Chris Duarte Group
Austin, TX      Blues / Rock
    • Songs
    • The Best That I Can Do
    • Satisfy
    • Slapstak
    • More Boogie
    • Have A Party
    • Blow Your Mind
    • Never Gonna Change
    • Amy Lee
    • Do It Again
    • Hard Mind
    • Something Wicked
    • Sun Prairie Blues
    • R U 4 Real?
    • Out In The Rain
    • Leave Her Be
    • I'll Never Know
    • Met My Match
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Press

"Duarte’s monstrous chops, from funk to punk, from Hendrix to B.B. King, all marked by Duarte’s percussive, in-your-face Strat sound and a subtle use of samples, loops and electronics. "
  - Musician Magazine

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CHRIS DUARTE BIOGRAPHY


Atlanta-based guitarist, songwriter and singer Chris Duarte is such a promising young upstart in the world of modern blues that he's already being compared with the late Stevie Ray Vaughan. It's heady stuff for the musician, who plays a rhythmic style of Texas blues-rock that is at times reminiscent of Vaughan's sound, and at other times reminiscent of Johnny Winter. The truth is, Duarte has his own sound that draws on elements of jazz, blues and rock & roll. Although he is humbled by the comparisons with the late Vaughan, the San Antonio-raised musician began playing out in clubs there when he was 15 years old.

After Duarte moved to Austin when he was 16, he began taking his guitar playing much more seriously, and at that time, Vaughan was still around playing in Austin-area clubs. Duarte was one of those lucky few thousand who got to see Vaughan at the Continental Club before the late guitarist got his first break with David Bowie. After a short stint in an Austin jazz band, Duarte joined Bobby Mack and Night Train, and began getting heavily into blues at that point. He traveled all over Texas with that band before a big break came his way in 1994, when New York-based Silvertone Records released his critically praised debut album, Texas Sugar/Strat Magik. Tailspin Headwhack followed in 1997 and Love Is Greater Than Me appeared three years later. ~ Richard Skelly, All Music Guide

Written by Richard Skelly

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