Logged In As Admin: {{reverbUser.name}}, Acting As: {{reverbPageObject.data.name}} ({{reverbPageObject.data.type}})

You are using an outdated browser. Please upgrade your browser to improve your ReverbNation experience.

Cornelius Eady and Rough Magic / Press

“Similar to Eady’s previous work, his new chapbook "Singing While Black" furthers the discussion of racial politics, especially against black men. John Punch - a jazz-folk song with an old feel, tells the story of a black man named John, who fled with two white men and, “when John got caught, he found out it weren’t the same”. This song seemed to capture the heart of being a black man-caught and the judicial system’s racial preferences”

“Collaborating with musicians and other vocalists onstage reflects a central theme in Eady’s work, so combining contemporary, rather ethereal-sounding riffs with poetry is a natural progression in terms of performance.”

“As a Pulitzer-Prize finalist in drama and author of numerous books, including Brutal Imagination, Cornelius Eady says there’s plenty to learn from poetry”

“This double chapbook/CD dives deep into songwriting. Abetted by able musicians and literati with chops (Kim Addonizio, Joy Harjo, Robin Messing), the poet spins "words for singing," ...the best tracks burrow under your skin. Don't be surprised to find "Rita Hayworth's Last Film" circling your memory."”

Nina Shengold - Chronogram Magazine

“(Eady's music is) in the vein of Taj Mahal when he’s at his metaphysical best, Keb’ Mo’ when he’s most squarely located at the crossroads of tradition and innovation, or Eric Bibb when he’s at his most soulfully transcendent.”

Joe Francis Doerr - Notre Dame Review

“The Book of Hooks project isn’t a blues song book, but it is certainly informed and haunted by those metaphors, the difference being of course, the stuff that floated through the AM radio in those days also floated between my ears as well. And I saw the same sort of reporting in the first poetry books I read. A different way of singing, to be sure, but still a way to story-tell with the short form. It’s what I hope Book of Hooks is up to, and is the unexplored country Rough Magic is headed for.”

““Stone Cold Jane” is one of the tracks from Cornelius Eady’s new chapbook from Kattywompus Press, Book of Hooks. I say tracks because these are as much songs as poems. “Stone Cold Jane” appears with the kind permission of Kattywompus Press.”

“When poet Cornelius Eady was a teenager, he carried around a guitar he didn't know how to play. After decades of publishing poetry in many forms, he's making that teenager happy with two new music releases. Cornelius Eady is the author of eight books of poetry, he is an award winning playwright, and he is also a musician. It is his poetry that has brought him to Iowa this week as part of the Mission Creek festival in Iowa City.”

“Book of Hooks, Vol. 1 &2 by Cornelius Eady. Kattywampus Press. 31&29 pgs. Cornelius Eady is a seasoned poet, and co-founder of Cave Canem. We read his poems in the New Yorker and our best places. Now he has turned to music with two chapbooks Vol. 1 and Vol. 2 containing song lyrics and the songs themselves in CD form. I’ve been playing them quite a lot and following the page and I find that poets who are songwriters have more lyrical antics than songwriters who are not poets. This makes it more interesting for me because the language is not subordinated as entry point for music but is the action itself; and, with music showing what language is capable of. These chapbooks plus music show what discipline it takes to manage instrumentation, a constellation of feelings, and ideas worth hearing. Also some social judgment is here and that’s what makes Cornelius Eady such a valuable member of this world.”

Grace Cavalieri - Wasjington Independant Review of Books

“The conference was a great place to network, buy your peers publications, and hear well published and polished authors such as Cornelius Eady, who is well known for the jazz and blues movement throughout his work. His literary band Rough Magic performed, and alongside him was writer Robin Messing belting out vocals behind Cornelius’s words. Their session still pops for me today. You could purchase his newest collection Book of Hooks, poetry and CD’s, and I did.”

“I had heard of Cornelius Eady before, but was unfamiliar with his work. It turns out that he is both a wonderful poet and talented musician. Eady began by introducing the concept of his new chapbook, which actually comes in two volumes, each accompanied by a CD of the poems set to music. Eady had always wanted to release an album, so he began by writing lyrics (poems), which he then sent out to various musician friends to write music for the poems. This largely telecommunicated project resulted in a beautiful collection of songs. After the explanation, Eady’s performance commenced with the accompaniment of a badass violinist, whiz-bang guitarist and poet-friend Robin Messing’s majestic vocals.”