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Aethellis / Press

“On "Northumbria" Aethellis has captured the very essence of the original prog/rock pioneers who soldiered on to help shape the changing face of progressive rock as it edged into the 80s', as well as the many neo-progressive artists who emerged from their shadow like Arena, IQ, Marillion, Pendragon, Jadis, Grey Lady Down, Galahad, and Pallas. The album is highly recommended to fans to symphonic rock, neo-progressive, and fusion. And anyone with a healthy respect for keyboard driven prog/rock.”

“Want to say to all of Aethellis your album is a 10/10 top on the pile piece of work!”

“The new release from Aethellis, this one seems to stretch out a bit further than the previous set did. It's still all progressive rock, but there are a lot of variants on that general musical theme here. This is a great disc. Those that liked the first one should like this one, perhaps more so. It would also make an excellent introduction to a killer modern progressive rock act.”

“...there are moments like "Dire Need" which wouldn't sound out of place on an Asia album right down to the Wetton-like vocals. Ellsworth's undoubted talent is clear from tracks like "The Peace Path" with its bouncy and sunny jazz/funk-meets-Yes vibe, and "Sounds Good," which could sit next to any of Brand X's more commerical-minded offerings. -”

“This is one of those albums that I was tempted to dismiss on first listening as being too 'pop' or too 'superficial' to be taken seriously. After 2 or 3 listenings the layers started to emerge and the true beauty of the music started to become obvious!”

“While the name and cover art give the impression that this will be another pastoral affair, the album is actually much more eclectic, in the way prog should be! If I had to describe the album overall, it’s what Rick Wakeman should have been doing in the 1980s, but wasn’t. There’s old school Rick Wakeman-like, proggy keyboards, but that’s mixing with a 1980s Genesis sound (“The Penal Colony” steers rather close to “Turn It On Again”) and also more modern elements (“The Awakening” reminds me of Ken Ramm’s Euphoria).”

“The result of this debut was one magnificent work of symphonic rock that transmits an optimism beyond the common.....Very recommended and essential in your progressive library.”

“This sounds like the album Tony Banks should have made after A Curious Feeling. In fact a lot of this would fit well on Genesis’ 1980s albums as proggier pieces. The Aethellis album is keyboard-dominated (though there is electric guitar), and there is some Banksian playing and chord progressions, but like Banks’ albums, the emphasis is more on songwriting. And Hall is a quality singer. Whereas Banks headed off in a pure pop direction, Aethellis maintains a good balance between pop songwriting and progressive rock.”

“Like a good opiate buzz this competently written, well played and nicely produced CD will induce a "happy alpha" state...”

“Aethellis surprised me with the music in this recording. Ellsworth Hall is the brain behind Aethellis and his trademark sound are the keyboards that start from the first second of the recording to create interesting melodies. And this melodies are sometimes more easy listening, sometimes more twisted but they always have an interesting progressive sound which I liked a lot.”

“The main influence I detect is Tony Banks, mainly his more progressive pieces from his solo albums. Hall's playing reminds me much more of Banks than of Wakeman or Emerson for example. I have truly enjoyed listening to this album and will put it again in my player.”

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