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It is said that society has lost its way. We have all but entirely lost hope in the possibility of revolutionary progress instigated by the young people of Jamaica. The pessimists have yet to consider the notorious innovation of Jamaicans, that therein lies a rich history of focusing and refocusing in perilous times, pinpointing the tiny loopholes and then widening them into gaping gaps for not only Jamaicans to see the truth, but the entire world. This is what a certain exciting breakthrough musician has committed himself to doing. His name... Protoje.
Born in the 80’s but wishing he was birthed in the 60’s, Protoje (Oje Ollivierre) is the fresh face with the freshest lyrical delivery, still having a feel of vintage reggae music but being a suitable update for the present time.
Indeed, Marley’s mantra was to “free the people with music.” Protoje’s mantra is to free the people with art. Music – his appointed contribution to the artistic revolution - is only one of the many distinct art forms. He takes up the mantle of spokesperson for the Movement and represents the evident unity among a large group of talented musical, literary and visual artists who have silently and patiently developed under the radar and are about to march together into a new era of prosperity for all.
Despite being the cousin of regular chart-topping producer, Donovan ‘Don Corleon’ Bennett, Protoje continues to resist the urge to lay his vocals on every other riddim in the dancehall mainstream. He is meticulously piecing together his debut album, The Seven Year Itch, while focusing the rest of his efforts on the perfection of his live performances. Already, a pattern has been detected whereby Protoje invariably sees a significant hike in his fan base the day after his last performance. This invokes the truth in the saying, “you have to see to believe.”
Rolling with Protoje is rolling with the Movement