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Allison Crowe / Blog

16 Songs - Video Album

We now know the song listing for Allison Crowe’s upcoming 16 Song music video series: Disease Why Circular Reasoning Creep There Is Doughnut Song Running Mona Lisas and Mad Hatters Spiral Sweet Dreams Effortless Josephine Double-Edged Swords Running for Home Alive and Breathing Throw Your Arms Around Me This new music video series launches September 9, 2014 (a shift from the September 2 date originally announced). A magical mystery tour of music with visuals from great artists and innovators of the 20th and 21st centuries - film-makers, animators, painters, photographers and more… - it’s a multi-media expression of the artist’s mission to make "Soulful. Alive. Joyous. Grievous. Real, true, music." ( http://allisoncrowe.com/bio.html ) This 16 song video album pairs Allison’s originals with some singular interpretations - underscoring an observation of Allan Showalter, aka DrHGuy, delightful chronicler “On Life, Love, Lust, & Leonard Cohen” – “Once you’ve heard one Allison Crowe song, You’ve heard one Allison Crowe song." ( http://1heckofaguy.com/2009/01/27/wedding-song-allison-crowes-small-masterwork ) It’s a season of cryptic crosswords and other, puzzling, fun. Here, now, are 16 visual clues – screenshots from each of the videos in the series. Some you may recognize, some you may not have seen before… Imagine which goes with which song in the set-list – this September details will be revealed, and matches will be made.

20 Down: “Everyone is attached to singer Crowe (7)”

We’ve an head-start on The National Post’s Saturday Cryptic Crossword (August 9, 2014 edition) - the newest creation of a legendary partnership, one that’s central to these puzzles-within-a-puzzle becoming so loved in North America. (Cryptic crosswords originated in the United Kingdom where they’ve long been favourites.) “Hex” is the nom-de-plume of puzzle constructors Emily Cox and Henry Rathvon, explains aficionado Barry Haldiman, “though one might think it is the effect of their cryptics on solvers' minds. They are the quintessential, or as they would clue ‘Ideal crazy quilt seats nine (14)’, ambassadors of wordplay puzzledom.” http://home.everestkc.net/nytxword/hexplex.htm “Cryptic Royalty” they’ve been crowned by The Nation. Of Cox & Rathvon’s decades-long artistry in such publications as The Atlantic Monthly, The New York Times, Wall Street Journal, Boston Globe and Canada’s National Post, it’s said: “Their impact cannot be overestimated.” http://www.thenation.com/blog/176152/cryptic-royalty For a printable version of this sing-ular fun in pdf format – visit https://docs.google.com/file/d/0B4apux86ICY4OHBSRTNwc3BYMDg/edit - answers to this NP Cryptic Crossword will be published across this land in the newspaper on Saturday, August 16. Often in this puzzling world, it can seem we just don’t have a clue. Not this time! Enjoy :)

Allison Crowe Drives to New Lands: “Heavy Graces” Tour on Deck - Part II

“Weirdly typical” is how BC dean of Canuck rock writers, Tom Harrison, describes a new album from Allison Crowe – and that legend is key to any map of her course. She presents bi-coastal “Tidings” concerts each Christmas season in her homeland. These past two years Crowe’s focused on: recording (four acclaimed albums – “Tidings Concert”, “Newfoundland Vinyl”, “Heavy Graces”, and “Songbook”); dance (performing songs of Leonard Cohen on-stage with Canada’s brilliant Royal Winnipeg Ballet); theatre (musically directing Theatre Newfoundland and Labrador’s rollicking hit show, “Newfoundland Vinyl”); and film projects - one recording riveting in the trailer for a major indie motion picture (“The Pardon”), and cameoing, pretty much as herself, in “Man of Steel”- a #1 box-office Superman movie among the decade’s biggest Hollywood blockbusters.

Steering well clear of the corporate record industry’s shallows, Crowe’s integrity is as steadfast as her sound is remarkable – a double-helix of traits akin to the DNA of previous generations’ mavericks. “I’m a big Johnny Cash fan. And I’m a big Allison Crowe fan. So the combination to me seemed like an awesome opportunity if we could make it happen,” explains “Man of Steel” Director Zack Snyder. “Allison and I had talked about trying to get some of her music in one of my movies whenever we could – and I thought, well, if I just put her in the film then there’s no way that it won’t work. So, that’s where you get Allison from.”

