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Mark provides ethereal ambient piano, screaming organ, and Enya-ish synth, with some soundtrack strings. Esther beats the drums. No, really. Her high school experience leaves much to be desired, and is filled with extremeism and fascist protocols, so her drumming verges on the hardcore. This fits in nicely with Tim's guitar work, which veers to the metal side, but also incorporates blues, and funky bass.