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Hi Spider Stompers,
The second set of mixes for "BLACKLISTED" have been listened to and a visit to FFG Studios is scheduled in a few weeks time to complete the final mix ahead of mastering and coding. Much of the back-room work has been completed and we are all pretty confident that the first pre-release copies of "BLACKLISTED" will be on the way to radio and media outlets towards the end of July 2014. We have decided to relax the date of the general release of "BLACKLISTED" until early September 2014. The reason for this is two-fold:
Firstly, releasing "BLACKLISTED" in late July and August will clash with the UK and European peak holiday season. Whereas radio and other media outlets have no concern when a music album or video is released, rushing to get "BLACKLISTED" out right on top of the peak holiday season would be pointless, as most folk will be otherwise focussed on the family jaunt to the seaside in the UK or overseas.
Secondly, the main festival season peaks in late July and August in the UK and it is very unlikely that there will be a big uptake of any "BLACKLISTED" launch gigs when there are festivals only days away. In our home counties of Herefordshire and Worcestershire, major festivals such as the Upton Blues Festival, Blues At The Fold, the Malvern Rocks Festival and Down On The Farm Festival are scheduled for the end of July and in August, Nozstock, the Pershore Festival and The Worcester Music Festival will be very big draws for local music lovers.
So with that in mind, we have decided to earmark two dates for the release of "BLACKLISTED". These will be:
Friday 25th July 2014 - Media & Press Release.
Friday 5th September 2014 - General release to the public.
We will keep you posted of any changes in the schedule, although these two release dates seem pretty much set in stone at the time of writing.
Stompin' on Spiders will be performing many of the new songs from "BLACKLISTED" throughout at the summer gigs and festivals that we have booked to appear (follow this link for gigs), to whet your appetite for your own personal copy of the "BLACKLISTED" album in early September 2014.
After sixteen weeks hiding away from the public eye in rehearsal rooms and the recording studio at FFG, busy prepping-up our third studio album, an invitation from Chris and Rachel Heard of Carnival Records for SoS to appear at an “in-store” gig for World Record Store Day on Saturday 19th April, was just too good to miss….. Even if it was a 10:00 a.m. start; yep, you got it, a 10 o’clock start!
Now as most of you will probably be aware, Gazza’s voice is decidedly lazy and rarely awakes until Midday and then only after several cups of black tea have been downed. Nevertheless, Gazza’s languid vocal chords were tricked into action on this occasion and despite the unseasonable coolness in the air playing havoc with the guitar tunings and Noor’s left-hand index finger leaking blood over his Martin GT70 fret-board (and injury that Noor sustained only minutes before the start of the first number), we gave the assembled throng inside and outside Carnival Records and Malvern town in general, a bit of a rude Saturday morning awakening.
The set was selected by Becky on this occasion and appropriately contained a mix of old and new material from the SoS song catalogue – no covers – all originals of course! Time prevented us from covering the full-set, but we gave a good account of ourselves, with no howling errors or train-crashes. In fact, it was a trouble-free performance; probably a little hurried may be, but well received. The set included: My Time, Night On The Tiles, Twenty-First Century Depression Blues, Schizophrenic City, Cloud Seeding, Brasshouse Lane and Ten Thousand Miles. Sadly, Kuranda Brake and Restless Man were missed out because of the time constraints but it was great to hear the newbies, Schizophrenic City, Cloud Seeding and Ten Thousand Miles getting as much recognition and applause as the “old” standards.
The next Stompin’ on Spiders public outing will be in about six weeks time, when we will be starting a busy summer and autumn weekend gig programme. Before then, we have some more work in the offing at FFG Studios. More news on that as it happens.
