MICHELLE MALONE BIO 2009


Armed with a bottleneck slide, blues harmonica, and her signature soul-filled vocals, Michelle Malone was born in the Deep South and grew up listening to her mother sing in the church choir every Sunday. When it came time to craft her own sound, she took those religious roots, blended in enough rock, folk, and blues to satisfy.  The result is, Debris, a high-spirited stripped down blend of rootsy acoustic slide, gritty electric blues and explosive vocals that harkens back to the lost recordings of Bonnie Raitt, Lucinda Williams and The Rolling Stones.

Debris, Michelle’s 10th release, is easily one of her most revealing and emotional discs. Helping her capture the mood is producer Nick Di Dia (Nick has been Brendon O’Brien’s engineer for 15 years, and has worked on recordings by Springsteen, Pearl Jam, Train, Matthew Sweet).  Says Malone, “Nick is brilliant, and we found that we work very well together. He was able to translate the live grit of “Feather In A Hurricane” and “Undertow” and in the next breath illustrate his sensitivity and finesse on “14th Street and Mars” and “Debris”.  He let the songs take us where they wanted to go.

Malone found herself tackling some serious subject matter while at the same time making that spirited soul-shaking music that she loves. She says, “I have to play these songs every night, so I need them to be fun – I want to have a good time, too.” If one line could capture the sentiment of Debris it would be, “Don’t you think it's time to let your childhood go?” Michelle expounds, “Debris is basically a breakup record about a relationship that had me in a state of arrested development for over a decade. I wrote about the anger, the heartbreak, the humor, and the relief I finally found in the end.”  Joining Malone in the studio were long time friend and heavy hitter Peter Stroud on guitar (Sheryl Crow), Phil Skipper on bass (Tinsley Ellis, Drag the River), Tony Reyes on keys (Dallas Austin, Gwen Stefani), and Dave Anthony on drums (Ike, Butch Walker).

The names of Michelle Malone's ten albums serve as an autobiography; New Experience, Relentless, For You Not Them, Redemption Dream, Beneath the Devil Moon,  Home Grown,  Hello Out There, Stompin' Ground, and last year's critically acclaimed Sugarfoot. She has been on dozens of “Best Of” lists and won many awards throughout her career including 4 time best album (Atlanta magazine), 2 time best acoustic guitarist (Creative Loafing, IAC), Best Blues Guitarist (IAC.com), and 5 time female vocalist of the year (Creative Loafing). Michelle was also on the Grammy Ballot for best contemporary blues CD.


Living a paraphrased line by one of her inspirations, Tina Turner, Michelle has never done anything nice and easy. She bit the major label lure and despite promises broken, indulgences extended and excesses expected, Michelle continued creating solid songs, introspective, energetic and impressive forays into bluesy rock as well as
tasty pop nuggets. This wealth of material has enabled Malone, to tour and record for over 20 years, averaging over 200 days a year on the road. Michelle's live show is not to be missed—she can make the biggest venues seem as cozy as a campfire, and an intimate venue feel like the center of the universe. She’s shared stages with blues legends Albert King, Charlie Musselwhite, Johnny Winter, Little Feat, Lurrie Bell, ZZ Top, Robert Cray, Keb Mo, Tinsley Ellis, Marsha Ball and Chris Whitley as well as  Indigo Girls, John Mayer, Steve Earle, K.T. Tunstall, Shawn Colvin, Jackson Browne and Joan Osborne.



www.michellemalone.com
www.myspace.com/michellemalonemusic
www.deviousplanet.com/mm


For more information contact: Pati deVries
917-751-2532 * patideVries@deviousplanet.com

“Whether moanin’ at midnight and howlin’ at the delta moon, or serving up a steamy blend of Tom Pettyesque twang-pop, Malone’s the sexiest, most swaggering-est gal rocker on the g%#!dam planet right now.”
— Fred Mills, Blurt magazine


The first four songs on Moanin' Michelle Malone's new CD, Debris, are the four best blues songs you'll hear this year. It is, quite possibly, the best four-song combination ever put together in a blues album. If someone teaches a Modern Blues 101 class, that person should start with these four songs. If you like the blues at all, you owe it to yourself to own this CD. Anytime you feel depressed about the decline of good music, put it on. These blues are guaranteed to bring you sheer joy." ATLANTA MUSIC GUIDE – Al Kaufman


"Malone bursts forth like she’s got something to prove. She's mastered all the tools of the trade: hook-laden songwriting, a no-nonsense voice with powerful range, tough and tender guitar, and a memorable presentation. She's destined for greatness. A refreshing surprise of an album."

• Eric Thom, Blues Revue Magazine