Kabli, a superstar of Sudanese modern music and songs, established himself as such since the 1960s. His musical talents showed up at a very early age when he was a junior school student. He soon mastered playing the lute (Oud - strings/ melody/ percussion central instrument in Sudanese music) and used to the best his deep melodious voice to create a solid base of local fans.

¨       Kabli's advanced degree of self-education and personal cultural background distinguished him among other local and regional musicians as to the lyrics he writes or selects to perform. He does not restrict him self to Sudanese colloquial wordings of rhythm. This pushed his popularity farther outside Sudan to many Arab and African countries. The larger part of  more than a hundred songs he produced seems too familiar to an audience of different cultural Afro-Arab and middle Eastern background. 

¨       Again, he is not restricted in theme, to love songs, a practice that dominated the musical scene. His repertoire included songs related to social and political realities whether these are Sudanese or of a more extensive and human nature. The echoes of his "Song for Asia and Africa" constituted part of the inspiration during the decades of liberation and the calls for peace and development in these continents. He sang for the causes of women, children and youth, and for the causes of piece and prosperity of human beings and the world nation, adopting distinctive approach of simple ordinary persons, especially the women and youth, of rural areas.