Hi Spider Stompers, Just a quick update on things. Work is now under-way for the third Stompin' on Spiders album. The ten new self-penned songs have been chosen and over the next few months, we'll be working hard to knock these into shape to be ready for studio sessions that have been booked for late February 2014. We don't want to give too much away at this stage, but we think you will be quite liking the results. The concept for the CD sleeve has been drafted and will be passed on to the illustrator to do his magic over the UK winter period. As with "Nothing To Declare" the concept for the CD sleeve design is heavily theme based, with a few hidden puzzles cast here and there. Plans are also under way for a series of live performances to help launch the album to a wider audience than the previous works, including internet radio outlets that scopes a much wider audience across the planet these days. We're not ruling out sourcing YouTube and other audio/visual outlets either to promote the album to the masses. You see these days, if you want to make an impression, then you have got to use all of the media tools that are readily at your disposal. As for gigs, well there are only two formally booked for the last few weeks of 2013; those being The Nags Head in Monmouth and Choice Radio, in Worcester. This may be the last chance that you be able to hear some of the songs we have performed throughout 2013, as they will be taking a well-earned "holiday" for the foreseeable future. But fear not, there are still a few CD copies of "Nothing To Declare" and "Follow My Thread" available and these albums will still be available from our merchandise table at all future gigs in 2014 and from Carnival Records (in Malvern) and Rise Records (in Worcester). For you folks "down-under", there are a few copies currently available in Port Douglas, Queensland. Please contact Jason at 2Fish in Port Douglas for details. Well that's all for now, but please don't forget to visit our official website http://www.stompinonspiders.co.uk/ for more interesting stuff about Stompin' on Spiders.
Stompin’ on Spiders is very proud to announce that Becky Davis, the renowned percussionist and drummer from Ledbury, Herefordshire has joined Stompin’ on Spiders and will be gigging with Noor and Gazza from early June 2013.
Becky is recognised by many musicians across the Shires as one of the best at her craft. And she has joined SoS as a full time member after some clandestine jamming sessions at The Pleck, Noor’s hide-away home on the western slopes of the Malvern Hills
It is no secret that Stompin’ on Spiders have been searching for a percussionist for quite some time but finding the right person has been difficult. Those who are "drummers first" have tended to dominate the beat and inhibit the “weaving” of melodies and guitar work that have become the trademark of Stompin’ on Spiders. However, Becky has been able to fit in straight away and as a self-confessed "percussionist first" she has shown immediately that she can add her own weaving magic without taking away the interaction between Noor and Gazza. In fact the “weaving” is now magnified by a factor of 3/2....
Rehearsals of the material from the two studio albums “Nothing To Declare” and “Follow My Thread” material is well underway and it is planned that Becky will make her live debut with SoS at The Lazy Sunday on June 9th.
The inclusion of Becky Davis in Stompin’ on Spiders is the culmination of a lot of searching and a deep-rooted feeling that SoS will bloom to new levels with the inclusion of an accomplished percussionist and certainly the recent rehearsals have been very exciting indeed.
Since February we seem to really be hitting our stride, with some storming recent gigs including a great appearance at Tori Rushton's Folk Club sessions in lovely Stratford-on-Avon (it was blues special that night, hence our requested presence!) and our first outdoor gig of 2013 at Carnival Records (Malvern) to mark Record Store Day.
Outdoor gigs are the theme of this update; when I was in my first real band I always fancied breaking out of the clubs and pubs into oudoor festivals. Once I got the management on side (they were awkward and ineffective...until I fired them) we started doing festivals and I fell in love with the whole "wind in the hair, sun on the face, seeing beyond the first row" feeling and even got to enjoy the "cold wet hands on strings, dodgy monitoring due to no soundcheck, springy stage making the mic stand hit you in the face when you jump up and down" side effects of outdoor gigging.
Stompin' On Spiders have inadvertantly become festival specialists; perhaps it was written in the stars as we started off by doing festivals and we always have a much busier summer season than winter. Thinking back, some of our very best gigs have been al fresco - the Droitwich Water Festival and their Salt Day have always been personal faves (it helps that the wonderful Dale and Sam are on PA duties) but I also have fond memories of the last outdoor Pyramid Party in 2011, of the Lazy Sunday sessions at Worcester Arts Workshop and our final outdoor event of 2012 at The Fold in Bransford, where the sun shone brightly but the October ambient temperatures told you that autumn was really here at it's time to back indoors to the clubs and pubs for the next six months.