For her next act, Allison Crowe returns to the international concert stage this May – with eight concerts upcoming in Europe: Bernau (03.05); Frankfurt (07.05); Freiburg (11.05); Neunkirchen (13.05); Inning (15.05); Florence (17.05); Münster (20.05); and Potsdam (22.05). The opening concert on this “Heavy Graces” tour quickly sold out – Ausverkaft! Full event calendar @ http://allisoncrowe.com/tour.html

For most of these dates, Crowe’s joined by special guest artist, and super-simpatico tour partner, Billie Woods http://www.facebook.com/billiewoodsmusic Woods’ distinctive vocal and nylon-string guitar style is rooted in Canada's Pacific Northwest and infused with the warmth and vitality of cultural rhythms of Brazil. From home-base on Salt Spring Island, BC, in “Canada’s banana belt”, she’s blended a life of passions - principally music and photography.

Crowe’s Road/Stage manager, Axel Dollheiser, hails from Bavaria and Salt Spring. popTrip Entertainment, (currently moving headquarters from Berlin, Germany to Toronto, Canada), is booking agent.

Toronto-based author and visual artist Lorette C. Luzajic concludes: “Not everyone can bring down the divine, not everyone can be vast and mythological or bring the gifts of the gods into a winter’s night. But Allison Crowe channels the spirit each and every time."

Some words about Allison Crowe from around the world @ http://www.allisoncrowe.com/pressquotes.html

end of Part II

Allison Crowe Drives to New Lands: “Heavy Graces” Tour on Deck - Part I

She comes from a land of ice and snow. Some years more-so than others. And, like such phenomena, Allison Crowe’s preternatural talent, and her peerless body of music, is marked by a pure, crystalline, uniqueness.

"How can someone so small and young have such a big voice and write such heavy duty songs?,” legendary West-coast Canada musician and publisher Barry Newman found himself wondering upon discovering a teen-aged Crowe on a Vancouver Island stage in the year 2000. For a cover feature in Cosmic Debris, (the magazine he founded), Newman observed: “The inflections in her piano stylings were so mature too... there was a blues edge in there."

"The first thing you notice about Allison Crowe is her voice. Rich and dark, it seems to come from a place most singers can only dream of accessing. Then there are the songs. Filled with raw passion and accompanied by eloquent piano playing," notes Clodagh O'Connell, (The Courier, Rolling Stone+), in a maiden review of Crowe’s voyage to new lands.

Cultural critic for The Times Colonist newspaper in Victoria, BC, Adrian Chamberlain, also caught the artist in her early concert rounds: “(Listening to) Crowe is akin to sipping the richest of brandies.” The writer, himself a funk soul musician, explained: “Crowe's singing is tremendously powerful; almost operatic. When she digs into a sustained note, as she so often does, the voice is huge, rounded, with a dark timbre.”

The amazing sound crossed the main. Before long UK music maven Dave Henderson, (MOJO, Q and Kerrang!+), was tipping MOJO mag’s audience to this siren from o’er the sea: "Once famously described as possessing a style akin to 'Elton John meets Edith Piaf', the Canadian singer-songwriter Allison Crowe is renowned for her ability to blend control and melodrama."

Moving deeper into this century, the musician’s voice is ever more complex – striking on its own and, most frequently, accompanied by 88 hammers of the gods in the hands of a virtuoso. "You really have to see Allison Crowe live. The way she splits those notes, it's like light through a prism - all the colours of a song," says Canadian radio and television veteran Rick Dennis.

Eight years back, Crowe migrated from her island birth-place of Nanaimo, BC, on the Pacific Ocean, to Corner Brook, nestled on another lovely isle, Newfoundland – near the Viking Trail on Atlantic shores. Acoustic guitar, fiddle and tin-whistle now figure alongside voice and piano in her musical palette – creating rock, folk, jazz, roots, country, Celtic and more thrills. Her newest recording, (released globally April 28), is an addictive variant of a centuries-old song of the seacoast, “Tarry Trousers”.

end of Part I

Allison Crowe Europe Tournee - May 2014

Rock and roll!! Enriched by almost two years of focus on recording, film and theatre productions at home in Canada, Allison Crowe and the A-team, guided by the legendary road-meister Axel Dollheiser, resume international concert touring this Spring.

