LIBERTY
London, UK
R&B/Soul / Funk / pfunk
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- Songs
| Status | Just uploaded 'Some Kinda Love', a LIBERTY r&b track from 1998. Should this have been released as a single? http://tiny.cc/1JGHx |
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Bio
Liberty is a UK funk band that started around 1988. They were voted Capital Radio Band Of The Year in 1993. If you like Prince, Mint Condition & p-funk then check out Liberty.
About
- FOLLOW LIBERTY:
- Liberty Facebook fan page: http://www.facebook.com/pages/Liberty/165299456605?v=wall
- Listen to Liberty at ReverbNation : http://www.reverbnation.com/libertyfunk
LIBERTY HISTORY
The Early Days
Liberty was formed in the mid 1980's by a group of school friends who wanted to write & perform the kind of music they loved, like Cameo, George Clinton, Prince, Zapp and The Time. in the late 80's things progressed onto the London gig circuit where they were playing venues such as The Hippodrome, Powerhaus, Mean Fiddler and The Limelight (hosted by DJ Gary Crowley). At one Rock Garden show they performed at a private party with James Brown’s J.Bs at the request of the management who were impressed by previous appearances there.
Their first foreign shows were in Cyprus where they spent a month touring clubs on the island. It ended in a midnight dash to the airport as the promoter disappeared leaving unpaid accommodation bills.
Back in London in the early 1990's Liberty were gaining a celebrity following. Prince’s band The NPG, Mica Paris, Juliet Roberts, Heatwave and The Christians were just some of the names now spotted at the boy's gigs. They were now often playing at Xenon's nightclub and other London venues such as The Orange, WKD's, Funk Uncut at Dingwalls, Oxygen, Knee Deep at Ormonds (four bands played including Jamiroquai) and The Grand in Clapham (televised on ITV).
One of Liberty's performances at Xenons in London was filmed by a Japanese music television show complete with an aftershow interview for broadcast in Japan.
Competition Winners
In 1993 Liberty then won the Capital Radio/Coca-Cola ‘Young Band of the Year’ Competition (the first one ever). Over 2000 bands sent in their demos but only four were chosen to play live in the final at Capital Radio. Among the judges were DJ David Jenson, top record producer Martyn Ware and other representatives from the press and music industry. Liberty’s performance was fierce and they won. Nick Coleman, then of Time Out who was one of the judges later said in an interview on Capital Radio "They are one of the most exciting British bands I’ve seen in the last year or two." Another judge, Bill McAllister who was the editor of Exposed magazine wrote in his next issue "they are part of contemporary music in this country and deserve all the support we can give them".
Liberty were interviewed on Capital Radio as their Band of the Year and went on to play at The Capital Music Festival which was broadcast live (the festival was headlined by Prince and Lenny Kravitz). Later that year they were asked to support Wet Wet Wet on their two sold out dates at Wembley Arena where they also held their first UK television interview backstage on ITV’s The Big City. A week later the boys were in Lille, France playing to a packed venue at the ‘Festival Rap n Funk Style’. Liberty also went on to support Heatwave in concert at The Ritzy in Streatham, London promoted by a London wide poster campaign with adverts in The Sunday Express and Evening Standard.
Albums & Singles
This period of live success also saw the release of Liberty’s critically acclaimed debut album 'Special Edition' in the UK and Europe (1993) via a small independent label, Sounds Of Urban London owned by Byron Byrd (producer and founder member of the band 'Sun' from Dayton, Ohio, USA). He became a huge fan of the band and also took on a management role. The first single release from the album was 'Who Is She?'.
Listen to Who Is She here:
http://www.reverbnation.com/tunepak/song_2771880
http://www.reverbnation.com/tunepak/song_2771880
The second single released from the album was to be the track My Girl (written by Liberty). The band recorded and produced 8 different versions of the song for release and record producer and founder member of Heaven 17 and The Human League, Martyn Ware produced one remix. He had just finished an album for Erasure that was number one in the charts and had wanted to work with Liberty since meeting them at Capital Radio.
Click here to listen to the My Girl tracks from 1994:
Liberty’s next tour abroad was to The Canary Islands where they were to support Latoya Jackson and perform at The Festival Deksi Tenerife, a concert in Santa Cruz's 100 year old ex-bullring arena filmed for Spanish and Russian television. Once again, at the end of the tour a vanishing promoter left Liberty and their equipment stranded without return air tickets. They were, however, getting more television coverage in the UK and Europe.