Looking at the gig list we've got a few more indoors and then we should break out again in May and June for Pershore Carnival, a Lazy Sunday session and Droitwich Water Festival. Plus I'm sure some more will pop up pretty soon; festivals are generally over-subscribed for performers so you tend to know pretty close to the date if you're appearing or not.
Catch up with you soon,
Seems likes there's been no news since June last year? Well, 2012 was a challenging year for the Spiders, whilst a great 2nd album was recorded, personal and work circumstances meant that we didn't really hit our gigging groove until the summer festival season. Nevertheless, despite the worst weather in many a year, SoS had a vintage summer, with great appearances at Droitwich Festival, Slamfest, Mappfest, The Fold Blues Festival, Saltfest, Worcester Music Festival and The End, amongst others. And 2013 has kicked off in great style, with some good gigs in Jan and Feb allowing us to sharpen up the Nothing to Declare set for more promotion throughout the year and showcase some new songs too. Gary's written another travel odyssey with the very CSN-ish "In Paradise" and I've contributed a gritty hard-blues number called "Katie Shoots the Gun". In addition, there's a good few numbers in the pipeline as well, I'm very much looking forward to rolling a new one of mine called Schizophrenic City, about my regular trips to Amsterdam and my love of this wonderful, if schizophrenic, city. Gazza's got a couple of great rootsy numbers brewing and I've got something that's well off the wall, like Led Zep crossed with Moloko! Our plan is to work these up at live performances throughout the year before working on the "difficult" third album....See you soon folks, Noor
STOMPIN’ ON SPIDERS - ‘NOTHING TO DECLARE’
I wonder if the title is a reference to Oscar Wilde? It would be no idle boast: this Worcestershire collective is very good.
Noor Ali plays lead guitar, banjo, bass and percussion; Garrington (Tolley) Jones plays acoustic guitars and harmonica. Darren Mather guests on harmonica; Leslie Wilson supplies vocals.
Noor & GT composed all 9 selections. The writing is of high quality, culled from the boys’ own experiences. ‘Night On The Tiles’ details Noor’s (and hints at his father’s) experiences with booze, humorous but with a faint taint of menace given the family is Muslim. ’Sawmill Blues’ is a belter, based on an overheard conversation on a train. Track 3 is the highlight. ‘Brasshouse Lane’ uses the collapse of Birmid Foundaries, in the Black Country to nail the enormities of 1980s Thatcherism. Noor sings this in a deceptively delicate, almost vulnerable voice, expressing bewilderment rather than the passionate anger expressed in the lyrics. This is the best original composition I’ve heard in years. ‘For The Little One’ is GT’s sweet tribute to his granddaughter, a solo acoustic piece picked with delicacy, and wistfully sung. ‘Hell-Bound Train’ describes Gazza’s experiences running the 2011Paris marathon. The train encompasses disaster, riot, earthquake, famine……whilst “LHR Blues” is a zipfile of Noor’s commercial life, relentlessly travelling throughout Europe and Mid-East. He seems to love the life of a commercial Marco Polo ; and if this song’s an accurate recapitulation he can keep it! BVs here are credited mysteriously to an ‘Airport Mob’ choir. The other big tour de force is GT’s Kuranda Brake, a railway song celebrating G’s many visits to his beloved Australia, rich in beguiling imagery and evocative lyrics. Most readers will have seen this excellent local band live, playing Worcester and Malvern venues. This cd will remind you why you did so! And you’ll be glad the lyrics are printed on the wrapper, they’re worth reading in their own right.
by Bob Jones (SLAP Magazine - April 2012)
You know that part in the cowboy movies, when the Sheriff and his deputies are slowly moving down a canyon on horse-back and one of the deputies trots-up to the Sheriff and says, "I don't like this Sheriff, it’s too quiet ….. It’s far too quiet” and then seconds later the very same deputy ends up with an arrow in his back from a Native American ambush? Well that is what it feels like here at “Stompin’” HQ this morning! We’ve been ambushed by a sloppy disk supplier! Damn!
