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Bio
Bridging the gap between pop and orchestral music, Make-Believe Machines sprang to life in early 2007 as a collaboration between between musicians Justin Norman (composer/bass/guitar/vocals) and Rob Ogden (composer/percussion).
Having spent four years writing and performing in the pop-rock band, Cardboard Canary, the two had grown weary of conventional song structures and instrumentation.
Implementing layered textures of electronic and acoustic sound, they draw heavily from late 19th century romanticism, early 20th century impressionism and minimalism, and contemporary ambient music. Their first album, Moral Calculus, was self-released online in September 2008 through the band’s Web site.
About
Influences:
Dmitri Shostakovich, Igor Stravinsky, Fyodor Dostoevsky, Aaron Copland, Phillip Glass, Thomas Newman, Ingram Marshall, Pyotr Tchaikovsky, John Cage, Béla Bartók, Kaija Saariaho, Mark Mothersbaugh, Vincent Van Gogh, Robyn Miller, Brian Eno, Harold Budd, Jackson Pollack, Steve Reich, Joseph Conrad, Roadside Monument, The Books, Clint Mansell, among others.




Make-Believe Machines
















