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Thanks to everyone that came out to our show last Saturday. It was great to see some long-time friends and make some new ones. Hope those of you that walked way with our new album are enjoying it. And, for those of you who didn't, maybe we'll see you at the official CD release show later this fall (which we're currently working on). Stay tuned for more details on that! Kudos go out to Dave Okar for putting together such a terrific event – and, of course, his thirst-inspiring documentary about the craft brewing boom here in Minnesota, "Crafted To Last". Great performances followed, including an intimate acoustic set by LeNor Barry, some folksy/jazzy claw-hammering by Chad Guerro, a wonderful blues-based set by Kenwood Slim, and the always outstanding Willie Murphy – who, along with his amazing backing band, brought down the house. Of course UZZA was there, too. We were the odd duck of the night. A little out of character with the rest of the musicians but, to our delight (and surprise), people really responded to our music. I still find that remarkable. Then again, with all the great beers on tap that night, it's no wonder people were feeling good. One guy there was perhaps feeling a bit too good as he nearly collapsed onto the stage and split his head open on a monitor. And, no, it wasn't me! At least not this time. ; ) Also, special thanks go out to the incredible guest musicians who performed with our band: Ivy McDonald, who contributed some fantastic flute playing; Jim Ford, who filled-out our sound with his lush keyboards and nimble fingers; and the great Chris Shillock, whose performance of "Black Sun Blues" literally got people on their feet and garnered thunderous applause. It was a great show and a great night. Let's do it again soon. See ya then!
UZZA will be performing at the premiere of a documentary about the Minnesota craft beer boom called "Crafted to Last – Minnesota Beer Blossoms". It's directed by Dave Okar and will be shown at 6:30pm on Saturday, July 19th at Pepito's Parkway Theater in Minneapolis. Other performers include: Willie Murphy, Chad Guerrero, Review with Kenwood Slim, and LeNor Barry & The Grotto. In addition to these fine musicians, UZZA will feature a few special guests of their own, including a local luminary – poet and spoken word artist, Chris Shillock – who will be joining UZZA for a song from his 2007 album, "Invisible Jazz". Music will start after the film premiere with UZZA taking the stage around 9:30pm. Tickets are available at the door or by visiting BrownPaperTickets.com.
After a long and arduous winter, UZZA is finally coming out of hibernation to begin playing shows and to celebrate their soon-to-be released album, "Maya". It's their second full-length CD and sort-of a musical sequel to 2012's "Samsara". Many of the songs that appear on "Maya" were born around the time their first album was being recorded and mixed. "It feels like a continuation," says guitarist Rich Patterson, "both thematically and musically; but it's more cohesive and confident than it's predecessor. That, and the production value is a big step up – we got a good sound with this one."
The ten songs on "Maya" cover a variety of tones and styles. There's the sci-fi punk psychosis of "Dear John"; the lush power-pop of "Gone Tomorrow"; the arena-rock anthem "Brighter Thing"; the sumptuous, sardonic ballad "Above Me"; a Jeckyl and Hyde-like cover of The Poppy Family's "Which Way You Goin' Billy?"; the gorgeously gloomy groove of "Backwards"; and an audaciously epic jam called "Mind Frost". It's an ambitious and accomplished collection of songs presented with a rich, finessed production. "It's a very layered album," Patterson says. "It was recorded while our band was transitioning members so we didn't feel we had to honor the live-band sound like we did on our first album. In other words, since we didn't really have a permanent band line-up, we didn't feel the need to restrict ourselves – if it sounded good, we'd add it to the song. It was all about making the album great. We'd figure out how to perform it live later."
It appears that time is now because UZZA has a performance scheduled for Sunday, May 11th at Cause Soundbar in Minneapolis. For this show it will only be vocalist Tabatha Predovich and guitarist Rich Patterson. UZZA's bass player, Geoff Maas, has sustained a fairly serious leg injury that will keep him out of commission for the next couple of months. A proper CD-release show will be scheduled when Geoff is literally 'back on his feet'. Until then, the new UZZA CD "Maya" will be available at the Cause show and eventually online. Stay tuned for more details.
Saturday night at Ground Zero we had the pleasure of playing with two great bands, The Foreign Resort and The Bellwether Syndicate. It's hard to say which one we liked better, they were both great! And they were great people, too – down to earth and supportive. We wish them the best of luck as they continue their U.S. tour. Hopefully we'll see them around here again in the near future.