The first batch of NOTHING TO DECLARE disks has been shipped (thank you for the orders by the way). However, in the next batch of disks, we found a defect on the on-disk printing. We then inspected samples of the remaining batches and we have found they are also carrying the defective and do not meet our high standard of quality! So we have rejected all of the remaining disks and will be returning them to the printer/duplicator concerned. We have already made arrangements for replacement disks to printed and duplicated from an alternative (and reliable) provider and the new run will be arriving at "Stompin'" HQ later this week. So there will be a slight delay issuing copies of NOTHING TO DECLARE, which as you can imagine is very frustrating for us all. But we’re on top of the case and we are very sorry for any inconvenience caused.
Until then, please keep your orders coming through? This is the e-mail address to send your requests to:
And we will get things sorted for you here at “Stompin’” HQ. Thank you for being so understanding. It is appreciated.
Feedback from the sample tracks has been really positive. Thank you to everyone who took the time to listen to the selected tracks from "Nothing To Declare" and replied with very constructive comments. It is very rewarding when your "peers" take the time to sit back and listen to your work with a critical ear and pass on their views. For some it was a surprise to hear Stompin' on Spiders moving "up the river" to try new things. For others it was technical issues they wanted to discuss. Whatever the comment, it was a fantastic response from all concerned. Thank you.
The next stage is to get copies of "Nothing To Declare" out to the local media for review and airplay. Already we have people from the media coming to us via e-mail, which is a first and quite scary in its way. But it only proves that there is a wider interest in the new album than we actually antisipated.
We are unsure about the download service provider at the moment. The organisation who dealt with the distribution of "Follow My Thread" won't be used again. We are looking at other providers who can actually offer world-wide distribution. It pays to shop around as the promises that are often made by distributors fall well short of expectations. So we doubt if the downloads will be up-and-running before the end of March 2012 at this rate. Instead we're going down the tried and trusted mail-order route via this website to distribute the CD version of the album in the first instance and then kick-off the iTunes / Amazon / Spotify downloads when we have secured a good download deal.
We are also discussing distribution of the CD copies through local retail outlets. More news on that in the next few weeks.
We will be giving a few freebies away at gigs, but these free copy CDs will contained randomly sampled tracks from "Nothing To Declare" and "Follow My Thread". For the record, 860 free copies of "Follow My Thread" were given away in 2011 and two hundred copies of the special edition E.P. were distributed for free in Australia. ........ that's over 1000 SoS CD's out there and nothing in the SoS bank.! But that was our choice....
We will post tracks from "Nothing To Declare" on Reverbnation, but only as sample tracks. We have found to our horror that the posted tracks from "Follow My Thread" on that media outlet have been "ripped-off" rather than been bought for the modest prices requested through tha Reverbnation shop. So for "Nothing To Declare" we're going add sample tracks only. If people want the whole tracks or album, then they'll have to seek out a CD copy or download. From April, all tracks from the SoS albums on Reverbnation will be sample tracks. Only the "live" tracks will be available as full-length sound bites. This will also apply to the Sound Cloud and Sounds Awesome outlets too. It's sad, but we do have to protect our copyright material from the scammers, pirates and the rippers.
More updates coming soon .....
The printers have produced a fantastic reproduction of the submitted artwork. The "Nothing To Declare" CD booklet looks fabulous and the tray insert fits a treat. The people who have actually handled the samples have expressed their approval at the quality of the reproduction and the clarity of the photographs. The final quotation is due from the printers, but this will be an academic exercise, because the booklets are superb and our thumbs are up! So lets go...... The sample tracks are ready to send to a select few, who we hope will give an honest opinion of which track has radio play appeal. Of course the programmers may think differently. What the the "panel of reviewers" will report back....? More updates soon.....