The Paul Abella Trio

Chicago, IL
Jazz / Granola / Jam
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Hey everyone!

First off, let me say, THANK YOU to everyone that pledged so far in our campaign to make our next disc a reality.  If you haven't yet, please, let me remind you that your support at any level that you can is so, so, so appreciated.  Every little bit counts, too, so please, consider contributing today!  $5 can get you the MP3's and $20 can get you an autographed copy of A Change In Plans at least a month before the CD release party.  While we're asking for $7000 (a number that would include a full press budget), on indiegogo, you keep whatever you get, so, as long as we get at least $1200, we're going to be able to put out a disc.  So, if you haven't contributed yet, please consider doing so!


Click here to get your copy of A CHANGE IN PLANS


If you're hoping to hear a little bit of what we're doing before you pledge for a CD that you don't have in your hands yet, that's completely understandable.  While these aren't mastered yet, they are in their near final mix...

Channel 74

I Know Better

Take On Me


Next time, I'll tell you a little more about our show at the end of the month with the outstanding vocalist, Linda Solotaire.

In the meantime, have a wonderful Thanksgiving!

'Til Next Time, Keep Your Ears Open!



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"Erin and I were thrilled to have The Paul Abella Trio perform at the jazz festival! I have never seen an audience at Stage Left so enthusiastic and engaged as I did on Saturday. Brilliant work!"  Billy Denk, Jazz on the Square Founder/Proprietor of the Woodstock Jazz Festival

"Many jazz bands specialize in performing covers of familiar jazz classics. � The Paul Abella Trio is not one of them. Mixing jazz, salsa, samba, Afrobeat, folk, blues and a healthy dose of improvisation, the band dreams up jazz riffs on everything from hits by The Beatles, Jimi Hendrix, � The Grateful Dead and R.E.M. to Metallica."  Matt Fagerholm, The Woodstock Independent

"The trio offers a set of unusual rhythms and stylistic couplings to mainstream tunes, and the result is delightful.  Tim Gault, Chicago Jazz Magazine


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