First up – May 2014 brings a return to some favourite venues in Germany and Italy, alongside wunderbar new music rooms:

03.05 - Siebenklang Musikfestspiele - Bernau bei Berlin 07.05 - Jazzlokal Mampf – Frankfurt 11.05 - Jazzhaus – Freiburg im Breisgau 13.05 - Stumm'sche Reithalle – Nuenkirchen (Saar) 15.05 - Inninger Spectacel – Inning am Ammersee 17.05 - Teatro del Sale - Florence 20.05 - Hot Jazz Club – Münster 22.05 - Lindenpark – Potsdam

Most dates feature Allison with very special guest Billie Woods also performing a set.

The tour-opening show is already sold out - Ausverkauft! Full details as they come together are found @ http://www.facebook.com/AllisonCroweMusic/events and http://allisoncrowe.com/tour.html

Lights, Cameras... Cassidy

Man of Steel” director Zack Snyder discusses action of the newest Superman movie shot inside the historic Cassidy Inn pub on Vancouver Island, BC. Allison Crowe, in a role very familiar to the Canadian musician, appears in this scene with Henry Cavill (Clark Kent / Superman), Ian Tracey (Ludlow), Carmen Lavigne (Chrissy), Howard Siegel (Weaver) and other members of the cast – actors whom it was a delight to meet and an honour to work alongside. Same goes for the privilege of working with the film’s amazing crew and production team - a stellar family of professionals united in creativity.

The Blu-Ray edition of “Man of Steel” released in late 2013, includes a feature called “Journey of Discovery”. Zack Snyder and many of the people involved walk us through the making of MoS from pretty much every angle. It’s extraordinary, and, rather than taking away from the movie magic – the explanations of how the science fiction epic comes together leave you more enthralled. It’s super – and fun: http://www.youtube.com/watch?v=cKhcg6tLYLY

Beatlemania Hits Fab 50: Allison Crowe performs "In My Life"

“Beatlemania, as it is called, affects all social classes and all levels of intelligence,” The New York Times reported in December 1963.

We’ll hear all manner of takes on similar themes over the coming month, with this February 7 marking the 50th anniversary of The Beatles landing at JFK International (New York City’s Idlewild airport rechristened on December 24, ’63 in tribute to the recently assassinated US President). The group’s appearances on The Ed Sullivan Show – broadcast over the three succeeding Sundays - electrified a new continent.

Plenty came before, and much has happened since, Pan Am Flight 101 delivered the Fab Four aboard a Boeing 707-331, known as the Clipper “Defiance”, to a world ready for joy and release.

Celebrating the musical legacy of John, Paul, George and Ringo – here’s Allison Crowe performing “In My Life” – captured in real-time by film director Alex Postowoi and crew and audio engineer Larry Anschell at Turtle Recording studios by the sea in White Rock, BC, Canada.

https://www.youtube.com/watch?v=oONGB-GIYQs

(This is an higher-fidelity video recording than has been previously available!)

And, here’s another performance of the song by Allison – recorded, audio-only, at Turtle a couple of years earlier: http://music.allisoncrowe.com/track/in-my-life

"Something to Crowe About" Sings Telegram

"Something to Crowe about" sings The Telegram - sharing word of the discerning culture blog, Muruch , naming two of Allison Crowe's albums among the best of 2013 and one of her new original songs its top pick for the year.

The newspaper notes:

"The West Virginia-based Muruch placed Crowe’s album “Heavy Graces” at No. 10 and “Newfoundland Vinyl” at No. 2, second only to “Pure Heroine” by Lorde. The blog also selected Crowe’s “Words” from the “Heavy Graces” record as the top song of the year for its annual list of the 50 best songs of the year, which also found room for three cuts from “Newfoundland Vinyl”: “Black Velvet Band” (No. 12), “Men Who Die for a Living” (No. 18) and “Skipper Billy’s Wake” (No. 28)."

The Telegram is Newfoundland and Labrador's major daily newspaper. Pioneering website Muruch has been sharing favourite albums, live performances, films and literature online since 1999. The full article can be enjoyed @ http://www.thetelegram.com/Living/Entertainment/2014-01-02/article-3561458/Something-to-Crowe-about/1

Song of the Year, Top Albums Nods for Allison Crowe

“The difficult I’ll do right now, the impossible’ll take a little while”. That’s pretty much always been the way of musician Allison Crowe.

This year proves ”weirdly typical” as ever for the amazing bi-coastal Canadian artist - to quote a phrase from one of 2013’s fine reviews.