Liberty's profile was growing steadily with interviews on Kiss 100 FM and more on Capital Radio as well as Liberty competitions on Jazz FM and Choice FM. They were also featured in music publications such as Melody Maker and Blues & Soul and national press such as The Sunday Express and The Sunday Mirror.
At an interview on Kiss100FM, Lindsay Wesker (DJ and Head Of Music Of Music) was so impressed with Liberty that when he left the station a few weeks later he approached the band with a view to management. Along with Alan Whitehead (ex Marmalade drummer and now table dancing club owner) they went on to advise and liaise with the band in a semi-management role.
In 1995 the next single to be released was the self-financed ‘A Rose By Any Other Name’. It led to their breakthrough onto BBC Radio One. Steve Edwards, the show’s DJ said on air "Liberty are one of the funkiest band’s in the UK". One of the mixes also appeared on the European compilation album ‘Denz Da Denz’.
Liberty International
in 1997 Liberty's debut UK/European album was released in America by label 'Century Vista' under the new title 'Real Funk'. Their first US single taken from the album was the ballad 'Destiny'.
Circa 1998, Liberty's track ‘Tabatha C’ featuring Donna Gardier (of 'Raw Stylus' fame) on vocals was the next single but due to problems with Jetstar, the record company they used, it is yet to be released.
Listen to Tabatha C exclusively here:
http://www.reverbnation.com/tunepak/song_2786166
http://www.reverbnation.com/tunepak/song_2786166
Liberty started being asked to work on sessions and tours as well as writing and producing for other artists both collectively and individually. The boys have worked around the world with artists such as Basement Jaxx (those funky backing vocals on ‘Red Alert’ single which reached to no.4 in the UK charts), Blue, Westlife, Eternal, Rose Royce, Dave Stewart, Alexander O’Neal, Shola Ama, Sounds of Blackness, Dr Roberts, Paul Weller, Bond and many more.
On one occasion Liberty were invited to perform at 'In The City' held in Manchester but due to various technical issues they pulled out of the show during soundcheck and drove back to London. The band now felt that they needed a high profile single or album before they would play live again.
They spent the next year writing and recording songs for a new Liberty album at their London studio, collaborating with various UK and US artists. All the while they were contacting the industry to try and secure a new record label for the next album and management for the project.
Liberty In Court
Then in May 2001 Liberty found out that Richard Branson's record company V2 had signed the 'losers' from the Popstars tv show and called them Liberty (the winners were Hear'say). The band immediately contacted The Band Register who had just previously advised V2 not to use the name ( V2 had contacted The Band Register to clear use of the name, a common practise in the industry). V2 had ignored that advice. They also refused to change the name despite countless letters from Liberty. The Musicians Union refused to support Liberty's claim because members of V2's band had just joined the Union (even though our boys were members for many years) so an injunction in the courts was the only avenue left open. A successful High Court name trial followed in Jan 2002 in which our Liberty won the injunction and V2 were forced to change the name of their band (now Liberty X).
2002 saw Liberty on television as guests on The Big Breakfast, interviewed on Liquid News and featured in news items on the BBC and London Tonight. They merited a dedicated discussion programme on Radio One and were interviewed on Capital Radio and Choice FM. They have been featured in The Times, The Guardian, The Sun, The Mirror, Daily Sport, Daily Star, Evening Standard and many other publications.
Liberty Post Name Trial
Around 2003 Liberty wrote and recorded a track called Tell Me featuring Daz. Listen to it here:
http://www.reverbnation.com/tunepak/1991356
http://www.reverbnation.com/tunepak/1991356
Watch this space for more Liberty news, tracks and possible shows...
WHAT WAS THAT 'LIBERTY' NAME TRIAL ABOUT?
You've read about it in the press, you've seen it reported on TV and you've heard it discussed on the radio. Well here it is from the horses mouth, the truth about what really happened when V2 Records tried to use the name Liberty for one of their 'bands'.
