la la la la! Pure energy, wailing guitar, a beautiful singing voice, and a repertoire of her own award winning compositions like ‘Saved by The Blues’ and ‘ It Only Hurts When I Breathe’. This was my first time hearing her and it won’t be the last. I loved her performance!
The homemade dishes and treats overflowed. I tore up those pumpkin and chocolate chip cookies, thanks Sandy Campbell. People came dressed to the nines, bearing toys for drive, food for the buffet, and their music gear to join the Jam. Thanks to the Host & Hostess with the most’es; Laurie Moyer, and Gene Carlson, and the helping hands like @Jay Adelberg, Theresa Woo, Teresa Garcia, and Maile Anela Alday capturing photos and hearts in her sassy leopard mini dress! There were so many familiar faces, and I was happy to see them all. Cynthia Bush-wyckoff, I didn’t make it over to say hi, but I saw you across the room and as always you looked beautiful. Tony Wycoff, Lynnda Nafzgar, Johnny Walker, Beverly Thompson , Joe Anderson, see you at Margarita Rock on WED night this week, Bobby Cass, my precious, sweet band mates Robbie King & Gip Lentine, and my pal Gordon Campbell of Cold Comfort Laneika Gallon of Seville Street, it is always a delight to see your dazzling smile, Mark Sells you killed it… AGAIN, Bill Randolph thanks for the cocktails, its on me next time, Rick Alossi with his protégé Tyler Iwamoto, Al Factorman, its not a party if you are not there, Dohn Lewis I save your sit and you save mine, Louis Michael Hinzo nice to see you and hear you play, I hope to be playing again with you soon, Romeo Maxx you always make my heart feel happy, Barbara Paul, Joe Bull and David Fetig. I apologize that I didn’t get to stay to hear everyone perform. I hope to hear you each again soon. If you are in the IE next Weds night Dec 11th stop by Margarita Rocks and Jam with Robbie King & The Blues Counts and me. Merry Christmas all you sweet, fun loving, blues slinging, Angels! Sincerely, Tina Jackson
Got Talent? That's a good beginning. Got good management? Now you're cooking with gas. As strange as it may seem, sometimes good management is all you need, to hell with talent. How often do we tune in on the radio, satellite or TV and say, "I can't believe that non-singing/playing So & So has that gig and I'm on this end listenting to that crap." Be honest, we've all said it more than once. I value the 100% music success rate by the following formula: 4.5% talent, 40% drive, 0.5% luck, and 55% good management. The AVERAGE Artist Manager earns around $90K annually. MY manager is an IDIOT and still earns close to that figure. Typically she spends every minute she can squeeze into her program, writing, learning, living, breathing,creating, and performing musical magic. That's nice if you're the Artist, but she's a manager right, what the hay? And to make matters worst she spends 50 hours a week working in a totally unrelated field, cause "it pays the bills." She is full of excuses. She always puts my Marketing, PR, Sales, Branding, Advertising, Networking,Contracting and Promotion last on her list. After working 10 hours at the 'day gig' and another 5 hours on music,she stays up half the night making typos on my press releases, web & social media sights. She doesn't return phone calls, cause most people don't care to talk busines at 3AM. I'd fire her in a heartbeat, but so far she is the only who believes in me enough to stick around. She's always there for me, in good times and bad, on stage and behind the scenes, all that is good but she sucks at management. By now you have figured out that I am self-managed. All that smack we hear; 'you have to be willing to do it for yourself cause no one else will" is BULL. Get aggressive musicians, don't give up until you find someone or an entire posse of delegates to handle business so you can concentrate on MASTERING your art. I am always on the look out for someone who will work for that $85K and I won't stop the search until I find that someone. I refuse to settle for anything less than the best I can get and I hope you won't either. My lastest invention is my Intern. He is music major at a local college. He is shadowing me to learn the ropes. The plan is for him to take over some of the management duties. Its a step in the right direction for me. Although, teaching someone about what a Artist Manager does, is yet ANOTHER huge undertaking, I highly recommend it, if it resutls in passing the baton. So, if you know anyone who is not afraid to get into the face of venue owners, talent buyers, etc. to the tune of $85K annual, snatch them up and share them with me before I collapse from exhaustion. Love Y'all to pieces. Tina Jackson, Singer, Songwriter, Musician, Marketing/PR/Advertising, Graphic Arist, Staff Writer, Booking Agent, Web Designer,Mentor, Chief Cook & Bottle Washer and Queen of Hearts!
Don't be afraid to think out of the box. You will undoubtedly encounter the venue whose idea of managing business is to assign the accountability for Marketing, PR, Sales, and Customer loyalty to a...group of Musicians. This venue probably won't be around much longer. So while you are in charge of it. Take charge of it. Run the ads, beat the drum, pack the place out, but make sure, you let everyone leave knowing you can bring those skills, to any venue, where they like to frequent. That clientele belongs to you. Sell to them, cater to them. You brought them in there, so take them with you when you leave. Be sure to thank the venue for the use of their space on you way out with your new customers.
Traditional Blues is going strong. Thanks to all my Fan Fam for getting me into the top 100 Blues performers in Los Angeles. I don't take this lightly. I'm practicing and writing and can't wait to play for each of you. Got any originals you want be to hear. Let me know!
Off to a flying start! Hold on for 2013 is proving to be a wild and exciting ride. Party with me this year. I'm not promising to live forever.
I'm, back........Something went terribly awry shortly after I posted last time. I'm afraid it all but consumed me for 2 years. I am welcoming you and myself BACK into my world. I have many updates for you. I will fill you in on a few significants ones for now. I'm still the juggler, however, for the sake of my sweet doggy, Jessi, I surrendered custody. Now, though I still need to walk 'myself' 3 times a day, I no longer have to do it. And little Jessi is not marching around the apartment squeezing her legs together waiting on me to take her outside. I miss her but it was the right decision for both of us. Musicially things are so great. I have my own group now. "No Hiding Place" I play and sing originals and acoustic arrangements with Steve Artea ( 7th Sons) and his brother Ruben. We are the happiest trio on earth ( CD coming soon.) All of my projects are satisfying. I feel so energetic and happy. I'm learning to play a most awesome Fender Stratocaster. I'm still writing music from my soul! Veteran Blues man Robbie King, is mentoring and tutoring me on the history and artistic interpetation of traditional Blues. OMG I think I may actually have a life... Who knew? Stay tuned and please add your questions and comments. It's easier than ever, now that google play store offers a cool free APP called 'Tina Jackson" can you believe it? That's so wild. Download it on your Android if you haven't already! I've missed you all. Much love to my beloved fans, Sincerely, Tina.
It's 11:30PM and I've got to get up for my day gig at the crack of dawn. Maintaining a fulltime job, and fulltime developing of my music career is a challenge. Updating, websites, calendars, blogs, email blasting my upcoming events, rehearsals, songwriting, recording, copyrights, licensing (cover tunes). Exercising, dancing, walking the dog 3 times a day, laundry, cooking,sleeping I know I'm not alone. Pointers and tips? Hit me, I'll actually find time to read your comments. Night Night! email@example.com Ms Jackson if you're a musician