North America is many different places. Of course, there are different states and different provinces, but that’s not really where the big differences happen.  The really fundamental distinctions happen between the different regions.

 One great thing about my job is I get to travel.  Mostly on the highways, and frequently from one end of the country to the other.  When I get to see how the different regions fit together, how they unroll from end to end, that’s the most interesting travel.  Occasionally, if the booking agent is sadistic enough (or optimistic enough?), I get to see three or four different regions in three or four days.

I’ve been traveling, playing gigs, and making records for twelve years.  The place where this started for me was Austin, playing at a dark wooden barroom downtown called O Henry’s Back Forty (now the site of the downtown Hilton).  I’ve worked different jobs, lived in Houston, Dallas, New York, Madison, Wisconsin, and made good friends in all those places.

 A fellow traveler and songwriter, Brian Rung, recommended a book to me last year, The Nine Nations of North America by Joel Garreau.  In the book, Garreau argues that state borders are basically irrelevant and artificial and that North American society can be better understood grouped into nine larger regions.  Nine regions that have distinct economic and cultural features.

Garreau breaks it down and labels the regions (for example, New England, The Foundry, Dixie, The Breadbasket, The Empty Quarter, etc.)  He says that the regions are basically defined by the jobs that people have (or don’t have) and the work that people do in those regions.  Whether you’re sold on the details of this idea or not, I thought it was an interesting idea.

So I decided to write an album with songs set in the different regions, exploring characters trying to make their way and make a living in their respective places.  Dollars and Dimes, my fifth record, is what I came up with.  

We recorded the songs in July 2008 and January 2009.  Gabe Rhodes produced the project and played guitar, piano, and anything else with strings on it.  Will Sexton played bass, sang backup vocals, and played some guitar, and Hunt Sales played drums.

So we’re releasing the record this summer, driving and playing shows all over these “regions,” seeing if there’s anything to this idea.  Trying to see if regionalism still survives, looking for good coffee.

Owen Temple (Austin, Texas, April 2009)