In it, Crowe’s released three peerless albums (“Newfoundland Vinyl”, “Heavy Graces”, and the compilation “Songbook”), musically directed a hit theatre show (TNL’s “Newfoundland Vinyl”), saw one song recording used brilliantly in a trailer for a major independent motion picture (“Hallelujah” w. “The Pardon”), and appeared, pretty much as herself, in one of the year’s biggest Hollywood blockbusters (“Man of Steel”).

Now ‘Top Song of the Year’ nod for Allison Crowe's "Words" comes from the annual list of Muruch, the passionate and uncompromising culture blog that’s been sharing favourite albums, live performances, films and literature online since 1999.

“Words”, from the album “Heavy Graces”, features, for the first time, Allison playing her Great-Grandfather’s fiddle (along with her singing, playing guitar, arranging, engineering, producing and all those things she regularly does!). A trio of songs from her "Newfoundland Vinyl" album, also released this year, are found in the Top 50: "Black Velvet Band" (12); "Men Who Die for a Living" (18); and "Skipper Billy's Wake" (28).

Artists joining Allison Crowe in the top ten picks are: Alice Boman; Trent Dabbs; Lorde; Vienna Teng; Foxygen; Imagine Dragons; MS MR; & Janelle Monae (feat. Erykah Badu). Enjoy videos and music – of “Words” and all of Muruch’s ‘Top 50 Songs’ @ http://www.muruch.com/2013/12/muruch-2013-top-songs.html

The West Virginia-based blog follows the song list with its Top 25 Albums – and Allison Crowe’s two new albums this year both land in the top ten. Remarking: “The top three are really interchangeable, they are far too brilliant and too different from each other to truly rank”, Muruch slots Crowe’s “Newfoundland Vinyl” second, book-ended by Lorde’s “Pure Heroine” (#1) and Foxygen’s “We Are the 21st Century Ambassadors of Peace & Magic” (#3).

Crowe’s tribute to songs of her Atlantic home region contains traditional tunes, such as “Black Velvet Band” as well as interpretations of such modern classics as “The Mobile Goat Song”, (a Tom Cahill-penned hit for Joan Morrissey), Gary O’Driscoll’s elegiac “Men Who Die for a Living” and Ron Hynes’ anthemic “Sonny’s Dream”. This set, released on vinyl, “plays like a lovely, vintage collection of traditional Irish and Canadian folk ballads, lively sea chanteys and drinking songs, parlour songs and country tunes with surprising retro, girl-pop harmonies woven throughout…full of dazzling melody and such a unique charm…Allison’s voice is so strong and spectacular,” says Muruch. “It has the timeless beauty of a classic folk album.”

“Heavy Graces” combines Allison Crowe’s newest original song recordings with singular covers of Leonard Cohen (“Famous Blue Raincoat”) and Pearl Jam (“Better Man”) – and this album occupies the tenth spot on the albums of the year list, as described by Muruch: “what a lush piece of work…a touch of Celtic folk in the instrumentation, haunting backing vocals and a slow building, seething tension until Allison unleashes her wail”. The complete list of top album picks – which also includes this year’s releases from Elton John, Molly Drake, Hem, Steve Martin & Edie Brickell, Janelle Monae and more – is available @ http://www.muruch.com/2013/12/muruch-2013-top-albums.html

Here’s to a very happy, healthy, New Year – one and all!

Words - Song of the Year

Top Song of the Year is Allison Crowe's "Words" on the annual list of Muruch, the passionate and uncompromising culture blog that’s been sharing favourite albums, live performances, films and literature online since 1999.

“Words”, from the album “Heavy Graces”, features, for the first time, Allison playing her Great-Grandfather’s fiddle (along with her singing, playing guitar, arranging, engineering, producing and all those things she regularly does!). A trio of songs from her "Newfoundland Vinyl" album, also released this year, are found in the Top 50: "Black Velvet Band" (12); "Men Who Die for a Living" (18); and "Skipper Billy's Wake" (28).

Artists joining Allison Crowe in the top ten picks are: Alice Boman; Trent Dabbs; Lorde; Vienna Teng; Foxygen; Imagine Dragons; MS MR; & Janelle Monae (feat. Erykah Badu). Enjoy videos and music – of “Words” and all of Muruch’s 'Top 50 Songs of 2013' @ http://www.muruch.com/2013/12/muruch-2013-top-songs.html

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