In the meantime, UZZA is preparing for a show at the Even Break Gallery in Minneapolis. This will be an unusual performance for us because: A) it will be a very stripped-down affair – with just Tabatha and Rich performing; B) it will be an early morning set – starting at 11:00am on Saturday, November 23rd; and C) we'll be playing for about ninety minutes – our longest set ever! For more information, visit the Even Break Gallery's website.
In other news, we've made some big strides in the mixing of our new album, "Maya". It's in really good shape and we can finally see a light at the end of the tunnel. At this point we're confident we can have the album ready for a January 2014 release. Stay tuned!
We have another show coming up this Saturday, November 9th at Ground Zero. This will be an early and brief show for UZZA so, if you don't want to make a big commitment to an all-night affair, this may be your chance. We'll be going on at 7:30pm and playing a tight 30-minute set. We'll be opening for The Foreign Resort who will be visiting us all the way from Copenhagen, Denmark, and The Bellwether Syndicate who hail from Chicago. We're looking forward to seeing both of these bands live. Hope to see you there!
And then on November 23rd, Tabatha and Rich will be playing a stripped-down set of UZZA songs at the Even Break Gallery. It's an intimate setting and an incredibly rare opportunity to see UZZA perform in the morning hours. Grab a cup of coffee and enjoy the show – and the artwork, of course! The gallery is open from 10am to 1pm with the music going from 11:00am to 12:30pm. If you have any requests, let us know, we're still putting together our set.
In other news… some of you may be wondering how our new album is coming. Well, we wish we knew, too. The mixing process has gone on way longer than we ever could have expected or feared. We're officially one year behind on our release date with no end in sight. At this rate we may have a third album released before our second one is ever finished. All we can say is hang in there and stay tuned for more updates.
That's the reply Michaelangelo would give to Pope Julius II when repeatedly asked, "When will you make an end?" At least according to the 1965 film about the painting of the Sistine Chapel, "The Agony and the Ecstasy". Well, our new album may not have anywhere near the artistic or spiritual impact of that undisputed masterpiece, but it's looking to be the best thing we've ever produced. The initial mixes sound great but there's still more work to do. All I can say is stay tuned. We're at the beginning of the end!
We took a short break for most of February and March to complete recording tracks for our second album, "Maya". I'm pleased to announce that we are indeed finished with the recording process. Ah, but now the daunting task of mixing looms ahead. The plan is to begin mixing in April and have everything finished by the end of May. If all goes well we'd be looking at a June release. Keep your fingers crossed! In the meantime, here's the track list for the new CD:
01. Dear John 02. Gone Tomorrow 03. Brighter Thing 04. Memory Void 05. Cover Up 06. Which Way You Goin' Billy? 07. Above Me 08. Freeflow 09. Backwards 10. Mind Frost
The last track on the album is especially significant because it's a reunion of Tabatha's previous band, Radium (who originally wrote and performed the song back in Detroit in 2001). "Mind Frost" has been in the vaults for over a decade because it never felt right to play it with anyone else. But a recent trip to Michigan provided the perfect opportunity to 'get the band back together'. Everyone was open, available and enthusiastic to record a definitive version of this 11-minute magnum opus. Drummer Dave Below, keyboardist David Krofchok and guitarist Dave Johnson reunited in a studio to reprise their irreplaceable roles and bring the song to a whole new level of epic-ness. Add to it Tabatha's lush vocals, Rich's tasteful guitar work and Geoff's deep, percussive stick work, and you've got a song that will evoke some emotions you never knew you had. The big question is how (and if) UZZA will ever be able to reproduce this song live. We have to figure something out because we'd sure love to play it at our CD release show in June or July. More details on that will be coming in the next couple months.
In other UZZA news, we'll be playing another show at Fine Line on Thursday, May 2nd. We don't have many details beyond that – other than we'll be performing with the brilliant Stellar Vector. We've seen them quite a few times but we were especially impressed the last time we saw them. Clever, catchy songs with subtly complex arrangements and executed impeccably. Between the two of us you'll have two really great bands to enjoy if you come out to the show. Hope to see you there!