The Struggle
From June 2001, Liberty fought a battle the like of which they have never experienced. From the start, there was no signpost as to what course of action should be taken. Liberty soon found out there was no precedent to follow. The decisions were made on a day to day basis, some right, some wrong, some naïve and some brave. Liberty knew they were morally right in what they were trying to do but once they initially entered the world of the High Court, they were fish out of water. Their arguments about the case morally meant nothing behind the High Court doors or in solicitors’ offices or barrister’s chambers. Battles were won and lost along the way but war was won at the High Court in January 2002.
The Opening Shots, June - September 2001
Early in 2001, Richard Branson's record company V2 signed the 'losers' from the Popstars TV show and called them Liberty (the winners were Hear'say).
Liberty were first informed of V2’s Liberty by a national newspaper in June 2001. They immediately contacted Peter Whitehead of the Band Register. He had been conducting name searches for V2 and advised them not to use it as Liberty had pre-eminence over the name. It is custom in the industry to check here and accept their specialist advice. V2 chose to ignore his advice to them even though they had accepted it many times previously. Liberty were even listed in the Music Week Directory 2001 (the music industry bible).
“The Band Register supports the claim of Kevin and David's pre-existing band Liberty and abhors the taking of band names which are clearly known to be already in use. In this case the Band Register researched the matter thoroughly on behalf of V2 Records and advised that the name should not be used……They have done so cynically, expecting to get away with it in the hope that the pre-eminent band of that name will not dare bring an action against the mighty Branson’s record company.” - Peter Whitehead, The Band Register (The Tip Sheet)
Liberty initially sent V2 a letter in June 2001 explaining the situation, politely asking them to change the name and wishing them the best of luck (before they manufactured any product or played any gigs). They refused. Many more letters were sent back and forth leaving them no option but litigation.
The Musicians Union refused to back Liberty's case because although they had been members since the 80’s a couple of V2’s Liberty had recently joined the MU. It is their policy not to represent one MU member against another. After years of paying subscriptions Liberty were furious.
Liberty crashed V2’s Liberty launch party in August 2001at the Kensington Roof Gardens. They handed out flyers and talked to arriving guests explaining the name taking situation. Liberty were abused by security staff who were searching guests to confiscate their literature. They were smuggled in by a music publication sympathetic to their cause (reported in Music Week).
Liberty started a media campaign against V2 and their band. Liberty featured on London Tonight news, BBC’s Liquid News and a special Liberty name debate programme on Radio One. They also received coverage in The Sun, The Evening Standard and other national and local press. Liberty distributed flyers and press releases and even asked supporters to reply to a newly opened email account: “thearrogantarseholeswillnotgetawaywithit@hotmail.com”
Liberty handed out flyers and talked to arriving guests about the name taking at the Mercury Music Awards, London in September 2001. V2 had an artist shortlisted and would have to attend.
Liberty had to go to the High Court in person to apply for a temporary injunction hearing to stop the release of V2’s first Liberty single.
Temporary Injunction Hearing - 27 September 2002
Their first venture to seek a temporary injunction to stop release of V2’s first single shows how isolated Liberty were. They contacted many top London solicitors but were told that they stood little chance of winning and even those prepared to take the case on wanted £4000+, in advance. One firm stalled for 3 weeks leading up to V2's debut single release and then informed Liberty that V2 were their clients and that there was a conflict of interest thereby wasting valuable time. As a result by the time Liberty got to court in September 2001 the single had already been released.
All the case papers at this stage were put together by legal secretary friends of Liberty. They did manage to secure a pro-bono Barrister just prior to the hearing but on the 26 September he informed Liberty that they would not win and if they drop the application then V2 would drop all costs to date. If Liberty ignored his advice he would not represent them the following day at the High Court. That night Liberty prepared to go it alone again. The barrister even sent his clerk to court the next day to talk them out of it.
At the temporary injunction hearing Liberty were litigants in person (they had no legal representation) and were not fully aware of the legal and cost implications of withdrawing the injunction. It was the band representing themselves against the best legal team Branson’s money could buy. Intimidated and unsure, at the last minute Liberty asked the judge for arbitration/mediation instead. Cost against them, £7,500. The judge did however set the date of January 2002 for a speedy trial. This was to prove a victory in itself.
The Battle Leading Up To The Permanent Injunction Trial
During Sept and October 2001, Liberty carried on putting paperwork together and visiting solicitors in the hope of securing legal representation.
