A young 15 year old singer by the name of Annika Horne is currently recording some of my songs at Martina McBride's Blackbird Studios, and a few other studios in Nashville. She performs to large crowds often in Texas.In fact,on Nov 9th,she will perform live at Dallas Cowboys Stadium in Arlington,Texas,She won the award for Best New Talent in Hollywood for her performance on the series Army Wives on the Lifetime Network in 2012.She has a lot going for her,and I am excited.Go Annika!
Well,I had a great time in Austin and played two shows.One was at the G & S Lounge which was webcast live worldwide,and the other was at the Local Flavor reunion at the Russian House on 5th St.Great reception from the "all musician"crowd in both places. I will return next year for a prime spot at the G & S.Stay tuned!
I was at the Exit Inn in Nashville in 1973 with my former brother-in-law to see Weather Report.The only available table was at the right end of the grand piano.My seat was right next to the end of the piano-about a foot away.Miraslav Vitous played bass and Wayne Shorter on Soprano sax.I'm pretty sure Dom Um Ramao played percussion.I watched the whole show looking straight down that keyboard.Miraslav won the Vienna International Jazz competition when he was 11 or 12. They set up a stool so he could play the upright.He won the competition -hands down.It was a great show and a great night.Zawinul was incredible.To watch him play right next to you..well,there was no greater thrill.At least to me,at that place and time,was spectacular.The club was very small,the setting intimate,and the music phenomenal.RIP Joe Zawinul
Back around the winter of 70-71,my friend Dave Franklin and I read a story about Fleetwood Mac playing in Owensboro at the Sportscenter.We decided to take his old 53 Chevy over and check it out.We arrived and there were-maybe-500 people there when the show started because the weather was really bad..This was back in the "Oh Well"days and before Stevie Nicks joined. They played about 90 minutes and most of the crowd left right away.David and I walked up on stage and started talking to Christine McVie still sitting at her keyboard.Less than a minute later,Mick Fleetwood came over and we chatted for quite awhile.Just me ,David,Mick and Christine.When we finally left around 11 pm,we were the only car left in the lot and it was very cold outside.David started the car and a radiator hose started leaking immediately.We finally found a gas station and small store open.The guy told us to shake a whole bottle of black pepper in the radiator. He said that could stop a leak.We used it and it worked.We got home to Evansville after hearing Fleetwood Mac and meeting the band.Overall,it was a great night.David Franklin now works for Vanderburgh County and can verify every word of this story.Thanks for participating!
On June 10th of 1970(my son Jeremy was born on June 6th-14 years later),Mike Rudolph and me were returning from the Ohio River beach in Newburgh-we were "shrooming it"and were headed down Division St passing Roberts Stadium in Evansville when we saw "Tonight Only-Jimi Hendrix Experience",or something like that.We looked at each other,and,decided to buy a ticket for the show that began in one hour.I had seen Jimi play in 1969 in Indianapolis,where the opening act was a new group called Chicago Transit Authority,who changed their name to simply "Chicago"after their first album.. There were maybe 600 people there when Jimi's show started.We stood right on the edge of the stage-maybe about three feet,at most.from Jimi. As we passed a "cigarette"between us,Mike yelled "Go Jimi"and we had to look almost straight up to see Jimi's face.He looked to be pretty "out of it"at the time,but played very well.He was so close,we could have grabbed his huge bell bottom pants,but we just stayed and listened..Little did did we know that in four months,Jimi would be gone forever.Little did I know that in five months,I would be singing in a band(Fat Alice from Dallas)with Jimi's last drummer,Gregg Diamond,in New York City.That "fate"thing is unpredictable as it gets! RIP Jimi.I was glad to share those shows with you in another place and time.
