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James Leg / Press

“Solitary Pleasure gives Leg the opportunity to tap the breaks. As tempos grind down, melodies long held underground rub their tired eyes in the light of day, and Leg seems to revel in the freedom afforded by this, showing greater emotion and ambition than one might believe based solely on his output with BDH. Nobody’s Fault is an almost disturbingly poignant number that pert near finds Leg sniffing radio fare, and could have easily slipped onto Waits’ Closing Time or Warren Zevon’s self-titled record without drawing fire.”

My Old Kentucky Blog

“The sound, solidified by Myers’ other bands The Black Diamond Heavies and The Immortal Lee County Killers, is now clearly its own musical movement. This generation is reinterpreting its roots, and the musical world is a better place for this fresh take on the blues.”

Tanya Rezak - We Heard That

“Leg establishes himself in the style of an early era Leon Russell merged with some acute punk sensibilities. His keyboard work is both raw and multi-textured bringing a force of sound that clears the dust off your speakers. Like Russell, Leg also brings in a healthy dose of gospel fire that delivers another fervent level to the proceedings.”

Jim Markel - Swampland

“Though the first two songs are heavy numbers—”Do How You Wanna” even adds a guitar—Leg is exploring other rootsy styles for the rest of the album, mostly with self written tunes. From the saloon lament of “Nobody’s Fault” accompanied by only a slightly out of tune piano to the heavily amped romp of Link Wray’s “Fire And Brimstone” that rivals the Neville Brothers’ version, Solitary Pleasure has more soul.”

S. Victor Aaron - Something Else!