Ah, yes, and there was much rejoicing. UZZA played a tremendous set last Friday night at Station 4 in St. Paul. Joined by Scarlet Mother, Geodesique, and Ficshe, the evening was a mesmerizing mixture of moody ambience and psychedelic spy music. UZZA is currently taking a break from live shows to finish mixing their second album – "Maya". Here's a link to one of the songs from that night, "Above Me". http://www.youtube.com/watch?v=6GWD15-0yCE
Ah, yes. We played at the Fine Line on Wednesday and I must say it was a smashing succeess. Stellar Vector rocked through a tight set that knocked my socks off – their new material was especially impressive. A duo called The Night offered up groovy, hypnotic dance-eloctronia that made me think of a modern day Eurythmics mixed with Daft Punk. Geodesic was outstanding. Singer Lala Fairshadow delivered dreamy vocals despite being under-the-weather. By the end of the set she performed while laying down on the stage, yet her angelic voice never faltered.
As for our band, UZZA, we were, well... us! Oddly compelling and musically diverse. From what I've been told, we were damn good. Judge for yourself by watching the clip above or by clicking on one of these other videos for Brighter Thing, Dear John, or Still Life. We got lots of great feedback and sold a bunch of CDs. That's great, because we need to coninue funding our next album, "Māyā", which we hope to have out by March.
Hey, speaking of CDs, apparently our next show at Station 4 on February 8th is being billed as a CD release show. Let me be clear that this is IS NOT a CD realease show! I'm not sure how that happened. Like I said, our new album won't be ready for another couple months. However, our first CD, "Samsara", will be available for purchase that night (and any night we perform). If it's not already occupying a coveted place in your music library, get it because it will! You can also purchase it at iTunes if you're so inclined. But if you buy it directly from us you won't have to pay the hefty Apple markup – plus, you get the actual physical packaging!
Anyway, we hope to see you at the show next month. If not, no worries, there will be others – including a real CD release show. Stay tuned for more info on that and other UZZA developments right here at UzzaTheBand.com. Your source for all things UZZA!
Last night at 7th Street Entry, we had the privilege of playing with three very cool, avante-garde acts: Ficshe, Scarlet Mother and Geodesique.
First up was Ficshe (aka Courie Bishop) with her seductive blend of lush grooves and etherial vocals. The presentation was modest – just Courie and a digital mixer – but the effect was anything but. Ficshe cast a spooky spell, hypnotizing the audience with alluring musical ambience. Closing your eyes, one could imagine scenes from a darkly romantic movie with a murderous twist. Sensual and dramatic, her set was practically trance inducing.
Next came Scarlet Mother, featuring the plaintive vocals of Sarah Rattanavong-Wash and the elegant guitar playing of Neil McKay. Their music is impeccably composed, rife with crafty guitar licks, undulating rhythms and dreamy melodies. Sarah has a very electric stage presence. She's like some eccentric ingenue – part bashful child, part wily couquette – with a haunting soprano that's delivered with raw, emotional abandon. McKay, on the other hand, is dexterous yet effortless with his touch on the guitar. He's a stoic figure on stage but his playing is rich and expressive. Not only that, but he makes it look easy! Bassist Jared Redbow rounds out the band and kept the rhythm pulsing with a solid, Adam Clayton-esque style. Scarlet Mother also gave the audience a special treat by performing a cover of Bel Canto's "Sleep in Deep". One woman in the audience actually shrieked in disbelief when they started to play it.
Our band, UZZA, was up next. On this I cannot comment. I really have no idea what happened. We all went on stage and then, the next thing ya know, it was over. Wha? All I know is what people told me after the show. From what I heard I guess we were pretty good. I would hope so! We haven't played since June so it's good to know we can still deliver the goods. The best part is that we had a great time doing it.
Then came Geodesique, who were celebrating the release of, not one, but TWO new EPs: "Eighty Eight" and "Smoke". Members Zoe Sakti, Oni Sakti and Lala Fairshadow performed a mesmerizing set of moody and evocative electronica. Their music has an almost meditative quality, built on mantra-like drones and textured keyboards. Singer Lala Fairshadow (Carla Haglund) has an angelic face and a voice to match. I was vaguely reminded of Lætitia Sadier from Stereolab – a cool, detached voice that, while pleasing, has a chilly tinge to it; like that of a disembodied spirit. Although some of her otherworldly quality may have been influenced by the fact that she was clad entirely in white (as was the rest of the band). A great look, a great sound, and a great performance.
Thanks to Geodesique for putting the show together and thanks to everyone who came out to see us! We hope to see some of you at our next show at the Fine Line on Wednesday, January 9, 2012. Once again we'll be sharing the bill with Geodesique as well as Stellar Vector and The Night.