In 1996,we were recording horns one night at Flashpoint Recording for "Tropicowboy"when Freddy Mendoza and Elias Haslanger were packing up to leave the session.Freddy said"Hey Jeff,every Tuesday we play at Cedar Street(on 4th St in Austin),and we have had a guy temporarily sitting in on piano every Tuesday too.Why don't you come and see us?About two hours later I made my way to Cedar Street.They were playing on the patio area rear stage.The piano player was on the far stage right facing the right wall.I couldn't see who it was.Freddy noticed me and said"Come up to the stage on the break".After a few more songs they finished and I went to the stage.The piano player was Harry Connick Jr.Freddy introduced us and we sat on the edge of the stage talking for maybe 10-15 minutes. I asked Harry what he was doing for so many months in Austin.He said"I am filming a movie with Sandra Bullock "Hope Floats".We continued to talk awhile about music and the band once again took the stage.Harry Connick Jr was congenial and friendly,and played a mean piano too.Thanks!
Curtis Knight(Curtis McNear)was a singer,promotor and close friend of Jimi Hendrix in NYC.When I joined Gregg Diamond's band "Fat Alice from Dallas"in 1970 as lead singer,our manager Mel Weiss rented a hotel ballroom near Times Square as our rehearsal space. Our band had Harvey Vinson on guitars,Gregg Diamond on Drums and Jimmy"Gums"Gregory on bass.All had met while attending Julliard.Gregg and Jimmy played on a lot of hit records.Gregg played on Melanie's records,Cubie and the Five Stairsteps("Ooh Ooh Child,things are gonna get easier") ,all of Tony Orlando's hits,etc..through his connection with Dave Appel. I spent some time with Dave at the Brill Bldg(where Carole King wrote "Twist & Shout"and Neil Sedaka wrote "Oh Carol"about her).In fact,Neils first band was The Linctones(named for Lincoln High School in Brooklyn where they attended school)There were many hits written there-Gene Pitney wrote"Itsy Bitsy Teeny Weeny Yellow Polka Dot Bikini"and many other hits there...anyway,Dave Appel had a group called the Tokens and recorded a song in 1961 called "The Lion Sleeps Tonight",which was a huge hit based on a folk song from South Africa.Curtis Knight used to come to our rehearsals in the hotel ballroom with a girl on each arm.If we wanted coffee,he would take us in his white Cadillac convertible-with the top down in the winter snow-full of his girls and wearing his pinto pony skin coat.I have a pic of him in that coat that I have posted in my Reverbnation pics.. At any rate,around 1966 or so,Curtis,according to Jimmy Gregory,put up the money for Jimi to go to England and form the Jimi Hendrix Experience.Curtis and Jimi were also studio business partners in Greenwich Village.They had two studios"Electric Ladyland"and "PPX" in one space.They had a divider and could use either studio alone,of could open the whole mess and put an orchestra in there. When I first got to NYC,Gregg picked me up at Kennedy Airport in his Chevy Impala.We were headed to his Central Park West apartment at 120 W 70th St,when He asked where I was from.I said Evansville,Indiana".He responded"Isn't there a lot of corn and hogs there?".I said yes-staring up at the skyscrapers as I answered.He then asked"How many people live there?" I answered"Oh,about 100,000 or so".He then replied"Well,that's close to the population of my block".It was then I knew that I was in a "whole nother place".He gave me a spare room in his apartment full of reels and reels of recording tape.I asked"What is all of this?".He responded"Oh,those are reels of me and Jimi(Hendrix)jamming.Gregg was the last drummer-though he was trained at Julliard as a pianist-to play with Hendrix.I also met producer Pete Schkeryk(Melanie's husband)and Melanie through Gregg-along with Kevin Eggers at Poppy(later became Tomato div of RCA)Records who discussed releasing me as a solo artist.He had just recently signed a young folkie named Townes Van Zandt.There is a lot more to say about my time in NYC-I am working on a book that I hope I can finish,but I thought the Curtis Knight story was a good one.Thank you all for bearing with me.