In October 2001 their list of solicitors led them to Jens Hills and Co. They saw a major injustice and had the vision to believe that they might win and agreed to take the case on the new type of no-win no fee deal. They found a Lincolns Inn QC barrister who also saw the injustice and thought Liberty could win a passing off action, Charles Purle QC. Charles agreed to represent Liberty on the grounds that his costs would be sorted out later. They all had to win the case or the lawyers would whistle for their money and the band would be forced into bankruptcy. It was a price Liberty were willing to pay to preserve over 16 years hard work and to ensure a future for themselves.
This was a classic David & Goliath fight. Liberty were a band with limited funds up against the mighty Branson empire. Liberty’s new solicitors, Jens Hills & Co (a one solicitor firm with a team of dedicated legal assistants) were up against Branson’s legal representation Harbottle & Lewis (long established music solicitors in the country with a fearsome reputation).
Once Jens Hills & Co were onboard, Liberty visited leading counsel Vincent Nelson for merits of the case that would enable us to get insurance. This view was bleak. Liberty’s solicitors didn’t agree with this advice and said they were willing to pursue the case if Liberty wanted to. Liberty said “of course” and the solicitors tried various arguments out with their younger barrister Richard Southall, Jens eventually persuaded a long-standing QC friend, John McDonnell QC, to give a second QC opinion and he gave the long awaited top level view that Liberty had a “just case”.
Throughout November Liberty were frantically trying to get together minute details of their history to meet V2’s demand information. They also worked on different angles to the case based on other legal arguments. In the end, because Liberty had finally got solid advice on a passing off case, they let the more creative arguments go. Liberty didn’t need the case to be any more complicated than it had to be. This scrambling for a position cost though. Liberty got tight deadlines imposed on them and suffered a further couple of orders for costs, on for £2,352 in December 2001 and then another £4000 in early January 2002. These Liberty had to cover themselves, although Jens Hills helped out with a £1,000 contribution to one of the orders.
October 2001 leading up to the trial in January 2002 was a manic time of collecting every scrap of information that related to Liberty since the late 80’s, court hearings and dipursements of thousands of pounds payable by us. V2 and Harbottle & Lewis threw everything possible at Liberty but they persevered and made it to the trial.
Once V2 decided on the name ‘Liberty’ they checked with Peter Whitehead of the Band Register about use of the name. Peter conducted a search on their behalf and reported back to them not to use it as we had the right to the name. V2 chose to ignore his advice. As the Justice Laddie closed his judgement with the following:
…”carrying on with use of the name once they had learned of the existence of Liberty 1 involved taking a risk. This problem could have been avoided if a different name or a sufficiently modified version of the word ‘Liberty’ had been adopted then.”
The High Court Trial January 2002
The trial took place over 4 days in January 2002. Liberty won the injunction to stop V2’s band using the name 'Liberty' and the Judge gave them 6 weeks to come up with a new name. V2 Records appealed the decision and the appeal hearing was set for November 2002.
In March 2002, at a V2 Records press conference, Richard Branson announced that the new name for their band would be 'Liberty X'.
In June 2002 V2 and Liberty X dropped the Appeal against Liberty and the matter is now concluded.
LIBERTY & OTHER ARTISTS
Liberty have worked, both individually and/or collectively as Liberty with artists such as:
- Basement Jaxx (those p-funk backing vocals on Red Alert are Kevin Sutherland of Liberty)
- Blue
- Westlife
- Eternal
- Craig David
- Lemar
- Bond
- Heatwave (members of Liberty make up Heatwave's live band)
- Rose Royce
- Dave Stewart
- Alexander O’Neal
- Shola Ama
- Sounds of Blackness
- Byron Stingily
- Paul Weller
- Junior Giscombe
- Dr Robert
- Adam F
- Donna Gardier (Liberty featured Donna on their song 'Tabatha C')
- Nazerean
- Mandy Smith
- Damage
- MN8
- Martyn Ware (founder member of Human League and Heaven 17 and now a top producer)
- Menace (US p-funk artist)
- Matt Goss (Kevin's playing keyboards on Matt's UK tour July 2003)
- Liberty X (Glen played keyboards on a track by Kelli, July 2003)
- Plus many more up-and-coming artists.
The members of Liberty also produce for other artists, individually and collectively.



LIBERTY