In 1974,Bobby Alexander was allowing me to interview various artists he brought to Evansville and do "air checks" with them.I had worked recently with WUAZ-FM(now WGBF)and WIKY and also did a show on WEVC-FM(now WUEV-who played a lot of my music also). That night around 1974,Canned Heat played first,so,after their set while Badfinger was playing,I interviewed Bobby"The Bear"Hite,who was Canned Heat's singer.The entire 10 minutes or so as we talked,Bobby was swigging Jack Daniels from a big bottle.He had a gravelly speaking voice and probably weighed between 300-400 lbs at that point.He did some "air checks" with me and,about the time we finished,Badfinger came bounding off the stage.Bobby Hite died not long after that. I was a big Badfinger fan and immediately went with them to their "dressing room",which consisted of a concrete room-about halfway down the backstage steps.If you were familiar with Roberts Stadium,you know just the room to which I refer.The room had four metal folding chairs and not much else.I talked briefly on tape to three of the guys,but the last guy was Pete Ham.He was hunched over in the folding chair looking at the concrete floor.When I asked his name he said what sounded like "Pete Helm",but he quickly corrected me to "Ham".He was the writer of "Come and get it"from "The Magic Christian",as well as the hits "No Matter What","Day After Day",and "Without You",the latter which became a huge hit for Harry Nilsson.He was very soft spoken and,honestly,seemed depressed at the time.The other three were more animated and excited,but he seemed more withdrawn.Pete did no air checks and seemed to be glad when we finished.I enjoyed my time with them though,and loved the material. Several years later,Pete took his own life and Badfinger was no more.Just a little moment from the past.
Yesterday I spent 30-40 minutes on the phone when Joe Vannelli called me from LA.Many of you don't know him and his brother Gino,but both have been nice to me over the 36 years since we first met.They have invited me to a concert,to Joes home studio and to their newest studio,Blue Moon,in Agoura Hills. They have a great facility out there and I am trying to get some cash together to use it sometime in the next few years.We discussed how the music industry has changed,and in general,how the music has worsened as the technology has improved.We had a great conversation.With Joe and Gino,any conversation is always great.These guys are congenial and beyond courteous.I hope to record with Joe(possibly Gino too)in the not too distant future.That is in the plans.Joe is going to listen to my last two CDs and give me his feedback.I just sent them off today.Actually,when Joe called,I was pumping gas at a Shell gas station,so I had him hold on for awhile,and continued our conversation when I finished.Great people and a great facility. If anyone reading this has an interest,I can hook you up with their place for a great rate(lockouts are available),and you can work with Joe.If you have heard any of Gino's platinum albums on A & M Records,you have heard Joe's playing and arrangingIt's "thumbs up" all the way.Wayyyy Up!!
I put up some links to Danny,whom I co-produced,co-engineered,co-mixed and mastered the "Big Fun Tonite" CD for.Danny is a great guitarist who has played and recorded with over 100 major artists including Keith Richards,Bonnie Raitt,Etta James and a ton more.This album featured Dr,John,Wil Bascomb,Mike Clark and Bernard Purdie-among many.Anyway,back in 1996 we were recording my "Tropicowboy"CD in Austin and Danny and me were the last to leave Flashpoint Recording near 6th St that night about 7 pm.We walked the half block,crossed 6th St to the other side,and headed west down 6th.We noticed a mobile studio from Reelsound,TV satellite trucks,etc.in front of the "Hang Em High Saloon"parked along 6th.The entrance was on the next corner,but there was a grey metal door halfway down the block.Just before we reached that door,it flew open right in front of Danny.A guy stuck his arm out and grabbed Danny by the arm saying"Would you guys hurry up and get in here,we gotta get this show on the road".We stepped inside and suddenly were behind Merle Haggard as he was tuning his guitar backstage at the "Hang Em High".We looked at each other crazily and Danny said"Wow,I always wanted to meet Merle Haggard,and here I am standing behind him"That was a crazy day..I will post another similar story(I have several)soon about another major artist.Thanks all!